I bought the original Canon 7D in 2011, and spent 3 years with it until literally last week. It was time to buy a new body, and eventually deliberations led me to the 6D, which arrived just last week in time for a magazine shoot. During said deliberations, however, the curiosity of whether or not the blasted 7D Mark II rumors were ever going to come to fruition delayed my purchase of the 6D for weeks. Well, as it turns out, not only is the 7D Mark II a reality now, but I also made the right decision in getting the 6D. But still, the 7D Mark II sounds pretty good in it's own right.
Last year, Fstoppers interviewed photographer, and possibly one of the nicest people on the planet, Coty Tarr. Last week, Coty got not only his first cover ever, but THE cover for anyone that photographs anything remotely athletic - Sports Illustrated. What makes this story so great isn't just that it's the cover of SI, it's that Coty grew up just south of Pittsburgh. He's a diehard Pittsburgh sports fan. It wasn't just a cover for him... it was home.
Sometimes we have the luxury of being at an entire game or tournament or match to get action shots of athletes performing their best. Yet occasionally, if we're like Brett Wilhelm, we are asked to cover the World of X Games Cam Zink Mammoth Flip that only happens once and lasts all of a few seconds. Under that kind of pressure with no "redos," Wilhelm takes us through a refreshingly in-depth BTS video that covers everything from basic composition to gear and how one man can cover three cameras.
The NBA is known to be one of the most organized and savvy organizations in the world when it comes to media relations and coverage. They attract hundreds of TV stations from around the world, they get online and print coverage in the most remote countries and millions of people follow the league on a daily basis during the season. Getting access to photograph NBA games was always a hard task because of the high demand, even if shooting for a major outlet. But now the NBA announced few changes that will make it even harder for photographers to work and cover the games.
In this making of video, outdoor brand Mammut is shown working with Dani Arnold and Stephan Siegrist, two alpinists, to plan a climb up the north face of the Eiger. What makes this ascent unique though, is the inclusion of a 360-degree GoPro setup which is used to capture panoramic shots from the mountainside. The result of their efforts is a unique look into the views, terrain, and conditions that the climbers faced. Mammut recently unveiled an interactive web portal to give anyone who wants to ascend the Eiger, the chance to do so from the comfort of their office chair.
While in Macedonia shooting video and stills for the company Petzl, photographer Keith Ladzinski was capturing aerial footage in the village of Prilep with a DJI Phantom II. The unexpected happened and the quadcopter got stuck on a church steeple in the middle of a shot. How they got the Phantom back was even more of a spectacle. Check out the first few minutes of this video to see footage of both the crash and the climb to get it back.
There is great satisfaction in landing that amazing shoot with an A-List client, but even the perfect gig can sometimes leave us wanting more. Often the answer lies only within a project of your own conception. Adventure photographer/director Tim Kemple shares with us how he's fueled by personal projects, and why they are often more important than any paid assignment.
If you think you've got a quick trigger finger, then you haven't used the new Strike Finder Touch (SFT) by Ubertronix. This sleek remote trigger boasts the ability to trigger your camera shutter in less than 1 millisecond. The device has 5 different modes: Time Lapse, Lightning (or high speed flash), laser, sound and motion. All you need is 4 AAA batteries, your camera, and a great subject to get started.
In short, no it is not. But a few minor dealbreakers are all that stand between leaving this camera on the shelf, and making it best digital camera in its class.
After nearly a month of capturing video, stills, and timelapse media with the Panasonic GH4, I laughed, I cried, and I almost threw it off a mountain. At times it was a joy to shoot with, and other times it wouldn’t even power on with a full battery. I’ll give you a complete, unbiased rundown in my full review, complete with video samples.
When it comes to creating great advertising campaigns, photographers should take a page out of the sports apparel company Bogner's book: capture something never seen before in the most beautiful way possible. Bogner teamed up with elite downhill snow skier Chuck Patterson for an idea that simply seems impossible yet breathtaking.
ESPN's Body Issue 2014 is out -- and the results are stunning. Every one of the 59 images in the "Bodies We Want" piece is a beautiful portrait of the pinnacle of the human form. There is no doubt these are professional atheletes with perfect, sculpted bodies. No puffed-up editing, no extraneous fluff. This is the real deal: clean, sharp, and on point. Oh, and did I mention there's a BTS video? No, wait. There are 13 BTS videos featuring the likes of Jamie Anderson, Michael Phelps, Venus Williams and many others.
If you've been following the world's favorite sports championship as closely as they do everywhere except in the U.S., you've undoubtedly noticed snippets of Beats' beautifully filmed World Cup commercial, "The Game Before the Game." Featuring Serena Williams, Lil Wayne, and numerous soccer stars, the cinematic ad shows the world's greatest talents' pre-game/pre-show preparations from patriotic nail polish to prayers and phone calls to home.
Benjamin Von Wong, along with several other photographers (including Fstoppers' own Mike Kelley) was recently sponsored by a non-profit called Kinetis and Broncolor's GenNEXT program to travel to Israel to photograph and explore. While the group was there they came up with some really awesome shoots including this recently released series by Benjamin Von Wong of athletes doing ridiculous tricks in historic Jerusalem.
You might someday find yourself working within the overall vision of someone else – like an editor, an art director or, in this case, a director of photography – when shooting on assignment for publications as big as Sports Illustrated. Limited time with your subject and being asked for simple lighting against a simple background isn’t uncommon in this industry. So how would you go about getting the type of photographs your employer wants plus creating a dramatically lit and colored set for yourself?
Action/adventure sports photographer Brett Wilhelm, who comes from a long-time staff position with NCAA Photos/Clarkson Creative and currently shoots for the likes of ESPN's XGames.com, Sports Illustrated, and NCAA, takes us through a typical NCAA backboard camera setup. He shows us everything from how they reduce vibration and glare from the backboard to how to get every image to the photo room as efficiently and reliably as possible.