Here we are on day five of our 30 for 30 where we are releasing 30 videos to the Fstoppers YouTube Channel the entire month of January. Yesterday Charleston, South Carolina was hit with the biggest snowstorm in over 25 years. I decided to team up with my crazy friend Bryan Young and take ski portraits around town. The resulting images are pretty hilarious and are definitely once in a lifetime photographs.
Depending on your project or assignment, commercial photography can allow for some creativity to be added to the photo. Creating splashing in the background or even having the splashes hit the product or subject can be one way to add some interesting factors to the shot. How would you set up the shot?
The beauty of a studio space is the ability to carefully craft light exactly as you'd like it to be, giving you the opportunity to get as nuanced as you would like. In this video, you'll move beyond some of the more common three-light setups and see a very precise design and the portraits that were shot with it.
Light is a key factor in photography. It helps shape and create your photo. As the sun changes throughout the day, depending on where you are you may see some thin beams of light fall across the environment. Creating these thin light beams and adding them to your portraits can add some interesting looks. Controlling the light into small beams is one way to create drama and mood in your work. How would you create a thin beam of light on set?
Today, I’d like to take a look at the X1T trigger from Godox specifically as it pertains to their Fujifilm version. The unit is also offered with compatibility for Canon, Nikon, Sony, and Olympus cameras. I have experience with the Canon, Nikon, and Fujifilm versions of this and will give my experience with it on Fujifilm cameras today.
The only times my strobes see the light of day is when they are facing down onto the surface of the water from poolside for my underwater work. In the studio, the amount of natural light that fills the space has created a look and signature feel to my images. However, I started to wonder if I was just taking advantage of this light and not truly challenging myself to the work that can be created using a strobe light.
LED lights are becoming more popular than ever, and with super compact, battery-powered options such as the Lowel Go Lite, it’s never been easier to pack them along for the ride, wherever that may take you. In this review I take a look at the versatile Go Lite by Lowel.
As wedding photographers, we always find ourselves walking the high wire between art and popular demand. But then, is the balance hard to achieve? In my opinion, I’d say it is wise to just put the thought, sincere effort, and presence of mind into your photos. What you capture will be loved equally by the artist in you as well as the couple you shoot - who seek nothing less than spectacular. The picture we are going to dissect is a product of this belief.
For over a year now, I've been the lead freelance photographer for Stock and Barrel Magazine, a food and beverage publication here in Columbus, Ohio. Often, assignments get thrown my way with not a lot of time to get them done before deadlines hit. That means I get to shoot a lot of places in a very short amount of time. Oh the joys of the print world! In this article, I'm going to share with you how I shoot food on location quickly. No assistants, minimal gear, during business hours, and without pissing off the chef. Let's get started.
Take a 5.5-inch cube you can hold in your hands and imagine it can put out 30,000 lumens of daylight-balanced light. You change intensities and color temperatures not by switching out the bulb, but by switching out light cards. And if you could then snap the lights together via hidden magnets to double or quadruple your power, you'd now have the new Anthem One. You would be right to be wary of all the new products claiming to do everything better and at less cost than its competitors. But Anthem One isn't some Kickstarter project that will be delivered next year. It's already for sale and will ship in just a couple months.
Multi-light setups can seem complex and intimidating for several reasons, not the least of these are all the variables involved. Where do you put the lights? What power settings do you use? How do you balance everything? What if there is ambient light from other sources? Then there’s the cost aspect. How can I afford enough lights for these complex set-ups? Luckily, I’ve made things complicated for myself so I can make them as easy as possible for you. Let’s break down these three shots and find out how you can light a complex scene without making your wallet cry and, hopefully, without too much hassle.
When you're first starting out with artificial lighting, it can feel a bit like trying to speak French in Russian. In between the modifiers, the types of light, and their placement, each setup is a puzzle. This helpful video will describe the main types of lights you'll have in a studio setup and how they relate to each other.