Studio

The issue of whether or not photographers should work for free is a polarizing one. Some of us feel we should not haul thousands of dollars worth of lighting and camera gear to a location and spend a full day shooting just to gain a reward that comes in the form of intangible exposure. Others feel doing regular collaborations with like-minded peers to produce new work is valuable in nurturing a photographer’s creative process.

We photographers love gear. If you're like me, you probably have a corner (or a basement) filled with modifiers, filters, lenses, lights, and more. The truth is that we don't need a ton of expensive gear to create dramatic results, and in my latest video, I will show you how to create a Rembrant-style portraits using one off-brand flash in a small modifier.

One of my favorite tools in the studio is a vacuum cleaner. You may not need one all the time, depending on where you live, but I need one if I’m going to do any kind of macro or product photography at all. If you’re a photographer, it comes as no surprise that items from around your house are essential to your photography.

The whole point of a studio is being free of the outdoors and having complete control over the shooting environment, so it would seem a bit strange to drag a multi-light setup and backdrop system into the middle of a field, but that is just what this photographer did, and the results are quite intriguing. This great video tutorial will take you behind the scenes and show you how it was done.

If you are a Profoto user who has always dreamed of the day you could see the actual power settings of your strobes directly on the remote, today, your dream has come true. I was one of the first photographers to test the new Connect Pro in my own studio, and I have to say, this is a very welcome upgrade for any Profoto user.

It might seem strange to work in a studio only to use it to replicate the look of natural light, but it is a classic style that can be quite effective for a wide range of applications. This useful video tutorial will show you the technique behind creating the look as well as some helpful tips you can use to make it your own.

Car photography is a lot of fun and can be highly dynamic, but it represents one of the hardest products to photograph in a studio environment. Not only do you need a large studio that a car can be driven into, but you need huge lights to evenly light the car too. Or do you?

Being a well-rounded photographer who can succeed in any situation is the ultimate goal for most photographers. However, what happens when you are forced to take a portrait by lighting from below? Today, I take the challenge.

Over the last three years, I have built out four new photography studios, and each time, I find better and better ways to streamline my spaces. In this video, I want to share with you one of the coolest ways to mount your seamless paper or Gravity backdrops.

Adding a bit of motion to a portrait can completely change it, making it a dynamic image that encourages the viewer to look more closely and imagine what story it is trying to tell. One way to add motion is to introduce a breeze, and this great video tutorial will show you three ways to do that as well as how to work with the results.

Working with photo assistants can often make your life easier. Having someone who can do the heavy lifting for you can leave you free to concentrate on working with your client on a shoot. When you don’t have to worry about moving nightstands or doing light checks, you can put more effort into creating a memorable experience for your client.

Chris Fain of Profoto's Geared Up has asked yours truly to share a few lighting setups I use often in the studio. Today, May 3rd at 11am EST, you can log into the live show and ask me all your favorite lighting questions!

In this video, Lindsay Adler shows how going back to the basics, with nothing more than her camera, a white backdrop, and a bare bulb flash can make for some great images.

Elixxier software is an innovative company that has produced very useful and helpful tools for photographers and filmmakers, especially when it comes to creating 3D light simulations.

Much of great portraiture — particularly in a studio — is the art of great lighting. However, you don't need a 5-light setup and an elaborate scene to create great images, and the beauty dish is far more versatile than its name might imply.

Camera carts can be an expensive tool on set, and Inovativ are at the top of the bunch. Hopefully, these ideas can get more out of your cart for less.

When it comes to choosing a space for studio photography, it is often a tradeoff between having enough room for all your equipment and for whatever creative ideas you envision versus the cost of renting said space. If you are wondering how much room you need for full-length portraits, check out this excellent video that will show you everything you need to know.

You don't need a ton of equipment to create a number of looks in a single shoot. In this video, John Gress discusses which background you should go for if you're looking for maximum versatility, showcasing five different looks.

When looking for things to add to your list of gear and props for your photography studio, some items may not be as obvious as others. Are windows blinds on your list? Here's how you can use Venetian blinds to add a different look to your portraits.

Boutiques, clothing brands, and some stores usually require catalog images for their business and e-commerce websites. Would you be able to deliver clean catalog images? Here's how you can do just that!

My recent shoot with Pulitzer Prize-winning writer Mitchell S. Jackson turned out great but was not without problems. Join me for a detailed look at how it all went down.

One deterrent that photographers and videographers often encounter can be loosely defined as "situation"; not having enough space, not being in the right location, and not having the right gear. There is almost always a way.

A few weeks ago, I got my hands on a light modifier I've always wanted to have in our studio. Westcott's brand new Optical Spot is one of the coolest and most useful light modifiers I've ever seen, and in today's video, I'm going to show you why you might want one or two for your photography!

For creative professionals, the cases and bags that protect your gear are as crucial as the equipment inside them. The Manfrotto Pro Light Reloader Tough 55 offers that and more.

Most YouTubers have set up their home studios bit by bit and learned how to achieve the shots and looks that they want by trial and error. In this video, veteran photographer and YouTuber Becki, of the duo Becki & Chris, shares eight tips that they've learned over the years, and I think they just might help you.

Under the category of "so crazy, it's brilliant" comes the cinematography cart, a rolling photo-video stockroom. It might be something to consider for your future shoots.

Did you know studies have shown that viewers form an opinion of people within 1/10th of a second of seeing them? In a similar way, viewers judge brands with a cursory glance. Brands rely on design elements such as color, shape, line, and font to communicate their identity and values.

Have you ever had a great background you want to use for an image but it just isn't big enough? With this combination of techniques, both in-camera and in post-production, you can make it seem as if it was big enough.

There are many ways to light a subject, both complex and simplistic, and while you might be always tempted to go for the most complicated setups, knowing the classics is important too. Classic lighting is classic for a reason and you may find yourself using it more often than you expect.

If you are unfamiliar with 3D studio software, it's maybe something worth checking out. Ellixxier software produces a 3D pre-vis studio that hits the mark in terms of time-saving when in the studio, and the software has just received another upgrade, allowing more freedom when planning your shoots.

Product photography is a deceptively deep genre of the craft and to get the most out of it requires experience and often a lot of lighting equipment. But that isn't to say lots of lighting equipment is always necessary. Here is how one photographer uses only natural light and still gets some beautiful results.

Photographing an object with a reflective surface can be a challenge, and you’d imagine that it gets even worse if the entire thing is made out of shiny metal. Here’s how to create perfect photos of cutlery with just a single speedlight.

One light, no studio. This quick tutorial will show you how to add a gel backlight to your portraits.

If you are looking to step beyond basic, one-light setups, it can be a little daunting at first. In this behind-the-scenes video, learn how effective a simple three-point lighting system can be.

Halloween might not be my favorite "holiday", but it does bring with it some fantastic photoshoots. In this video, watch as Lindsay Adler creates some stunning Medusa-themed portraits using LEDs.