“I want to work with my dream wedding photographer as an assistant, learn the craft, and start up on my own sooner. What is your advice to me?” This question was posed to me at a recent photography meet up. In a way, this reflects the aspirations of many new-generation photographers who are raring to get started with wedding photography.
I am excited to announce the release of one of the most epic projects Lee and I have been working on this year. As many of you know, Fstoppers teamed up with Landscape Photographer Elia Locardi back in 2014 to produce two separate tutorials on landscape and cityscape photography.
In a recent article entitled "Why You Shouldn't Submit Your Photographs to Magazines," I discussed Vanity Magazines and how, in my opinion, they often fail to deliver enough value to justify the photographer's effort.
My heart sank when I first saw the headline that a photographer had been shot by a police officer because his gear was mistaken for a weapon on a rainy night. I didn't want to open the story because I knew it would instill some more fear in my own work while shooting around law enforcement and other potentially dangerous situations.
I always think that knowing a bit about the author is important, especially when reading an article about camera equipment. I work predominantly as a commercial photographer shooting people and food. However, most of my kit was purchased when I was starting out as a wedding photographer.
Outdoor on-the-go DIY style editorials are really picking up in the fashion world. It is a good skill to have in your toolkit as a budding photographer. In this article, I want to break down how a small team of talented artists and myself went about producing and shooting two full on-location, outdoor editorials for Bullett Magazine in less than two weeks in NYC.
Apple’s Photos app on MacOS has been through many changes. We’ve come quite far since its predecessor, iPhoto. This time around, Apple has its sights set on bridging the gap between a consumer app and something more professional. Where does it fit in, and is it worth using?
Whether you’re a veteran freelancer or just starting out, it is important to continuously asses and audit your process. A decade and a half of experience getting washed around as a freelance photographer has taught me many difficult lessons about art, life, and growing a business doing what I love.
Since I discovered movies made by Edgar Wright and movies such as Alfred Hitchcock's "Rope," Alejandro Iñárritu's "Birdman" and "The Watchtower of Turkey" by Leonardo Dalessandri, I've always been fascinated by the way the footage just seems to flow into one another, and no usual cuts are visible.
Remember the time you first discovered photography? That day of unboxing your first camera and going out into the backyard and photographing just about anything you come across. That perilous voyage you embarked on, trying to get that bee perfectly in focus as it hovers above the flower or the macro image of the tree bark shot in shallow depth of field. The first sunset you shot.
We all know that buying in bulk has its financial benefits, but how many of us actually utilize these habits for our photography? Here are 11 items that will not only save you time and money if bought in larger quantities but will also help minimize stress while on a photoshoot.
There are countless photographers out in the world who are producing truly exceptional work in the field of boudoir. Local to me in Utah, the field is one where most of the boudoir photographers are women. The ratio of boudoir photographers from female to male is really irrelevant, so I didn't even bother trying to figure it out.
As photographers, we have but one raw material to work with: light. You will hear this time and time again, you need to learn to see that light and learn how your camera sees it. Knowing what to look for is just the beginning. Figuring out how to use light, or more importantly how you will use it, is the larger part of your photographic journey.
Being a photojournalist in the U.S. Air Force, there are often some pretty interesting opportunities to cover situations and events that most other photographers I know would probably never find themselves in. When new opportunities come up, there are usually two big questions to ask. One is, am I prepared for this? The other is, how do I even shoot this?
With all the destruction hurricane Harvey left behind from its rampage against the Texas coast, we have a tremendous number of people who affected with enormous lost. While most things can be replaced over time, there are some things that can’t be which many might overlook, like family photos for example.
Since the very first session I had, I knew I wanted to be as good as I could possibly be. Without any real formal school, I learned most everything by doing. Coming from a background as a retoucher, and web developer and graphic artist before that, there were things I thought I knew and did know that were more advanced than beginner stuff.
It is easy to feel overwhelmed with the many different features of Adobe Lightroom. Lightroom has so many possibilities, that even after years of using it, I still am consistently learning something new.
George Wheelhouse is a fine art nature and landscape photographer from Bedfordshire, U.K. I recently spoke with him about his contemporary portraits of animals, as well as his more traditional woodland and mountain landscapes. Though many of Wheelhouse's favorite subjects are local, he told me that he loves to travel to remote locations, particularly to Nordic areas.
I've never been one for collecting souvenirs, not even remotely. I have always much preferred to take some extra time to hunt down a few locations in which to shoot some landscape photographs. For me, the pictures that I get to take home are the best souvenirs that I could hope for. In many ways, the more work that it takes to capture such images, the more the pictures end up meaning to me.
Well, we did it. We have successfully started the weekly Fstoppers photo theme. It was not only great to see so many submissions, but the response from people hearing about the idea has been excellent. There are so many photographers out there looking to explore new techniques and grow their photography skills we are excited to see all the different ways to portray a theme prompt.
The vast majority of photographers often flounder in a state of perpetual mediocrity wondering why their photos aren't getting better. They invest thousands of dollars in gear along with hundreds of hours of practice only to see what amounts to the most minimal of improvements.
The photography world is veritably inundated with learning options, and it can be nigh impossible to wade through them all to find what's worthwhile. So, when Skillshare offered me the chance review their platform, I jumped at the opportunity. Here's what I found.
Photography is a commodity; It's not a secret, and we all know it. When I meet a new group of people, it seems that every time the conversation of “jobs” or “careers” is brought up, inevitably, someone is always a “photographer” by trade. Commodification is a process that happens to every industry, and we couldn’t prevent it even if we tried.
If you work with people, whether it be kids, families, seniors, adults, or professional models, male or female, then you have almost certainly shot a TFP (trade for print) shoot before. While the definition of TFP is flexible these days, as most commonly we mean "trade time for digital images" rather than physical prints, these kinds of shoots have and will continue to be an industry staple.
Children look to superheros as inspiration for strength and courage. They dress up as their favorite characters and act out scenes to empower their imaginations all over the world. One photographer set out to take his incredible talent to a special set of children to show them and the world they are stronger than the superheros they love.