Chinese lighting manufacturer Godox has just released a few details about their most recent project: an off-camera flash for your smartphone. The Godox A1 is more than just a constant light, offering several options in what they are calling their first “phone flash system.”
Perhaps one of the biggest rites of passage for a photographer is gaining proficiency with artificial light. It can seem a bit daunting at first, but once you get some basic principles down, it's really not that hard, and you'll greatly expand your photographic capabilities in the process. Dive into this great video to get started.
There are plenty of reasons you may want to blend natural light with flash. I know I rarely shoot with more than one strobe on location so the ambient light often acts as a fill light or rim light. Regardless of your reason to do so, knowing how to easily achieve this is extremely important. Check out this video where I explain my process for balancing strobes with natural light on location.
This incredibly well thought out and carefully executed shot is an awesome lesson in not only designing an intriguing product photography shot that tells the right story, but also in bringing it to fruition. Check out this step-by-step video that walks you through the entire process.
Just over a year ago today, I took the leap and made my first MagMod purchase. That first endeavor included: The Basic Kit, a set of Creative Gels, a set of Artistic Gels, an extra MagGrid, an extra MagGrip, a MagBounce, and a MagSphere. Over the last year I’ve added (and replaced) a few more items into my MagMod kit that is now to a point I’m now extremely happy with. After that initial purchase though, there was still one missing piece that kept lurking in the back of my mind. It wasn't actually a MagMod item so much as it was something I saw in a video on the MagMod page featuring TwoMann Studios.
Photography can be quite an expensive hobby or career. Needless to say us photographers love our gear and always want more of it - or at least I do! Over the past couple of years, I've been transitioning from being primarily a wedding photographer to incorporating more studio photography in my business. I don't plan on leaving weddings, but I love having a couple more thousand dollars a month doing quick and easy headshot photography. Here's how I built my studio with both simplicity and quality in mind.
LED lights are all the rage these days. Though they're already used quite a bit in the video industry, they're starting to make their way into the stills side of things, with folks like Peter Hurley embracing them. This great video examines the process of shooting portraits with LED panels, as well as the pros and cons of using them over strobes.
For photographers just beginning to invest in studio equipment, a beauty dish probably isn’t too high on their wish list of light modifiers. They can be expensive, and are not as versatile as softboxes. In this video, Joe Edelman breaks down the beauty dish and shows how to create the beauty dish look on the cheap.
In today's somewhat over saturated market of boudoir photography, everyone is looking to shoot something new and unique. It can be difficult to find a new perspective on shooting when so many ways have already been discovered. So how can you get creative and grasp the attention of the viewers without reinventing the wheel?
We talk a ton about different lighting setups and how they affect tonal transitions, strength of shadows, etc., but rarely do we investigate how the way we work with our lights affects our subjects' pupil size, and yet, that plays a large role in a person's perception of a portrait.
University photographers often end up rubbing shoulders with some pretty famous alumni, and that privileged position sometimes offers the chance to shoot some compelling portraits of said celebrities. Unfortunately, that doesn’t always mean you’ll have a lot of time to bust out the strobes in the studio. Sometimes, all you have is 90 seconds, a speedlight, and a hallway.
Kendrick Lamar's newest music video, "ELEMENT," was released this week. The video is directed by Jonas Lindstroem and The Little Homies (aka Kendrick Lamar and Dave Free) and takes Photographer Gordon Parks' iconic imagery and breathes new life via video. I'm not sure how many of our readers listen to Kendrick Lamar, but you should. He's brilliant, in both lyric and music video direction.