That's 10K – as in your 4K monitor, but not really...because it's 10K. Yes, photographer Joe Capra created a stunning 10K time-lapse with a PhaseOne IQ180 that shoots images with a resolution of 10,328 x 7,760 pixels. While this video is clearly put together in a proof-of-concept style, the clips still astound. We can't expect anyone to be able to view this at a real 10K resolution (the video is edited to 1080p and zooms in to show the full resolution), but the least you can do is view it in HD in full screen, at which point it becomes a gratifying kind of dizzying.
When taking portraits with natural light, often times, there is one key aspect that is overlooked. This facet of naturally lit photos is far more important than things like shooting at a specific time of day. Before diving into what makes a naturally lit photo a spectacular one, it is important to know and understand the difference between artificial lighting and using natural light.
Fred Mortagne, or French Fred, is a skateboarder, photographer, and filmmaker living in France. His images have taken skateboard photography to a place where the line between fine art, portraiture and action sports have beautifully dissolved into amazing works of art. As someone who shares a lot of the same passion for actions sports and black and white photography, I decided to get in touch with Fred to ask him a few questions about his work.
One of the most noticeable differences between portraits taken outside using natural light as opposed to artificial light is the background. Images using artificial light tend to have darker backgrounds. This is crucial in catching the eye of the viewer and allows him or her to focus on the subject. This article is a guide in achieving this look using natural light only.
Have you ever wished that you could simply walk into your studio space and immediately have perfect lighting? Japanese architecture firm FT Architects has created a gorgeous photography studio which uses diffused skylights and windows to harness ambient light and do just that. This beautiful studio located in Kanagawa, Japan seems to be the first of its kind.
Everything starts from nothing. Thousands dream of being full time photographers, but knowing how to start a business - and how to grow it - are really tricky parts of a complex equation. Emily Soto today celebrates 4 years of full time professional photography. In this exclusive interview, she shares insights on how she has grown her business, as well as the struggles, hardships and rewards she's encountered along the way. If you're curious about what it takes to make it as a successful photographer today, this might just provide the answers you've been looking for.
These days it's hard to come by a fashion shoot that's not shot with a digital camera. That's why when Fstoppers discovered on a Facebook Film Shooters group that Indonesian based photographers Wirawan Sanjaya and partner Gaillard Mathieu had convinced the editors at Bazaar Magazine to allow him to shoot the entire editorial on film, we just had to reach out! The stakes were high, but his results were stunning.
I adore a good landscape image. And it goes without saying that few things can take your breath away quite like an incredible image of mountains, valleys, spires, oceans, even castles and cities. After all, what is larger than life, or at least larger than us, can be far more awe inspiring than most portraits. However, the craft of landscape photography is hardly a matter of planning a vacation and bringing a tripod, which is about where my landscape "skills" end.
Capturing the launch of a space shuttle is undoubtedly a tremendous task to take on. Add to that the pressure of capturing the last space shuttle launch and you may have one of the most immense photographic endeavours of your career. In a very passionate and insightful video talk, Dan Winters takes us through the process of accomplishing said task. From his emotional relationship with capturing launches, to diagrams of his camera setups, Winters not only shows us how he captured his incredible photos, but conveys what doing so meant to him as a photographer as well as a human being.
The great team at Artifact Uprising has created a strong list of tips by some of the top mobile photographers on Instagram. Having been engulfed in the mobile photography, or iPhoneography, world for almost two years I have found that in the end the camera you use has nothing to do with the quality of your images you create. Just to clarify, by quality I mean the moment captured and the purpose behind the shot, not the pixel density. These guys truly are proof that the best camera is the one you have with you.
You may have the newest DSLR or the fastest lenses known to man, but without even a basic understanding of light, it is going to be an uphill battle to create the images you envision. While this tutorial is directed primarily toward animators, the ideas and concepts within it are applicable to anyone who wants a better understanding of some basic lighting fundamentals.
I have seen absolutely beautiful things happen in the photo industry. I've seen strangers become best friends, I've seen grand ideas being brought to life, and I've seen photographers grow from beginners to mentors. I've seen so many things that make me proud to be a part of such an amazing community. The sad news is that I've also seen the uglier side of it. I've seen jealousy turn into bad-mouthing, I've seen photographers knowingly leave out key techniques from classes or talks, and I've seen new photographers become discouraged and disheartened by the cold shoulders of the more popular photographers in the industry.
We’ve all been there, stuck with bad light and fresh out of ideas. I may spend up to an hour pre-lighting before a model or subject steps onto set, I work out the kinks and make sure everything is how it should be. But, despite my best efforts to make it right, every now and then I run out of time and have to wing it. We all have our “go to” lighting scenarios, but when you’re standing in unknown territory, keep the following tips in mind and you just might make it through the storm.
At the end of the day, a photographer's work takes just seconds to capture your attention. Usually, it is very obvious why you like a photographer's work, and other times, it is a bit of a mystery to you. This was the case when I first experienced photographer Cary Fagan's work recently. The fact is, based on what I like, what I shoot, and what I tend to gravitate to, I shouldn't like his work. But, I do.