Gear

Schneider has just announced three beautiful new DSLR lenses for still photography. Their lenses have long been the gold standard in cinema glass and they're bringing that level of craftsmanship to these three manual focus lenses. The arms race towards ultimate optical performance is getting very interesting. The latest full frame digital sensors are finally starting to push lens design's limits and these should be near the top performing lenses available when they release.

Austin Mann recently got hold of the new iPhone 6 Plus after Apple’s Keynote at the Flint Center in Cupertino, California. In partnership with The Verge, he set out on an amazing adventure through Iceland with the phone in tow. His reason? He wanted to put the iPhone 6 Plus camera through the test to see how much has improved since the iPhone 5s. His results? From focus pixels, focus control, time-lapse and slo-mo, Apple has made all the right improvements and innovations with their iSight camera. The new features are “enabling iPhone users to better capture and share life” says Mann.

Over the past month I've been hard at work testing the Blackmagic Pocket Cinema (BMPCC) camera in a variety of situations for an Fstoppers review (since they updated the firmware, it's like an entirely new camera). While that review is still in progress as of today, I did want to talk to you guys about one piece of equipment that made shooting with it a great experience: the Metabones EF to Micro Four Thirds Adapter for the BMPCC.

The old photographers’ saying, “It’s not the camera, it’s the photographer” sounds like a self-serving flattery when it comes out of the mouth of a photographer, yet has never been more accurate than today. Its ironic how, as a professional photographer, I posses the knowledge of manipulating the most sophisticated gear and cameras available, yet when I shoot an image on the iPhone the resulting image is an embarrassment. Rushing to my defense I’ll utter each time, “I’m a terrible iPhone photographer…” So when I see amazing images, shot with the iPhone, I’m impressed with what can be achieved.

Quick update: Sigma's newly announced 150-600mm f/5-6.3 DG OS HSM Sports Lens (unveiled last week) already has a confirmed price point: $1,999. It will be available some time in October, with a specific date not yet given. At that price point, it's much higher than the Tamron we reviewed earlier this year, so Sigma must believe the performance and build quality to outperform the Tamron.

Though they are excellent for photographers, Pelican seemed to fall into the industry rather than build specifically for it. But with options between the ubiquitous Velcro inserts and foam, there hasn't been a lot to complain about in the design and function. They do exactly what they claim to, extremely well. However after using Lowepro's first attempt at hard cases, I can now see room for improvement. I think the perfect hard case is somewhere in between the two brands' offerings, but Lowepro is closer to the mark.

MindShift Gear used the excitement of Photokina to announce two brand new backpacks that will feature the companies award winning technology in a lighter and more compact photography pack. With travel photographers in mind, MindShift Gear has released these new backpacks, entitled the rotation 180º travel away, and the slightly smaller rotation 180º trail.

Hasselblad and PhaseOne are officially flip-flopping as PhaseOne just added its no-WiFi IQ150 following a much earlier IQ250 announcement and Hasselblad is now releasing a WiFi-enabled version of its H5D-50c. In addition to WiFi, the new version brings several firmware-related improvements that will find their way into the current H5D-50c and CFV-50c models via a future update.

Last year, I reviewed the Profoto B1 Strobe, and named it the best strobe on the market today. Phottix is looking to take that crown with their newly released Indra500 TTL, a 500w/s studio strobe with an optional battery pack. What puts it ahead of the competition? How about TTL built in, as well as High Speed Sync.

Broncolor has announced two new products at Photokina - a compact, portable flash system called, "Siros" and an HMI called the "F1600." The Siros looks to be a direct competitor with the Profoto D1s while the F1600 looks to add to Broncolor's existing line of continuous, high-output lights. Siros will come as two power configurations - 400 and 800 Ws. It features an easy-to-use knob and digital display system (similar to the D1) and can be controlled directly by Broncolor's "bronControl" app. The Siros and F1600 will be compatible with all existing Broncolor modifiers.

Think Tank has announced a set of new bag offerings at Photokina including the massive 15.7” x 40” x 12.6” Production Manager roller case, designed specifically to carry large amounts of lighting equipment long distances. It is a large roller with room for multiple flash heads, power packs, monoblocks, softboxes, and light-stands. They also released a premium quality limited edition roller and shoulder bags.

Following up their massive 512GB SD card announcement last week at IBC, SanDisk today announced that they are releasing the fastest microSD cards on the market, capable of producing 95MB/s transfer speeds and intended for use with 4K capable cameras.

Profoto just released a video showcasing their popular B1 units on location with wedding photographer Brian Marcus. Marcus shows how he uses the lights through new York with ease, obviously taking advantage of the size and weight of the B1 heads. This particular video focuses on the NIkon TTL Air remotes that were just released.

At a $5,000 "discount" compared to the IQ250, the IQ150 seems almost identical in every way. While we don't currently have much information, we do know that the IQ150 features the same Sony 50MP CMOS sensor that is featured in the IQ250, Hasselblad H5D-50c, Mamiya Leaf Credo 50, and Pentax 645z, boasting the same native and useable ISO range of 100-6400. The only [in]visible difference is the lack of WiFi and $29,990 price tag (compared to the IQ250's $34,990).

I did not expect much other than an ordinary photo backpack when I received my review unit in the mail. After all, I didn't know anything about it -- only that it was a medium-sized backpack and that I wasn't supposed to talk about it until today. As soon as I opened the package, however, I think I actually experienced some butterflies. For such an average-sized bag, there's a lot to talk about, which is already your first good sign. The ProTactic 450 AW certainly looks the part. And it doesn't disappoint.

In a perhaps not-so-surprising turn of events, Leica has entered the medium format CMOS market with their new Leica S. At 37.5 megapixels, this doesn't seem to be the same 50-megapixel Sony sensor everyone else is using, naturally. This time, Leica means business with a weather-sealed magnesium body capable of 4K video at 60fps and 3.5fps still shooting between ISO 200 and 6400. Looking for the more traditional CCD version? Leica updated that, too, with the new breakout S-E.

Leica is on track to have the most impressive set of announcements for Photokina. This morning they released the Leica M-A (Type 127), a beautiful, fully mechanical, 35mm rangefinder camera.

I don’t do a lot of gear reviews, in fact, this is my first for Fstoppers (bear with me). But Lumu is a product I’ve been following since it’s launch on Kickstarter back in 2013. I didn’t invest back then, I’ll tell you why later, but it's a great concept that has become a reality so I’m here to give you my honest thoughts and a short video we hacked together using the meter in the field.

Two weeks back Sony released a teaser image for the Zeiss 16-35mm f/4.0 FE zoom lens for their α7 line of cameras. This lens rounds out the "Holy Trinity" of zooms, the 16-35mm wide-angle, the 24-70mm standard, and the 70-200mm telephoto. The lens is immediately available for preorder for $1,349.99.

Breaking: The guys over at Sony Alpha Rumors have reported on the four newly announced lenses offered by Sony for their FE mount α7 series cameras. According to Sony Alpha Rumors the long-speculated Zeiss fast-aperture prime is a 35mm f/1.4 distagon. While details are still incoming we now know that the lens I had hoped would be an 85mm is, in fact, a 35mm. Heartbreak.

In addition to the 35mm f/1.4 Sony also announced a 90mm f/2.8 macro "G" lens which features OSS optical stablilization. This lens will be awesome for portrait and macro work....

Panasonic announced their new breakthrough product, the advanced point and shoot Panasonic LX100, which can record 4K on a 16.8MP 4/3rds sensor with an optically image established fast zoom lens designed by Leica and includes a 2.7K EVF. It's even designed with lines mimicking classic cameras so it looks good too. All this and it can still fit in your jacket pocket.

Along side the announcement of the much anticipated 7d Mark II, Canon also highlights three new lenses to their lineup - the 400mm f/4 DO IS II USM, the 24-105mm f/3.5-5.6 IS STM, and the 24mm f/2.8 STM Pancake lens. With many of them sporting the STM autofocus, it's obvious that Canon is looking to compliment those with video in mind.

Can't decide which lens to take? Why not take them all! With Lowepro's new Pro Trekker 650 AW, you'll likely have to buy more lenses and accessories to fill this behemoth of a camera backpack. I got to test drive this bag for several video and timelapse shoots, so I got a pretty good idea about how it performs. In my full review I'll cover the build, features, and whether it was helpful to have or simply too bulky to deal with.

Perhaps some of the biggest news to come out of Photokina so far this year is the announcement of the Panasonic Lumix CM1 - an Android equipped smartphone with a powerful sensor and even more powerful lens. Showing off it's 1 inch sensor, the CM1 has taken the crown for the largest sensor found in a phone, a size typically found inside the Sony RX100 and Nikon's 1 series. However, the big talking point comes from Leica, with their f/2.8 monstrous lens mounted to the back.

Lowepro, who makes some of my favorite bags, has finally refreshed their entire line and included something I think we all expected from them a long time ago: hard cases. Under the new "Hardside" line, the hard cases look to take on Pelicans in the photography market. Also new are the Trekker, the Toploader and Protactic lines.

Samsung has been trying to hit the digital interchangeable lens camera (ILC) market for some time, slowly clawing their way to #2 in market share in the US. That said, they haven't done a lot to impress professionals. I had a sense they were going to release something special at Photokina, and the NX1 doesn't disappoint. With a 4K video shooting APS-C sensor and newly announced 50-150mm f/2.8, Samsung is taking aim at more serious photographers.

We recently reviewed the insanely awesome G-SPEED Studio 4-bay platform, and if you think that thing was cool, you'll love what they announced late last week at IBC: the G-SPEED 8-Bay Thunderbolt enterprise-class hard drive platform. If you, like me, are a video or timelapse shooter, this should appeal to you greatly. We can never have enough storage.

Sony's answer to many filmmakers' dreams comes in the form of the refined, lightweight, portable, and ever-enabling PXW-FS7. The FS7 offers internal 4K recording at 60fps and 1080p at 180fps, with a single extension unit and external recorder required to shoot 4K RAW footage. In addition to an ergonomic smart grip with customizable controls and a built-in, four-position ND filter to allow you to shoot truly on-the-go, the FS7 also makes use dual slots for a new 128GB XQD G-series card that supports 440MB/s read and 350MB/s write speeds.

Announced today at IDC, Blackmagic showed off a new Blackmagic Cinema Camera sporting a PL mount (For Arri and Red Camera systems) as well as a series of rackmountable interfaces, monitors and input systems. These additions to their lineup help prove once again that Blackmagic is ready to play with the professional level videographers.

Introducing PowerPole, a GoPro accessory with some pretty cool features. The PowerPole is designed to add extended reach for people using GoPro camera systems; a necessity when filming yourself skiing down a mountainside, or surfing through those ten foot waves. That's not all though, the PowerPole also has equipped itself with one much needed feature in the modern GoPro system - battery life.