Alien Skin, the makers of one of the most popular Photoshop plug-ins for photographers, released the latest iteration of their standalone raw photo editor in November 2017. Back in June 2017, Fstoppers reviewed Exposure X2 and found it to be a realistic alternative for those who can’t justify the subscription for Adobe or Capture One Pro’s more expensive offerings. In this review, I’ll deliver an overview of the tools available, and give my own two cents on the raw photo editor.
There's a new Mobile Sync app available for all three 2018 ACDSee Photo Studio products and it makes life much easier. ACDSee Mobile Sync lets you send all your images and videos wirelessly from any mobile device to any computer running a Photo Studio 2018 product.
You've just arrived at a meeting with your prospective wedding clients. Examples of a canvas, acrylic, and aluminum are with you, but first up is a slideshow sequence you've authored as a video. You're there to impress and so whip out the pico projector and plug in the USB stick. This is going to be big — two meters big. You navigate to the video folder which has 30 or 40 files in it. And… they are only vaguely sorted by name. Where the heck is the file you are looking for?
When it comes to landscape photography, preparation and using the right tools go a long way to get that perfect shot. Tripods, filters, or even drones can all take your image to that next level. However, many photographers don’t give enough importance or time to the editing process of their images. With software that combines multiple tools into one program and simplified non-destructive editing, ACDSee Photo Studio Ultimate 2018 can make it easier to experiment with new edits on overlooked images and even save some of those over or underexposed captures.
The Nik Collection was a highly popular editing suite that was eventually purchased by Google, who made it free, but also unfortunately abandoned development of the project. DxO bought the collection in October of this year and has now set the middle of next year as the date of its rerelease.
We’ve noticed the trend. Video is becoming the way most people communicate online these days. How can you as photographer use video as a tool to influence the personal brand you are constantly building, and how can you expand your product offering to clients? There are various types of videos you can focus on to produce, and the aim should be to make videos that you would like to make for a client. Therefore, it needs to be professional, and something clients might actually use as their marketing and advertising materials.
A team of engineers from Dartmouth’s Thayer School of Engineering has created new imaging technology which could enhance medical and scientific research, as well as security, photography, cinematography, and any other field relying on high quality, low lighting images.
With the latest release of Capture One 11 following a recent Lucie Technical Award at PhotoPlus Expo, the best color correction software just got even better. Many of the features I have been longing for since adding Capture One to my workflow are now included, making it the ultimate post-production software on the market. Here's an in-depth look at the latest features and how they perform in a real-world workflow.
Among many other photographers, I was certainly disappointed to hear the cease of development of Nik Software plugins by Google. There are times when I really like to use the Nik plugins unique tools, and I know many photographers depend on it heavily in their workflow. So it's been a looming question mark as to what happens next and without future development, it seemed the writing was on the wall with some distant Photoshop update, the Nik plugin would eventually not be compatible. Enter the good news! DxO has bought Nik from Google and has already implemented the first of the Nik technology into DxO PhotoLab.
There have been debates circling the internet lately on users abandoning Adobe’s eco-system of photo applications for a new player in town. Macphun, soon to be Skylum Software, has been making waves lately with their latest release of Luminar 2018. The once strictly Mac-based software company has branched out (part of the reason for the renaming) to include Windows users as well, and people are stoked. With a seemingly endless list of features and upgrades to the latest version, many have considered that it may be about time to try something that’s just different than the industry giant, Lightroom. However, users are still perplexed on how exactly they would make the change, what would they miss from Lightroom, and is it really necessary.
As Adobe continues to grow its customer base with its easily accessible subscription plans, other companies are looking to capitalize with their own software solutions. Luminar has been around for a while, but their new 2018 version introduces some amazing features. Regardless of how you look at it, at $69 for a perpetual license, it’s a steal. Nevertheless, how does it really compare to industry standards such as Lightroom or Photoshop?