Who out there captured the eclipse this week? Did you plan ahead, travel hundreds of miles, purchase the right gear, and capture the phenomenon that is a total solar eclipse for that perfect shot? The photos are coming in by the thousands and each seems to be better than the last. Here is my photo capturing 90 percent coverage of the moon over the sun and also a little behind-the-scenes on how I shot and edited it completely with my phone.
If you're just getting started with artificial light, one of the most challenging scenarios you'll probably undertake is mixing natural light and your strobes convincingly. This helpful video will give you some quick tips, as well as a neat trick for eking out a bit more shooting time during golden hour.
It's been several years since I first had the chance to visit Yellowstone National Park, but I can honestly say that it was an incredible experience throughout and I can't wait to go back. The trip to the national park was honestly a game-changing experience for me and how I approach my own landscape photography. I learned so much on that trip, not necessarily about my gear, but about what to shoot and how to capture it in a way that would help me really remember what it was like to see things in person.
Photography is not only a creative outlet for the photographer, but it also can provide healing to your clients. Most boudoir sessions are sought after in order to gain confidence, many family sessions are there to capture generations for preservation, and even underwater sessions can provide a healing to clients who are in need of the surreal emotions that come with being submerged.
It’s already the fourth time Jessica Kobeissi got together with three other photographers to challenge themselves on a shoot. Each artist is given the opportunity to choose the outfit and location for one set, and then everyone has to come up with something in their own style. For this episode, the photographers were Joey L, Brandon Woelfel, Dani Diamond, and Jessica Kobeissi. Each having a very different photographic style, the video is quite entertaining.
“A picture is worth a thousand words”, so goes the idiom.They can recall memories so profound; the song on the radio, the light in the room, or the laughter that surrounded you.They can make you feel the joy that was in your heart all over again in an instant. If I close my eyes, I can transport to the very spot where I felt truly alive. I can recall the smile spread across my face when I took a moment to look at the image I had just captured. I’m enthralled with my memories and photos as much as I was the day I was there. As I gazed down Tunnel View at Yosemite National Park, I truly found my paradise.
Golden hour. That time of the day where the warm sunlight makes every shot look like a magazine cover or a movie poster. It would be great if that light could last all day long. Yeah, well a lot of things would be great but not likely to happen. Location fashion and lifestyle photographers have to be able to manipulate daylight in a variety of ways in order to have a productive shoot that lasts more than an hour. Using the techniques of shade, diffusion, reflection, and strobe photographers can work with and against natural sunlight to create beautiful images all day long.
A couple of months ago, I finally pulled the trigger; I broke out my wallet and dropped a (rather large) chunk of change on my first mirrorless camera kit, the Fujifilm X-T2. I had been researching mirrorless options for almost a year, and finally landed there for a multitude of reasons. I was mainly interested in a mirrorless kit for use while traveling and backpacking, and loved the idea of a smaller, lighter kit. All signs started pointing at the X-T2 over the other long-term contender, the Olympus OM-D EM-1 MK II. It was only a couple of weeks before I headed off to spend a month in India and Nepal, so I needed to learn this camera relatively quickly.
You've probably seen some pretty comical behind-the-scenes images of the kinds of positions photographers put themselves in just to get a shot. They climb trees, hang off cliffs, stand in the middle of rivers, lay down in the dirt, all just to frame up that perfect shot. Well there's almost always a reason behind the madness and sometimes those reasons end up having a much bigger impact than most people might expect. Sometimes it's about getting a really intriguing angle on a particular subject, but I find myself laying in the dirt quite a lot just so I can create a composition that carries more depth. Let's compare a couple different shots that can help make some sense of this.
I met a new contact on a job recently that encouraged me to delve deeper into the world of lifestyle imagery when thinking about my next shoot. She explained that over the years in between paid gigs, she would self-produce and fund her own micro shoots to use as portfolio material, but more importantly, as stock imagery to be sold. Over time, she has amassed an impressive collection of stock imagery that continually pays her royalties and is an excellent source of continuous revenue when work is slow.
In today's somewhat over saturated market of boudoir photography, everyone is looking to shoot something new and unique. It can be difficult to find a new perspective on shooting when so many ways have already been discovered. So how can you get creative and grasp the attention of the viewers without reinventing the wheel?
The animal kingdom does most of its activities at dawn or at dusk, and many only hunt when they can hide in the darkness that the nighttime brings. This video showcases how BBC went about capturing the animals using artificial light at first, and how they do it now using infra-red and thermal cameras.
Across the board boudoir photographers have seen an increase in the number of inquiries for couples boudoir sessions. While boudoir photographer was generally more known as a more intimate session for a female to either reconnect with her own sensual side, or perhaps to give as a gift to a significant other, the trend is now becoming for these couples to capture these moments together. So how do you coach and pose for emotions during a session if the inquires start to roll in?
When it comes to shooting implied nudes, it is not as easy as simply stripping down as one might think. Soft posing, flattering light, and the trust from client to photographer is essential to capture that perfect look. Having a solid portfolio of this genre is essential to bring in new potential clients who can form a bond with your work. So how does one start out shooting implied looks if you do not already have a portfolio to show potential clients?