Last week Apple unveiled the iPhone 7 and 7 Plus, the later featuring a 28mm wide-angle and a 56mm “telephoto” lens, and both sporting a faster f/1.8 aperture with a 12-megapixel sensor. At today’s Titans-Vikings game, Sports Illustrated photographer David E. Klutho shot some of the first images with the iPhone 7 Plus before the phone’s September 16 release date.
One more has passed, the event that unites the world together showcasing the best athletes on earth has come to a close in Brazil. We witnessed triumph, we witnessed heartbreak, legacies stamped, and living legends made. Packed in the two weeks of the summer Olympic games were hundreds of special moments, some even iconic that we'll remember for years to come. And it was up to the photographers to make sure these moments would live on forever.
In the world of newspaper photographers, you'd be hard to find someone consistently making more exciting and interesting portraits than Jay L. Clendenin. You might have seen his Land Camera Polaroid images from the Toronto International Film Festival, or his 4x5 black and white/digital color diptychs of California Olympians. For this year's Olympics, he decided to go even bigger and bring out his 8x10 Tachihara view camera to capture some amazing photos of American athletes.
I know that I’m preaching to the choir when I say that personal projects, free from the constraints of commercial clients dictating production details, are an important outlet for creativity and staying sharp on your skills. Photographer Ray Demski just dropped his latest passion project, "Fireball," combining parkour, football (soccer), and beatboxing.
Ok, the last time I truly attempted skateboarding, I was 14 years old, and I dislocated my right shoulder (still have a beautiful, giant scar). Regardless of my lack of knowledge of the sport, or anyone's for that matter, I think we can all agree that this video of Skater Rodney Mullen shot by photographer extraordinaire Steven Sebring is just cool as hell.
Over the past few weeks I have been touting the Sony a6300's video performance. This past week I decided to take the camera to the Mid Ohio Sports Car Course to film a track day. Oddly I ended up not using the auto focus, as the fences were proving to be a challenge with adapted EF mount Sigma lenses. On native lenses like the 70-200mm f/4 or the 70-300 f/4-5.6, this likely wouldn't have been an issue. Aside from that, the camera continued to impress me and exceeded my expectations.
Alexis Cuarezma is a San Francisco – based sports photographer, who specializes in both on-location and in-studio portraiture. In this video Alexis walks us through his photo shoot with IFBB Bikini Pro, Ashley Pfaff, providing a great sense of the process. He begins with the mood board and guides us to the final result, explaining his lighting choices and techniques.
Some may be dubious of the merits of ENG cameras over their sleek and stylish film counterparts, such as the 8K F65 Cine Alta or Arri Alexa, and they wouldn't be entirely wrong. While ENG cameras have long been pigeonholed for their clunky construction and weight, much of network television depends upon their workhorse-like live sports coverage capabilities.
Photography, at face value, is already a difficult combination of capturing a scene as it unfolds and manipulating a tedious balance of exposure, aperture, and ISO to illuminate an image that does true life justice. When you add any additional element to the equation, the entire process can be thrown off. I often find this challenge in photography to be resting on the surface of the ocean in surf photography. Here are six tips I’ve learned that can help your surf photography.
Every couple of years Red Bull hosts one of the coolest photo competitions in the world called the Red Bull Illume. If you aren't familiar with this photo contest, the Illume showcases some of the most unbelievable sports photographs in the world. Many of the photos are landscape in a nature which give them an almost fine art feel but there are plenty of edgy closeup shots to grab your attention as well. The deadline to contribute to this year's Image Quest has been extended by 12 hours to April 1st 12:00 (CET) which I believe to be 6:00 PM Eastern if my brain is working correctly.