Opinion

There are amazing lenses available. It is tempting to buy a special lens, because it can open doors to a whole different kind of images. But there are lenses which you probably won’t need anytime soon. Here are six of them.

The way we shoot is often a fashion trend. Make sure you’re creating original ideas, rather than following a cliche.

When the Sony World Photography Awards (WPA) suddenly decided to remove photographs of Hong Kong protests from its website, it destroyed its credibility as a competition. If the decisions of the judges are being edited to avoid upsetting the Chinese government, how is this not censorship?

Today, I’ll share a few words of wisdom. Or, more accurately, I’ll let you learn from, and possibly laugh at, a few mistakes I’ve made along the way.

We live in interesting times when everything is expected to look good, show high numbers, and have flashy abbreviated job titles. What actually lies beneath the shiny plastic cover is often something rather humble.

When pondering my move away from Canon almost 18 months ago, the two main contenders were Fujifilm and Sony. Despite the announcement of the incredible-looking X-T4, Fujifilm still hasn’t done enough to drag me on board, and it has nothing to do with sensor size.

Buying a beautiful f/2.8 lens zoom is tempting. Large apertures are always better. If you’re using primes, a f/1.8 or f/1.4 is even better. But is that expensive large aperture lens really necessary for your photography?

Remember when Pentax released the K-1 Mark II? In hindsight, that wasn't too bad.

Fujifilm has officially announced the X-T4 and to me it looks like a brilliant camera. Fuji has implemented most of the major requests made by many within the community. My initial reaction in London was extremely positive towards the camera. Unfortunately, there are still a few reasons that hold me back from upgrading.

As every photographer who’s suffering from GAS (Gear Acquisition Syndrome), I am currently searching for a new lens. While trawling through popular online shops, I couldn’t help myself, but laugh about some useless review images of the products.

An amateur photographer has revealed his experience of selling a camera through Amazon. Despite eventually resolving the matter, the company first sided with a fraudulent buyer, refunding the scammer the money and letting him keep the camera.

Last year, I spoke to a number of leading industry professionals and collated 29 of their combined unpopular opinions. This year, so that people can put a face to the opinion, I'm going to give 10 of my own.

It is a strange claim to make, but is it right? Is doing a degree in photography worthwhile, or are you better off getting into the industry instead?

The L-Mount Alliance marked the culmination of a remarkable period in the history of the (digital) camera. However in five years time, will we look back and see this as the beginning of the end? Was the L-Mount Alliance simply too little, too late?

Being a photographer with a “real” camera always carries risk. People well within their rights to photograph in public are harassed online all the time. I’d argue, though, that being a brown person in the United States adds an extra layer of risk that other photographers don’t face, namely fears that you’re a terrorist taking photographs to plan for a future attack.

The number of things I have learned, unlearned, and relearned all over again along the road from hobbyist to professional photographer would require something of a short novella to recount in their entirety. So today, I want to share just one of them.

What's the difference between a good photo and a great photo? Can anyone even agree on how to distinguish the two? One man has tried, and it's a rather polarizing view.

There are some simple yet crucial things that a photographer must learn about the craft that may be seemingly useless at first but helps one move forward much faster.

I read articles on here all the time about wedding photographers losing all of their gear while traveling, break-ins at studios, and general destruction of camera gear. In spite of all of this, I decided to cancel my equipment insurance.

In today's match, we have the $949 Sigma Art DG HSM 50mm f/1.4 in one corner, while in the opposite, we have a heavyweight fighter, the Panasonic Lumix S PRO 50mm f/1.4, which costs about $2,300. Who will win?

Top of the line cameras often have some really impressive specs and capabilities, but they also often lack some fairly straightforward features for seemingly strange reasons. Why is that? This great video explores the topic.

I've bought expensive lenses I've barely used and a couple of value lenses that have become workhorses. This one, however, may be the best example of images taken per dollar spent.

The visual arts have a long history with the naked form. What could be more natural than nakedness, more natural than how we entered the world? Or are we kidding ourselves, and is boudoir just softcore porn?

There are a lot of ways to improve at photography, and we should never stop trying them. Sometimes, it comes down to just risk versus reward.

Over the last few years, many Sony shooters have been requesting certain features that still haven't been delivered. One of the main features that a lot of people seem to want is better video features. Unfortunately, Sony has, for the most part, stuck with the same video features they initially offered back in 2015.

The words “fine art” have got to be some of the most misused and abused in photography. For a term that is pretty much meaningless, it’s quite impressive.

As a commercial photographer who tethers at every shoot, I’ve always relied on Tether Tools cords as part of my workflow. So, I was excited to hear that they had launched a wireless offering and wanted to put the new Air Direct through the paces.

Are you a photographer that owns a business or are you a business owner who offers photography? That realization can sometimes mean the difference between having a successful business or not. Here’s why you should stop photographing people as the sole subject of your imagery.

It doesn't matter if you shoot with Canon, or Sony, or Nikon, or any other great maker, nor if you use a DSLR or a mirrorless, or your sensor is full-frame, APS-C, or micro four-thirds. Your gear will never be good enough. Here's why.

The DSLR has been called a dinosaur on the brink of extinction. It has been called old-fashioned, or even outdated technology. It is all because of the mirrorless cameras that hit the market a few years ago now. Let’s have a look at the differences between the two and find out if both systems can live next to each other.