Even though technology has come a long way, you have to have some kind of lighting in order to film. Generally, cinematographers bring in giant ARRI lights to help make a scene look realistic, but for the BBC TV series "Wolf Hall," they opted for a more natural approach. Cooke Optics TV sat down with cinematographer Gavin Finney to talk about how he used candlelight as the only source of light during nighttime scenes.
Over the years as a boudoir photographer, I have noticed a theme when it comes to new shooters about the "restrictions" they come across. Countless times I hear or read, "I wish I could upgrade my gear," "I just do not have a commercial space," or my favorite, "I just cannot afford to have all those set ups." Well quite frankly, that is a load of bull.
Time-lapse videos are everywhere nowadays. You can see them in everything from Hollywood blockbusters, to educational documentaries, to that one weird guy's YouTube channel showing the most random things in a time-lapse format. Well done time-lapses should definitely be appreciated as, make no mistake, they are works of art in their own right.
If there is one comment I hear the absolute most at my studio lighting workshops, it's "Nino, I need to learn studio lighting. That stuff is hard. I'm a natural light portrait shooter and that's much easier." This is a statement I could not disagree with more, and here's why.
It's been a long time coming, but today's episode of my weekly web series, The Backyard, finds my co-host Staci and myself reviewing our three favorite edits from (what I dubbed) the Dani Diamond Experiment, posted almost two months ago. I allowed you all to download a raw file I shot of Staci in Miami and let you loose on it to retouch it as you saw fit. The results? Let's take a look.
Photography is a game of emotions. Think about some of the most powerful images that you’ve ever seen. The ones that have left a lasting impression on you. Sure, they might have gorgeous tones, light, or composition, but the reason they have stuck with you for so long is probably the emotion or mood that the image evokes. Our job as a photographer is to control those moods and to decide which emotion we want our viewer to feel.
As long as I can remember, I've adored summer and heat, and when the season comes, my head starts exploding with ideas that I can realize outdoors without the limitations the cold weather brings. The usual scenario is generating an idea and seeking locations to make it real, but my most outstanding shots were done when I got inspired by the location. I have already described how that inspiration happens in my previous post on my "unLimited" shoot. It was the same was with "Summertime." When my sister moved to her new apartment, I started looking around, and the moment I looked down from her balcony, located on the 5th floor, I knew something would happen there.
Four German body painters and photographers have teamed up to blend the human body and natural landscapes into an art project they call "Metamorphosis." Photographers Laila Pregizer and Uwe Schmida have been working with body painters Jörg Düsterwald and Léonie Gené since 2008 to integrate their subjects into various natural landscapes in all seasons. It's notable that the project does not rely on Photoshop to create the images, but rather on the skills of the artists.
Canadian Photographer Melissa Trotter is getting a lot of attention with her latest foray into alternative themes. "Blood Dress" was viewed more than 1.3 million times in just 8 hours after being posted online. Inspired by a "milk dress" shoot, Trotter says she instantly fell in love with the idea of creating the same concept with blood. There are plenty of comments to go along with the provocative image. The owner of Stolen Innocence Photography, Trotter says she's been overwhelmed with the response she's gotten, pointing out most of it has been extremely positive.
For those of you may not know, we recently created a 20 hour photography tutorial with the incredible Joey Wright on all things swimsuit photography and retouching. We've been posting a weekly behind the scenes series of the creation of this tutorial. This is Episode 5.
Hey there, Ben Sasso here! Learning new things is one of my favorite parts of what I do, and I want to be able to pass that on. If you're looking for some quick and basic natural lighting tips to play with on your next shoot, you're in the right place. Check out five easy tips! Hope you enjoy!
For those of you may not know, we recently created a 20 hour photography tutorial with the incredible Joey Wright on all things swimsuit photography and retouching. We've been posting a weekly behind the scenes series of the creation of this tutorial. This is Episode 4.
Finding the best quality of light is most of our job as photographers, and a great place to start looking is window light, especially north-facing window light. This type of light creates a soft transition from light to shadow, and can be very flattering on our subjects. Sometimes, however, we need to get consistent results all day, as in the case of this menu shoot, and using a window will cause too much variation in the light.
When Arizona-based Photographer Chad Castigliano set out to help his wife's non-profit organization, Books To The Rescue Yavapai County, he had no idea that his photoshoot to raise funds and awareness would spread like wildfire. Fortunately for Chad, his good friend and model for the project was Wildland Firefighter Tim Wilson.
Yes I said it. I can hear the outraged shrieks of equipment addicted photographers, but hear me out. In February, I went to Capetown for a month to please my trigger finger and shot eight stories in the same location using just natural light. South Africa is a renowned location for occidental productions. When it is snowing in Europe and in the States, it is summer season there. During that time the only weather complication can arise from wind with the upside being constant blue skies. During my stay, I got unpredictable rain and clouds. When I was done throwing tantrums at the black skies and banging my head against a wall questioning my decision of spending hard earned bucks to fly to the southern tip of Africa, I capitulated and went with the flow. And learned a lot in the process. Getting out of my comfort zone reminded me about the core of photography: my vision.