Commercial Photographer and Videographer Jay P. Morgan has spent the last 25-plus years mastering light, production, and the business end of photography. He shares most of his insights on The Slanted Lens, his site dedicated to providing step-by-step instruction on how to light for photography and video. His latest video finds him in Gettysburg, combining strobes with ambient light, featuring Honest Abe and a couple of sweet cannons, while he shows us how to light a scene during sunset.
Our second tutorial with Elia Locardi: Photographing the World: Cityscape, Astrophotography, and Advanced Post-Processing was all about different types of cities. We started in Cinque Terre, a region of Italy where cities are basically built into the side of a natural landscape. We then moved on to Rome to shoot ancient architecture. Next we moved on to Singapore and Hong Kong for something a little bit more modern.
Some of my best street photography was shot while wandering the city with no apparent aim. Street photography is a genre in which you have little to no control of what your subject does, the light you’re working with, or the setting. You cannot force anything, and you cannot stage life in the streets or predict what’s about to happen before your very eyes. You’re just there, observant and ready to shoot. Here’s how I do it.
Despite having grown up around photography all my life (thanks, dad) and then starting my own commercial portrait business in 2009, there is one small little thing I'd never done before, silly as it sounds. I have never, ever shot in snow. Born in the Caribbean in 1975, then briefly living in Miami before settling down in Houston in 1979, I have truly never experienced real snow. But all that changed for me recently in Salt Lake City and Albuquerque - in January.
I’ve always been a fan of big lights. There are certainly situations where they aren’t appropriate, but a lot of my work is centered around big, soft light. What has always drawn me to large sources of light is their versatility. Almost every subject looks good with soft light. Because large light sources cause such soft gradation in the shadows, they can be useful for both younger subjects with smoother skin, or even older subjects that may have wrinkled and scarred skin. However, there is one thing that should be cleared up: the definition of a large light source.
Over a year ago, after having discovered his work a year before that, I felt it necessary to introduce Fstoppers' readers to photographer K. R. Whitley, the world traveling wilderness/landscape and urbex artist. Since then, Whitley has traveled even more and expanded his work in some bold, new directions. I brazenly invited him to an interview at my house, and thankfully he agreed.
The behind-the-scenes series of our cityscape tutorial with Elia Locardi continues with episode 11. In this episode we fly on one of the longest flights in the world, from N.Y.C. to Singapore. We enjoy seeing the sights of this amazing city and we also try eating some chicken feet. Spoiler: they were awful.
Regardless of what genre of photography you shoot, understanding light and its characteristics is key to creating better photos. For those of us working with off-camera flash, there is another layer to the complexity: balancing ambient and artificial light. On top of that there are various modifiers that can be used for artificial lighting to replicate or create certain effects. A great way to become proficient in understanding and seeing light is to examine photographs by other photographers in your genre.
As a photographer and an artist, one of the most rewarding accomplishments you’ll have is when you see your work featured in some type of way, whether it is in a magazine, an art gallery, an advertisement, etc. In this piece, I will take you behind the scenes of the exciting and riveting experience of a fashion editorial, from the preparation, to the actual shoot, post-processing, and beyond.
There may be a dozen ways to skin the proverbial outdoor lighting cat (sorry for that, felines), but it never hurts to review some of the most common basics. Some of my favorite approaches outdoors start with pure natural light with some simple modifications, leaving the strobes or speedlites at the ready only when they are absolutely needed or desired. After all, natty light should look natural, no?
An annual award that TIME magazine started three years ago has chosen it's official 2015 winner. Stacy Kranitz is an Instagram photographer who is most famous for her work in the Appalachia area. The poverty stricken, drug and alcohol filled area is certainly an eye opening subject. But why her in particular?
Ever since the middle of high school, I've been immensely interested in "the process." You know, that middle bit between point A and point B that nobody but the artist ever sees. I've always loved peeking behind the scenes to see where something started and what kind of work and thought went into creating the finished product. To satisfy those of you who are just like me, here's the second post in my before/after series which not only shows you my images straight out of camera and the final product, but which uses each image to explain a bit more about what I do in post. If you want to dig in way further than these, I cover every step of my post processing in my Editing + Consistency class. Enjoy, friends!