Over the past few weeks I have been touting the Sony a6300's video performance. This past week I decided to take the camera to the Mid Ohio Sports Car Course to film a track day. Oddly I ended up not using the auto focus, as the fences were proving to be a challenge with adapted EF mount Sigma lenses. On native lenses like the 70-200mm f/4 or the 70-300 f/4-5.6, this likely wouldn't have been an issue. Aside from that, the camera continued to impress me and exceeded my expectations.
Alexis Cuarezma is a San Francisco – based sports photographer, who specializes in both on-location and in-studio portraiture. In this video Alexis walks us through his photo shoot with IFBB Bikini Pro, Ashley Pfaff, providing a great sense of the process. He begins with the mood board and guides us to the final result, explaining his lighting choices and techniques.
Some may be dubious of the merits of ENG cameras over their sleek and stylish film counterparts, such as the 8K F65 Cine Alta or Arri Alexa, and they wouldn't be entirely wrong. While ENG cameras have long been pigeonholed for their clunky construction and weight, much of network television depends upon their workhorse-like live sports coverage capabilities.
Photography, at face value, is already a difficult combination of capturing a scene as it unfolds and manipulating a tedious balance of exposure, aperture, and ISO to illuminate an image that does true life justice. When you add any additional element to the equation, the entire process can be thrown off. I often find this challenge in photography to be resting on the surface of the ocean in surf photography. Here are six tips I’ve learned that can help your surf photography.
Every couple of years Red Bull hosts one of the coolest photo competitions in the world called the Red Bull Illume. If you aren't familiar with this photo contest, the Illume showcases some of the most unbelievable sports photographs in the world. Many of the photos are landscape in a nature which give them an almost fine art feel but there are plenty of edgy closeup shots to grab your attention as well. The deadline to contribute to this year's Image Quest has been extended by 12 hours to April 1st 12:00 (CET) which I believe to be 6:00 PM Eastern if my brain is working correctly.
Last week, we asked the Fstoppers Community to submit their best sports images to be critiqued by the Fstoppers team. We had a fantastic variety of images to choose from with over 250 entries. To keep in theme with this episode, we decided to film it during a recent ski trip. Lee and Patrick gave feedback to twenty images chosen from the submissions. Check out the selections and add your feedback and thoughts to the comments.
Your headache from over-drinking (either in celebration or in deep depression) may be wearing off, but for those that had to photograph Super Bowl 50, that headache began days before the big day. The preparation for covering the game took its toll on those that enable us look back on it this week. Fstoppers caught up with ESPN photographer Andrew Hancock to get a look into the gear, setup, and planning to cover the most important event of America’s favorite sport.
The term "centripetal" refers to a force that makes a body follow a curved path, and in this case, an iPhone 6 is that body. "Centriphone" is a play on that term, as an orbiting iPhone shoots super slow-motion footage of a skier at the center of its path, as they cut their way down the side of a snowy slope. This clearly takes selfies to the next level.
Just as we wrapped up the discussion involving amateur photographer Brooklyn Beckham shooting for a prestigious fashion brand, basketball superstar and now amateur photographer Kevin Durant put down the basketball and picked up his Canon 7D to capture the Super Bowl as a credentialed photographer. In his writeup for the Player's Tribune, he tells his story and shares what he captured.
Fstoppers is happy to announce the next round of Critique the Community. We invite everyone to submit your best sports image to be critiqued by the Fstoppers team. The image doesn't have to have any particular style but it must be related to sports and action, incorporating a human element (not just products or sports equipment). Please follow the guidelines for submissions below to ensure eligibility for your image to be chosen. We will be accepting submissions through Sunday night, February 7th and will be offering feedback to a total of 20 pictures.
About two years ago, in the spirit of adventure and creativity, I decided I was going to try and photograph the ocean with artificial lighting. I had an image in my head of all the things I’ve seen in daylight hours, with the stark contrast of an illuminated wave against a dark backdrop. A run-of-the-mill day down at the beach certainly wasn’t going to do either. We were going to go straight to the top and shoot the biggest and meanest waves we could find.
Lighting action and sports photography can often be complex. The flash cannot always be placed where it should and with the x-sync limitation of our cameras, it can be difficult to have the required settings. But some photographers, like Tristan Shu, master their craft and can push the boundaries of flash photography.
New Zealand Photographer Miles Holden has plenty of options when it comes to diverse landscapes at his disposal. In this series called "Scenic Silhouettes," Holden wanted to focus on a more simplistic, quieter series of images of bike riding, set against a stunning landscape. This behind-the-scenes video takes you helicopter-hopping around diverse topography of New Zealand with Holden during his project.