Gear

Fujifilm recently announced a range of exciting new equipment, including the GF 55mm f/1.7R WR, which offers medium format shooters a remarkably wide maximum aperture paired with a versatile and relatively neutral focal length, making it attractive for a range of applications from portraiture to events. How does it perform in real-world usage? This great first look video takes a look at the performance and image quality you will be able to expect.

The Canon RF 28mm f/2.8 STM is a truly small lens, which makes it a fantastic option for any creative who want an affordable lens suitable for multi-hour walks or long trips. Can it pack decent image quality and performance into that tiny footprint? This excellent video review takes a look at what you can expect from it in real-world usage.

The Nikon NIKKOR Z 85mm f/1.2 S lens offers the promise of being the ultimate portrait lens for Z mount shooters by offering a combination of an extremely wide maximum aperture, top-level image quality, and smooth and buttery bokeh. Can it actually provide those in practice? This excellent video review takes a look at what you can expect from the lens in real-world usage.

There is a lot to love about Sigma’s new 100-400mm f/5-6.3 DG DN Contemporary lens for Fujifilm X mount cameras, including superb image quality, a compact design, and image stabilization – all at an affordable price.

Do you have insurance? Do you need insurance? Is this something that you've thought about and then just not gone ahead and purchased? Photography is a hobby, so I'll be covered with my home insurance should anything go wrong. Is there something in the small print that won't cover your equipment at home or overseas?

A 70-200mm f/2.8 lens is the option of choice for countless photographers, as it can handle a huge variety of situations and needs and produce quality images with a high degree of reliability. That being said, such lenses are often quite expensive, easily topping $2,000. If you do not need that wide aperture, a 70-200mm f/4 can be an excellent alternative. The new Sony FE 70-200mm f/4 Macro G OSS II is one such alternative, and it also brings with it 0.5x macro capabilities, making it an intriguing option. This great video review takes a look at what you can expect from it.

Everyone likes to talk about gear, moving to a full frame camera, getting the newest camera, more megapixels, and so on. It is easy to think that you can’t take good pictures without the right gear. In this video, we see someone move from using their Nikon Z7 to using their Nikon Z30 more often.

Fujifilm’s newest camera and a series of lenses have, after many rumors, finally been unveiled! The successor to the outstanding GFX 100 is finally here, and it packs a punch! What is new? What is better? Is it worth the upgrade?

Macro lenses with short telephoto focal lengths are fantastically useful, capable of offering a glimpse into an amazing world all around us and pulling double duty as razor-sharp portrait options. The Venus Optics Laowa 100mm f/2.8 2X Ultra Macro APO offers a particularly high magnification ratio even by macro standards, and this awesome video takes a look at what you can create with it in the field.

Historically, the Olympus TOUGH cameras were well respected by outdoor adventurers, divers, and those who work in extreme environments. The New OM System TOUGH TG-7 has taken a huge step forward with a host of exciting new features.

With its innovative APS-C and medium format cameras, many have long wondered why Fujifilm has steadfastly refused to enter the full frame market. It turns out they have had their eyes on the full frame market the whole time.

Smartphone cameras have evolved in the past decade from merely being tools for documentation to being actual devices that can be used for art. With most smartphones getting bigger, what does this small phone actually have to offer?

You’d be hard-pressed to find a portable flash at the level of Profoto A2 in terms of build quality, size, weight, power, ease of use, and consistency. It is genuinely a tiny marvel for any photographer. It is almost hilariously simple to set up, and yet, it delivers terrific results. Best of all, if you buy a Profoto A2 between now and October 31, you get a Connect remote for free.

Today, we’ll take a look at why sometimes adding a little horsepower to your workflow can supercharge your productivity.

Canon has produced some mightily innovative and unusual RF mount lenses in the last few years, and it seems they have no intention of stopping. New patents show the company is dreaming up more lenses with extreme designs.

Lenses with wide maximum apertures are extremely popular both for working in conditions with low light and for creating images with very narrow depth of field. In recent years, we have seen an explosion of lenses that push well past traditional thresholds like f/1.4 and into extreme apertures like f/1.0 or even f/0.95 and f/0.85. Are these insanely wide lenses worth it? This insightful video discusses the issue.

The GFX100 II, the followup to the highly popular Fujifilm GFX 100S medium format mirrorless camera is here, and it looks like an incredible camera.

Alongside the new GFX100 II medium format mirrorless camera, Fujifilm has announced three new GF lenses.

As if a new medium format camera and three new lenses weren't enough, Fujifilm has also announced plans for two rather innovative medium format lenses.

Landscape photographers often find themselves hiking longer distances or on routes with significant elevation changes. Decisions about what camera gear to carry can influence the hike's success, both in reaching the destination and photography results. Is there a one lens solution for these hikes?

The AstrHori 18mm f/8 macro 2:1 lens released a few months ago is the nearest competitor to the Laowa Optics probe lens and at half the price, it is something that should be considered by both macro photographers and videographers.

Canon has produced some remarkably impressive RF mount lenses, and their latest, the RF 100-300mm f/2.8 L IS USM, is arguably the most stunning yet. With incredibly versatile capabilities and jaw-dropping image quality, it is the type of lens that makes people like sports and wildlife photographers drool. This great video review takes a look at the new lens and the sort of performance and image quality you can expect from it in use.

The Tamron 35-150mm f/2-2.8 Di III VXD is easily one of the most intriguing lenses to hit the market in some time, offering an extremely useful focal range in combination with especially wide maximum apertures, making it a dream lens for people like events photographers, at least on paper. How does it hold up in the real world? This great video review takes a look at the sort of performance and image quality you can expect from the Nikon Z mount version.

After delving into some of the regrettable gear choices I've made, it's time to shift the focus to the gear that has truly excelled in my toolkit. In this article, I'll share the equipment that brings me joy whenever I use it. Be it a camera, or a light stand, or even a keyboard, it's all in here.

One of the greatest aspects of mirrorless cameras is that you can adapt just about any SLR lens to them, making it easy to take full advantage of decades worth of lenses to explore your creativity or find an often much more affordable alternative to modern lenses. Are they worth the cost and effort, though? This great video discusses the issue.

Landscape photography is an art that requires creativity, patience, and the right equipment. While cameras, lenses, and tripods are essential, there are some unexpected items that can serve as game changers in the world of landscape photography. In this article, we will explore five unconventional tools and accessories that can enhance your landscape photography experience. Plus, unlike your main gear, these won't cost an arm and a leg.