While there are obviously no strict rules about what lenses a photographer should buy, my curiosity was piqued recently, when legendary Glamour Photographer Jarmo Pohjaniemi (Playboy, Shoot The Centerfold) announced he was headed to Santorini with a pair of Canon EF 11-24 f/4L USM lenses. I assumed he was going to shoot landscapes (after all, it’s Santorini), but his answers when I asked were far more interesting than that.
First off, some Fstoppers readers who follow my articles may be confused right now because I am posting an automotive retouching tutorial. For those who don't know, I used to do quite a lot of automotive photography work from 2011-2013 or so, and these days I still take the occasional car job here and there. But what I was so grateful for in 2011, when I started in this direction of editing, was that I was already very familiar and comfortable with Photoshop's pen tool - the ultimate weapon in automotive retouching (and more).
Due to the incredible amount of submissions, we decided to film a second edition of Natural Light Portraits! This time, Lee and I sat down in the Fstoppers studio and critiqued an additional 20 Natural Light Portraits. Check out the pictures we selected and feel free to add your thoughts in the comments!
A couple weeks ago, we asked the community to submit their natural light portraits to be critiqued. We had an overwhelming number of over 300 images submitted for feedback and thus will be breaking up this critique into two episodes of 20 images each. For the first episode, we had the honor of having Dani Diamond, a fantastic natural light photographer in New York, help us critique a range of 20 images. Check out the selection of pictures below and add your thoughts to the comments!
The ME20F-SH is Canon's latest, crazy-high ISO camera, able to record clean video at over ISO 4 million (not a typo). Early footage was lackluster in content, and early media stated the natural security-field uses for such a camera. But the latest video suggests the ME20F-SH could be used to shoot incredibly beautiful footage of our world that wouldn't have been able to be captured the same way in the past.
Our next episode of "Critique the Community" will feature natural light portraits. Use this awesome featured image by Dani Diamond as inspiration for your submission. While images which include the use of reflectors are acceptable, please do not include any shots that include extra light (flash or continuous) added by the photographer. Please get in your submissions by Sunday, October 18th and you'll have the chance to have your image critiqued by the Fstoppers team. For this episode, we will be giving feedback to 20 pictures. To qualify, you must follow the submission rules below.
Nine-time Emmy award-winning TV producer and writer John Marshall found himself on Maine's Frye Island with too much time, talent and imagination. The result photo series, which he calls Sunset Selfies, is creative, whimsical and inspiring. I'd be ridiculously surprised if this doesn't spawn a whole slew of creative projects within our community, as enthusiastic shooters start cutting out their own cardboard silhouette to use during magic hour.
As someone who prefers to shoot using natural light, I have realized that sometimes, a photo begs for artificial lighting. For years, I struggled with how many strobes to use and where to place them. I lost patience and focused instead on natural light. By spending the time to learn how lighting actually works, I eventually gained a better understanding of how to use strobes. In this article, I hope to share with you how to use just one strobe to create jaw-dropping results.
It seems that a lot of photographers tend to avoid direct sunlight and for a long time, I did too. Occasionally, I would backlight subjects, but I would never dare light them directly with the sun. I decided one day that it was time to embrace the sun. In this article, I break down my methods for achieving a good photograph in direct sunlight, discussing what has helped me and what you should avoid.
As a self-taught photographer, I’m an advocate of learning through doing. I didn’t study it, but I can imagine that reading all the Photography 101 books that are available still wouldn't prepare you for actually being on a set, with a model standing in front of you, and a team awaiting your creative direction. In my journey, experience has meant everything. Here are some of the things I’ve learned over the years that may help when shooting your own portraits.
Nope, we're not joking. Photographer Kotama Bouabane is creating photographs using coconuts. While he used the fruit in several different ways to create images, his most interesting method simply involves tape, a coconut, and some photo paper! Read on and check out the video for more!
As we all know, the human experience is unique. Your life and your opinions will never be the same as any other persons. This is why there is a subjectivity to art. When viewing and creating art, there will not be two artists who imagine the same piece. Since photography and retouching are both art forms, it would be plausible that the same applies.
For many years now since the digital revolution hit the mainstream, the continuing and growing complaint in the photography industry generally centers around two key points: Too many photographers out there and too many clients offering exposure in lieu of actual pay. The problem continues to worsen, but there is a way to possibly solve it, and it involves, plain and simple, revolution.
Aerial photography has always been something that I have found interesting. Seeing so many of our writers like David Geffin, Mike Kelley, and Noam Galai capture exciting photos and video from the sky has inspired me to finally attempt my first doors-off helicopter excursion. In just one short one-hour ride, I've learned a lot of do's and don'ts as well as a bunch of things to experiment with again. I even attempted shooting with a $7,000 lens that everyone told me would be a disaster — and it nearly was!