Shooting on a clean white backdrop can be one of the more complex in-studio lighting setups around. Properly exposing for full lengths while giving your models room to work can require four or more extra lights and considerable amount of setup time. While taking the time to take care of the details is important for getting the perfect image and saving yourself hours of retouching on the back end, sometimes you just want to get a nice clean background without the hours of prep.
Stories like this make me shake my head. A public school in Detroit had a couple professional video studios built, about 10 years ago, outfitted with high-end cameras, switchers, lighting grids, and more. However, it seems that they forgot to build a curriculum to teach students how to use it. In this local news report, reporters and commnity members are again asking questions as to why no students have been allowed to use it, ever.
I will start this article off by saying that I am not a pet photographer. I am a portrait photographer that typically captures humans for magazines and ads. However, a couple years ago I started a pit bull charity (Not A Bully) and it unexpectedly led me to some jobs photographing rescue animals. If you're reading this, you already know that capturing animal portraits is a unique challenge in itself. I've done some of the difficult leg work for you and put together a list of tips to hopefully make your next in-studio pet portrait session much easier.
As a photographer, my skill set is constantly put to the test. In most cases, I’m handed an idea on a slab of wood and the mission is to hand that idea translated to a tangible artifact back to my client on a silver platter. It’s never an easy process, but it’s a part of my job.
London-based product photographer Sean Tucker is releasing a three-part video series on photographing large objects, such as chairs and sofas, in a studio setting. Here in part one, Tucker demonstrates how to set up your lighting and camera in order to achieve a great, clean image that will be easy to cut out in post-production for online product catalogs.
U.K. commercial photographer Karl Taylor takes us behind the scenes on a rather exciting and unique photo shoot where the goal is to create an animal portrait of a hawk during flight. There are so many variables to this concept that even with a trained bird of prey, Taylor still ran into a little bit of trouble at the beginning of the shoot.
Côte d’Ivoire-based photographer Joana Choumali documents the disappearing practice of scarification in a series of powerful portraits entitled “Hââbré, The Last Generation.” Illustrating “the complexity of African society today,” Choumali’s work is both compassionate and evocative.
For many, the 7’ parabolic umbrella seems like a one-trick pony. The textbook move of sandwiching the camera between the subject and the light for an edgy, high-key look is quickly growing old. In this video, commercial photographer Joel Grimes shows a different way of using the 7’ parabolic to create soft, high-key images best suited for beauty photography.
Have you ever wished that you could simply walk into your studio space and immediately have perfect lighting? Japanese architecture firm FT Architects has created a gorgeous photography studio which uses diffused skylights and windows to harness ambient light and do just that. This beautiful studio located in Kanagawa, Japan seems to be the first of its kind.
I guess I’ve always been different; I’ve never really yearned for a big studio space. As a freelance photographer, the majority of my clients require that I come to their location and shoot on-site. I have a strict organizational-mobile system to transport all my equipment which includes over 8 strobes, 2 scrims and a plethora of staging props and modifiers. I’m asked quite often about my studio and where I shoot all these incredible portraits and dramatic fashion editorials. The answer is easy; my living room.
Artificial lighting can be overwhelming, there are thousands of options to modify one single light source and there are dozens of companies that claim they have the best product and best bang for your buck. Regardless, photography equipment is expensive and I know I'd rather not waste money on a gimmick product when the same result could be achieved with just the right strobe placement or accessory.
Danielle Tunstall is a graphic designer and photographer that puts emphasis on horror. She sets out on each photo shoot not to get the person to look their best, but instead their most appalling. Her work ranges from murderous to straight up disturbing, and her fans love it!
Cosplay is a photography subgenre and lifestyle that I have yet to ever attempt, but something I truly enjoying viewing when it is done well. In the case of this mashup project by photographer Sacha Goldberger, fusing the Renaissance era with modern superheroes, "done well" is understatement. You need to seriously check these out.
Los Angeles-based Italian photographer Guido Argentini produced a series of work called, "ARGENTUM " (Latin for silver), that will be released as both a fine art book and as a film that looks into the making and thinking behind the photographs. Each model -- all of which are professional performers -- was completely painted in a metallic body paint. The effect results in an interesting study of the human form (and, specifically, of the female form) in a way that is not sexual, but perhaps quite objective.