I found Irene Rudnyk a few months back when I was looking more into portrait photography. I found that her work stood out amongst a lot of other work because of how clean and straightforward her style was. In this video, Rudnyk goes over how she shoots in a small bedroom inside her house using only natural light and a reflector. This video goes to show that a good photo really can be created anywhere if you know exactly what you want and how to do it.
Lighting bald people can present some difficulties, as the extra exposed skin can create additional hot spots that take some care to prevent, while separating them from the background often takes a bit of a different approach than when working with someone with hair. This helpful video will show you a proper lighting setup for someone who's bald.
While many of us don't own dedicated studio strobes, most of us do own at least one speedlight. And while they may not be as powerful as their bigger cousins, they offer more capabilities than we might give them credit for. This fun video demonstrates how you can create a high-quality splash shot using only a single speedlight and a little DIY ingenuity.
Multi-light setups can be tricky to master, but they also offer a remarkable amount of control and creative possibilities. This helpful tutorial will walk you through one such setup with its take on a classic lighting setup, showing how each light contributes to the final image and how you can replicate it yourself.
When it comes to light painting, the tool you use to paint with is just as important as the camera you use to shoot with. Different tools give different textures of light, color, and intensities. The main issue here is that most tools are handmade and there isn't always a lot of information online about how to build everything. So when someone comes out with a well-made tool that you can use right out of the box, it’s time to take notice. That’s what we have here with The Ball of Light Tool from the master light painter himself, Denis Smith.
You might think that if you want a dark background in your photos, you need to be shooting with a, well, dark background. However, the beauty of lighting and exposure is that with a proper setup, you can turn even a white wall into a dark background. This helpful video will show you the basics of doing just that.
With its increasing popularity, photographers and videographers alike have begun to entertain LED lighting as a possible option for their shoots. Spiffy Gear believes they now have that solution, and it's called Spekular. Touted as the "Swiss army knife" to a creative's needs, they introduced their new product as the solution to make videographer and photographer's lives easier.
As photographers, we have but one raw material to work with: light. You will hear this time and time again, you need to learn to see that light and learn how your camera sees it. Knowing what to look for is just the beginning. Figuring out how to use light, or more importantly how you will use it, is the larger part of your photographic journey. Today, I’d like to run you through five types of light I love and use often.
There are several different ways to light up your subject for portraits, sometimes we can get caught up in needing more lights for our sets while forgetting there are other tools that can help. Reflectors can very beneficial in bouncing additional light in a cost-effective way. Whether it’s the sun, available light, or your own artificial light, reflectors can help you control the light. Aaron Nace over at Phlearn shows several ways to use a reflector, or a few, on-set to improve your portraits.
Artificial lighting is one of the best tools a photographer can learn to implement in his work. It’s not something we have to use and rely on all the time, but knowing it’s there and not being afraid of it is always best. When working in a studio for portrait and beauty photography, it can become a necessity depending on the natural light you have and the looks you shoot. In this short behind the scenes, Rossella Vanon shows how she created six different lighting setups that keep a consistent feeling. Take this opportunity to learn new lighting setups and understand her thought process when building a set.
Any photographer who has photographed or recorded multiple skin tones on film will know that lighting suitable for one skin type won't always work for another. Exposing for a dark skin tone may blow out a lighter skinned companion, and lighting for a pale skin tone may leave a darker skinned person in the shadows. So how do you properly light dark skin? Xavier Harding recently interviewed Ava Berkofsky, HBO's director of photography for the show "Insecure," for Mic to find out what her techniques are for lighting the show's black actors.
There are a ton of speedlight modifiers on the market today. Some utilize the miracle material we call Velcro, others use rare-earth magnets to affix their product to your flash. Photoflex takes a more traditional approach with their latest speedlight modifier by developing a collapsible octobox style modifier specifically designed for speedlights.
I’ve been a Profoto user for quite a while now, loving my B1s and B2s for wedding photography, and my D1s for studio photography. I’m a huge fan of off-camera flash, especially when it can be easily manipulated into looking like natural light when I need it to. After all, that’s what 99 percent of my wedding clients want: natural light and a golden-hour glow regardless if it’s raining or we’re shooting in noon-day sun. What I’ve been missing, however, is the portability of a small flash, and being able to use it on camera.
After weeks of rumors, Profoto officially announced their latest A1 flash; a speedlight sized powerful flash, which can be used both on or off camera. The company calls their latest product “the smallest studio light” and considering its features, they seem to be right.