Studio

Lighting Like Leibovitz – The One Light Challenge

Lighting Like Leibovitz – The One Light Challenge

I’m a huge fan of Annie Leibovitz and the imagery she has captured over the past few decades. Being a self-taught photographer, I looked to her work time and time again for inspiration and motivation. Over the course of a year, I scoured the internet for information on her lighting setups, equipment and methodology. But, the more I dove in, the less concerned I became about equipment and the more I felt the need to simplify my style.

Live Now on CreativeLive: Sue Bryce and Felix Kunze present The Lighting Challenge: Natural vs Studio

Live Now on CreativeLive: Sue Bryce and Felix Kunze present The Lighting Challenge: Natural vs Studio

As a photographer, nothing defines your talent more than your ability to capture, create, and place the right light. Award-winning portrait photographer Sue Bryce joins studio lighting wunderkind Felix Kunze for a free, live, lighting masterclass covering the universally most-used portrait scenarios. You will learn how to work with both natural and studio light — so that you are prepared to walk into any environment and take a gorgeous photograph.

Amazon's Newest, Revolutionary Patent: White Seamless Studio Photography

Amazon's Newest, Revolutionary Patent: White Seamless Studio Photography

Brought to our attention by Photography Bay, Amazon has patented a most ingenious invention: a completely revolutionary way to get a "true white" background on an image in-camera, without any post processing. We didn't understand how it was done, but now the US Patent Office has helped us all by posting this granted patent complete with plenty of diagrams supplied by Amazon's brilliant inventors.

Tethering And Tape - The Importance Of Investing In Prevention

Tethering And Tape - The Importance Of Investing In Prevention

I always tether. Whether it's for a client or fashion editorial, the CamRanger has played a very important role in capturing rock solid images. But, before the wonderful technology of wireless tethering came into the picture, I always tethered to a workstation. However, that came with the annoyance of a long tether cable dangling off your camera. I always felt the sense of being trapped or held back from moving freely, I was always concerned and it was always a distraction.

Check Out This Brilliant Way To Remove Color Casts In Photoshop

Check Out This Brilliant Way To Remove Color Casts In Photoshop

Michael Woloszynowicz is a great photographer and retoucher. Not only that, but he is a great instructor. His videos always provide clear and detailed instructions on techniques many of us want to know. Recently, Michael released this video regarding the issue of color casts on models. Although Photoshop offers many tools to get close, this method is a truly a brilliant way of thinking.

No Photoshop Needed for Jennifer Lawrence

No Photoshop Needed for Jennifer Lawrence

And of course she pulls it off! There are so many articles online right now that are in a fuss over how manipulative Photoshop editing can be. Check out Fstopper's post on how Women React to Being Photoshopped As Cover Models if you don't believe me. It's not uncommon for print work to be heavily retouched by some of the best in the world, Jennifer Lawrence show's it's not needed with her latest untouched shoot.

The Making Of The Making It Up Beauty Series

The Making Of The Making It Up Beauty Series

It's no secret that we creatives are often introverted, or simply don't know the first thing about self-promotion. Thus there are thousands and thousands of brilliant talents out there that very few have discovered. I have been on a mission of finding such gems and helping them expose their work to the worldwide online photography and digital imagery communities. And today I would like to share some beautiful and fun images and inspiration from Spain with you.

FS Review: Sigma Hits Success Again with 24-105mm f/4 OS HSM Lens

FS Review: Sigma Hits Success Again with 24-105mm f/4 OS HSM Lens

I don’t know about you guys, but when Sigma announced the 24-105mm f/4 lens last year, I got very excited. The Canon 24-105mm f/4 was one of my favorite video lenses early on. It’s an extremely versatile focal length that, besides the slow f/4 constant aperture, was largely pretty usable in nearly any environment. Sadly, the lens was only good for video because it just wasn’t very sharp. That’s why Sigma’s attempt got me so jazzed. Based on prior experience with their Art line, I had high expectations for Sigma's new zoom lens.

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