Every year Crankworx holds a Mountain bike event in Whistler, Canada that is a combination of downhill, slope-style and enduro competitions. They also host the Deep Summer Photo Challenge, where they put six photographers head to head, with the challenge to build a slide show that showcases mountain bike culture within Whistler. Watch this behind the scenes from Laurence Crossman Emms, as he explains the thought process behind his slide show that later becomes the viewers’ favorite.
Check out this video by Monica Herndon which features Florida-based, Tampa Bay Times, photojournalist Dirk Shadd as he sets up to shoot a hockey game. When talking about the his use of remotes Dirks says, "… they’re kind of two purposes. One is that it’s a really graphic really clean angle and that’s what I like most about it but it also kind of a back up. If I get blocked on a shot or if I miss a shot or I don’t have a shot there is a chance I will have it from the remote. So you kind of do it a little bit out of creative artistic excitement and a little bit out of photos self defense".
Camp 4 Collective, known for their high-end commercial and adventure productions, recently got to work with a pre-production ALTA Drone, made by the guys at Freefly (best known for making the MoVi.) Here is the behind-the-scenes video, with the final video inside the full post, and some more background information from Director Renan Ozturk.
I have never really been into extreme sport videos ever in my life. The second I see someone decked out in Red Bull apparel, I am immediately turned off. But this video in particular has caught my attention. Everything from the directing, editing, camera operating, and sound design has been formulated perfectly into a four minute YouTube masterpiece.
Los Angeles photographer Johnny Vy was approached by NFL.com to photograph portraits of the league's incoming at the NFLPA Rookie Premiere; a four-day event where new rookies get to wear their uniforms for the first time, pose for trading card photos, and learn some of the ins and outs of the billion dollar business that is the National Football League. He wrote a detailed blog breaking down the shoot from beginning to end.
Just last week, GoPro announced a new a camera in their ever-expanding lineup of action-POV cameras. The new camera is called the HERO4 Session, and as Doug Sonders posted last week, it's smaller and lighter than the previous series of HERO cameras. In this video review, WIRED's Brent Rose takes the Session out on several different adventures, comparing it to the HERO4 Silver along the way.
I'm not stating opinions here, folks. It's the truth. There aren't many reasons to consider purchasing a magazine in this digital computerized age, but this is one of the few. Since it's debut seven years ago, this issue is consistently one of the most anticipated issues of the year.
The debate whether to work for free is an old one. It’s also one that I don’t care to get into. However, for most of us, there comes a time when we do shoot something without payment, whether it be because we’re testing lighting, doing pro bono work, or we just aren’t very good at asking for what we’re worth. But what do we do with the images after the shoot?
Last spring, I got a dream call from one of the photo editors at Sports Illustrated to photograph the legendary Dan Gable, a wrestler from Iowa, and one of the most winning athletes of all time. From winning gold in Munich during the 1972 Olympics, to having coached other U.S. teams to gold after, this guy oozes excellence and passion in everything he does. I’m not one to be intimidated by people because of their status in life, but people who work as hard as he does definitely stand out to me.
CrossFit is taking the world by storm. With 11,000 affiliates and growing, it has become a great way to get into shape and is an untapped resource for photographers to sharpen their skills. I started shooting CrossFit as a member in 2010 and learned many things along the way. This is what I learned and how you can improve your skill set.
If you aren’t familiar with the work of Dave Lehl, it’s about time that you change that. Dave is not only one of the top photographers in the snowboard industry, but he consistently creates work that transcends genres and has landed him gigs shooting for a list of clients that includes the likes of Red Bull, Nike, and Lamborghini. He has been published in nearly every major snowboard magazine including the covers of Pleasure Mag and Transworld Japan’s photo annuals.
The battle between Floyd Mayweather and Manny Pacquiao coming up on May 2nd is of epic proportions. Alexis Cuarezma had the opportunity to photograph both of these welterweight icons for an HBO press conference back in March. Cuarezma told me he only had roughly 30 seconds with each fighter, and he sure made the most of it!