While many pros working in studios will use complex multi-light setups for portraits, when you are shooting on location, it is often much better to employ a single light that allows you to be a bit more nimble. And with a bit of lighting savvy, you can still create fantastic professional-level portraits.
There are several timeless photography debates that are fun to engage in but will probably never be resolved to everyone’s satisfaction. There’s film versus digital, zoom lenses versus primes, small compact minimalistic camera versus fully featured monster-sized pro camera, and of course, continuous lighting versus strobe lighting.
Have you ever seen images and wondered how they create an editorial look that you just can't seem to recreate? It's clean, it's crisp, it may be edgy or sleek... you can't quite put your finger on it, but whatever "it" is, you want it for your work. Here are a few tips, from composition to post-production, that will upgrade your images and give you a more professional look.
If you are new to working with artificial light, you might look at some of the complex multi-light setups seasoned professionals use and feel a bit overwhelmed or discouraged.
SmallRig has upped its game in the lighting department with four new affordable fixtures to take you filmmaking up a notch.
For decades, color slide film was the industry standard for commercial and editorial work, and the speed of the film was typically 64 or 100. It was standard practice for a portrait photographer to use a high-powered strobe to illuminate the subject.
It might seem strange to want to mimic natural window light in studio, but the beauty of having a controlled space is that you can create that light however you want, whenever you want. If you would like to make yourself a more versatile lighting pro, check out this great video tutorial that will show you how to create the look of natural window light in a studio.
While you can absolutely create compelling portrait photos using just a single light, moving into using multi-light setups opens a lot of creative and technical options that simply would not be possible otherwise. One of the most useful of these is the hair light, and this great video tutorial will show you how to place one properly to get the best results.
Photography and video have some crucial differences between them, but perhaps the most important similarity between them is that good lighting is crucial to getting the best results.
While we spend a lot of time talking about the choice of key light and how it is used in a portrait, it is often not the only light source present in a shot. The fill light makes a large difference in the final look of your image and deserves just as much attention as the key.
Instead of bouncing light underneath your subject, this method could make life easier.
Today, I’ll talk about one of the best values in my constant lighting kit.
Have you ever wanted to produce a night shot but during the day? Well, it's possible, and it's not even that difficult if you know how to control light properly. In this video, go behind the scenes on an outdoor shoot during the day that yields images that look as if they're in the middle of the night.
Let me rewind the clock by a decade: it’s the tail end of 2012, and the NYPD was in the process of clearing out Zuccotti Park in Lower Manhattan. Over the last year, Occupy Wall Street had been picking up steam, with an encampment filling the better part of the park and protests regularly spilling out into the streets.
In this video, Lindsay Adler deconstructs two images to show how to mimic a fake sunset using studio lights on set.
There are two kinds of light sources for video: LED lights and panels. Both have advantages and drawbacks. Which is the best choice when you’re on a budget? Should you choose an LED light or an LED panel? I made my choice, but now, I have my doubts.
Miguel Quiles is one of my favorite photographers for studio portraits because of his command of light and the effortless ways he interacts with his models to get beautiful and powerful portraits. In this video, he walks through some simple and inexpensive tips on creating great off-camera flash portraits.
Bright, harsh sunlight sitting far overhead is the bane of many portrait photographers' existences, but it is not impossible to create compelling portraits with flattering light in such conditions. This helpful video tutorial will show you how to take bright sunlight and harness it for worthwhile images.
A lot of photographers feel a bit overwhelmed by the prospect of learning how to work with flash, but once you learn the fundamentals of how light behaves and how to control it, you will find strobes are not that great a mystery and that they can open an entirely new creative world.
Although you will often see professional portrait photographers working with multi-light setups, you can absolutely create compelling images using just a single light. In fact, there are different looks you can create just by varying the position of your light.
Portrait lighting is about more than creating a technically correct exposure; it is your chance to add your creative touch to your images and create a memorable style. Once you are comfortable with a single light, multiple lights will open an entirely new world of possibilities for your work.
Optical snoots are great ways to get creative images with crisp edges, but you are limited by the horrible gobo collections. Here's how I found a way to make your own for about $11.
While there are a lot of differences between video and photography, one fundamental truth remains: your lighting makes or breaks your creations. And just like photography, there are some common lighting mistakes that new filmmakers tend to make. This excellent video tutorial will show you 10 such mistakes and what you can do to fix them or avoid them in the first place.
When the Rotolight package was delivered to my doorstep, I was apprehensively excited. I was apprehensive because light is everything in photography, and LED lights are notorious for disappointing me. But I was not disappointed. To say I had to rip myself away from playing with it in the studio to type up my review would not be an exaggeration. This light is prodigious.
Cinematic footage is a great way to showcase a product and add a level of professionalism to your video work. However, it can be daunting to know where to start, and the options can get expensive. If you want simple and effective ways to up your video b-Roll game without breaking the bank, look no further than this accessible tutorial.
Beauty dishes and octaboxes are two of the most common lighting modifiers out there, with almost every portrait studio in existence owning at least one of the two, if not both. They are not identical, though, and each renders your subject in a unique way, which is why it is important to understand the differences so you can pick the proper one for your style and clients' needs.
One of the most crucial things any photographer working with artificial light needs to learn is the inverse square law, which has deep consequences on how light behaves and the look of your images. If you are new to working with artificial light and want to learn the inverse square law, check out this excellent video tutorial that will show you what you need to know.
We are often taught that when it comes to portraits, soft light is the most flattering, while hard light, which introduces stark shadows and emphasizes skin texture, is to be avoided. While it is true that softer light is considered more flattering, that does not mean you should never use hard light; in fact, it can be fantastic for the right look and scenario.
The more you get into working with artificial lighting, the more you will realize you constantly little gadgets and accessories besides the lights and modifiers themselves. This great video tutorial will show you six things you should have in your bag that will keep your shoots running smoothly and help you tackle any problems that might arise.
So many YouTubers are able to project an air of authority with some amazing A-roll setups. While it may seem like you need a dedicated studio space to do so, that's not always the case, as this video shows you how to get a professional look on a budget.
When you are creating a lighting setup for a portrait, you probably approach it from the standpoint of adding lights and modifiers until you get the result you want. However, while adding light is, of course, important, it is also crucial to know where to take it away. This is where the idea of negative fill comes in. However, negative fill can sometimes be misunderstood.
Learning how to work with artificial light will make you a far more versatile photographer and enable creative opportunities that simply would not be possible otherwise. However, there are a couple of ways to approach building a lighting kit, and if you plan to be on the go quite a bit, you should carefully consider the size, weight, and power requirements of your equipment.
Having really expensive gear can make you a versatile photographer with an advantage over your peers. In my opinion, knowing how to use gear creatively is a much more critical skill.
There is sometimes the misconception that natural light only offers one look, but it can be a lot more versatile than you might think. If you know how to read the light, you can create a wide variety of looks suitable for many different applications.
When it comes to working with artificial lighting, there is sometimes the misconception that professional images require multiple sources, all of which are big, heavy, and expensive. That is not always the case, though.
Artificial lighting is its own world, and it can be a bit overwhelming to try to tackle it all when you are new to the pursuit, which leads to some common misconceptions about the different types of flash, what they are used for, and how they work.
Looking for a competitively priced compact flash that will fit in your pocket and work with your Fujifilm X-T4, your Sony Alpha, and your Leica M6? Check out our review.
The pin-up model was one of the most iconic styles of the 20th century, and even today, decades after its heyday, it is still a very recognizable and eye-catching look that makes for great portraits. In this great video tutorial, you will learn how a vintage nude pin-up portrait was conceptualized, lit, and photographed.
Why not just a fast shutter speed to freeze motion? That's what I always think, but there are good reasons to use a flash or speedlight to do it instead. Take a look to see what they are.
Should you add a Fresnel-type light to your collection of gear for portrait photography? Besides looking like a great prop in your shot, is it a light you can use as your main source for photos?
Learning how to work with artificial lighting is something every portrait photographer should learn, as it will free you of relying on certain locations, weather, and times of day and enable creative shots that would not be possible otherwise.
Clamshell lighting is one of the most classic and commonly used setups for portrait photography, and when done right, it can produce eye-catching and flattering results. If you have not used it before, check out this great video tutorial that will show you how to create a proper clamshell setup for portraiture.
Artificial lighting enables new creative opportunities and versatility that simply would not be possible otherwise, and it is a skill every portrait photographer should consider learning.
For years, photographers have understood that creating the best photograph possible means shooting in the best possible light. For natural light shooters, the best light often comes at a time known as the golden hour. This occurs when the sun is setting and the angle of the sun to the earth causes the light to travel through clouds and air pollution creating soft, diffused light.
If you are new to artificial lighting, the array of terminology and equipment can be a bit overwhelming at first. One of the most important distinctions is that between a speedlight and a strobe. Though the terms are sometimes used somewhat interchangeably, they are fundamentally different devices with distinct purposes.
If you are new to the world of artificial lighting, it can sometimes feel like trying to learn a foreign language. It is really worth taking the time to learn it, though, as it will open up creative opportunities that simply are not possible otherwise and make you a far more versatile photographer.
Even to the non-photographer, the look of light through a window is quite recognizable, and as such, it is an excellent way to give your portraits an elegant and timeless look. Of course, we do not always have the ability to just use a window with natural sunlight streaming through, and as such, knowing how to create it in studio is a useful skill.
Shooting portraits on location is a fantastic way to add some drama to your shots or to use the surrounding environment to complement your subject and to tell a story.
The octabox is one of the most fundamental and useful lighting modifiers out there, able to provide a wide variety of looks for portraiture while remaining relatively easy to set up and master, making it an ideal first choice for anyone working on learning artificial lighting.
Nighttime portraits can be a highly effective way to add a bit of drama to your images and open up entirely new creative avenues. If you are interested in learning how to shoot portraits after dark, check out this fantastic video tutorial that will show what you need to know to get up and running.