While our brains are conveniently set to auto white balance and our eyes view a properly adjusted color temperature, our cameras, try as they may, are not quite as advanced and sometimes rely on us to provide assistance to them. For our image color and tone to be as accurate as possible, we have to command control of this setting ourselves.
Finland-based commercial photographer Antti Karppinen shares what he thinks are the "7 Most Common Studio Portrait Light Mistakes" and how to fix them. Barring any creative differences, these are pretty good rules of thumb.
At the onset of a portrait shoot it is important to come packing the usual garden variety of a few safe jokes to lighten the mood, some fail-proof poses to keep things moving, and direction for the model to play off of. It is easy to forget, with all the headspace that pours into reflecting the images from inside of our heads, towards reality, that when the time comes to start working with our subject, we are not just setting a tone visually, but also emotionally. One simple way personally for me to connect and as well bring additional personality out of a model is via the universal power of music, which has long played a predominant role in my life.
Depending on your project or assignment, commercial photography can allow for some creativity to be added to the photo. Creating splashing in the background or even having the splashes hit the product or subject can be one way to add some interesting factors to the shot. How would you set up the shot?
Light is a key factor in photography. It helps shape and create your photo. As the sun changes throughout the day, depending on where you are you may see some thin beams of light fall across the environment. Creating these thin light beams and adding them to your portraits can add some interesting looks. Controlling the light into small beams is one way to create drama and mood in your work. How would you create a thin beam of light on set?
Photographer Platon has photographed a significant number of major players in both the world of politics and music. In this four-minute video from PBS NewsHour, he talks through the experience of working with Facebook CEO Mark Zuckerberg, as well as Presidents Trump, Clinton, and Putin, and how he made each of them relax for the photo.
Every year a slew of burgeoning entrepreneur types thirst to make a New Year’s resolution to go head first into full-time photography. The siren call to shift that beloved passion into an all-out career beckons.
Every photoshoot is different, but depending on your concept and style, you don’t always need a massive studio space with tons of lighting. If you happen to have a decently sized living room with some amazing windows to take advantage of some natural light, it could be your perfect in-home studio for some of your projects.
If you’re searching for inspiration in creating a spooky studio setup, look no further. This tutorial details how to create chilling portraits with silhouetted trees and a smoky backdrop, just in time for Halloween.
Different projects may require different things in the background to help sell the story we are trying to tell with our photos. Sometimes they can be as simple as using a window in the frame. What happens when you are shooting and there aren’t any windows that fit your vision, or any windows at all?
We love gear. But this is next level stuff. If you’ve seen the smoothness of the shots used to introduce the Microsoft Studio Surface, you’ll know what I’m talking about. The guys at Motorized Precision who introduced KIRA robotic arm at NAB 2017 are taking pre-orders for the MIA, their latest robotic arm. It’s smaller, about as portable as a fridge is on wheels, and can plug into any traditional single phase wall socket. It holds up to a 22lb camera package, the arm itself weighs 120lbs and it comes with a standard six-meter track. If you want to see what it's capable of go watch Thor: Ragnarok, which used the KIRA for many of their shots. The video shows what the KIRA 1.0 could do.
Who's a good boy?! For around 45 years, William Wegman has been working with canine companions and exploring all of the peculiar possibilities that come to his mind. With a studio, lots of props, and a playful disposition, Wegman has crafted a career the revolves around man's best friend.
Sometimes our creations behind the camera simply cannot be taken with just one frame, or perhaps you cannot travel to the destinations that would work perfectly with your concept. This is why some photographers choose to composite their images. Antti Karppinen shows off his most used composite image technique from his latest project "Kuopio Inspiration is a Force of Nature."
When it comes to off-camera lighting with strobes, there are three main ways to sync your camera so the lights fire when you click the shutter. In this week’s video with Jay P. Morgan from the Slanted Lens, he goes over the three ways to sync your strobes.
I absolutely love shooting commercial work in the studio. Who doesn't? Shooting in a studio environment allows the photographer full control over the lighting and the subject. It also allows for full creative freedom over what you can composite into the shot if needed by easily matching up the lighting. Earlier this week I had a few hours of downtime and decided to shoot a bottle of Bacardi Dark Rum in my studio. Using a softbox I built myself a few weeks ago, I decided to take it on a test run using the bottle of Rum as my subject.
A little over a year ago, I came to a point of wanting to take the next step in growing my photography business. To me, opening a studio space made the most sense. The ability to have a dedicated place to work, meet clients, and sell prints out of, as well as wanting a way to make my business appear more legitimate, all factored in to why I believed a studio space was the next step. I recently finished up my first year of having a studio, and although it has been successful and definitely worth it, I wish I would have had a better idea of the costs you can forget about when budgeting for a space.
Over the years of using my personal set of studio lights, I've found I've become increasingly frustrated with the growing cost of equipment such as softboxes and scrims. While these are necessary when shooting in a studio, I couldn't justify spending all that money for a massive softbox when it's actually quite easy to build one yourself. All it takes is a bit of time and effort, but once you're done, you're left with a solid sense of achievement and a light modifier that has a lot to offer.
Careful selection is the first and most important step in our creation process that is often left out of conversation. Nearly every client I photograph asks me "How do you choose?" It's actually a great question. After perfecting this process, I guarantee your solid and confident answer will blow their mind.
Since moving into my new house about a month ago, I've been thinking more and more about creating my own studio setup using as little resources as possible. As much as I'd love to own a huge Profoto Octa in my house, it's just not always possible. So why not build your own lighting rigs using equipment readily available at your nearest hardware store?
Cable management is one task that for me is bizarrely fun and rewarding. In my last article, I wrote about creating a DIY portable charging station built out of a Craftsman tool box that is serving me quite well in the studio and in the field. Clients have been impressed with the simplicity and intentional design in keeping a lot of gear charged. It communicates quite a bit about how you take care of your investments. Here are a few tips to help you manage the clutter in your office or studio.
Take a look at any boudoir image and a trained eye will see the lighting, posing, and of course the wardrobe. Attention to detail in how each look flatters your client will go a long way. This guide will list where to shop whether on a budget or having the ability to stock your studio with high-end lingerie.
Christopher Nolan continues to give us of the best movies ever produced. My first Nolan movie was “Memento,” and I surely realized that the theme of his movies, his way of telling a story, and overall character portrayal was something I've never seen before. His vision and talent has given us many after that. “Inception,” “Interstellar” and now “Dunkirk.” His way of doing what he does is worth paying attention to. And when I read up about him, I came across an interview where he mentions how he removes distractions from the set.
Looking to add some color to your shadows? There are a few different methods to achieve this, but what if you could do it all in-camera? Well, you can. Jay P. Morgan from The Slanted Lens covers four different ways to add some color into your shadows with gels.
Papermakers G . F Smith, with help from the design agency, Made Thought, conducted a survey seeking the "World's Favorite Color" receiving 30,000 submissions from around the globe via online poll since it was launched in January 2017. The winner was chosen by popular consensus was a shade of green submitted by fine arts graduate Annie Marrs and UNESCO working inspired by the blue, grey, and green tones she saw in the River Tay in Scotland.
Photography can be quite an expensive hobby or career. Needless to say us photographers love our gear and always want more of it - or at least I do! Over the past couple of years, I've been transitioning from being primarily a wedding photographer to incorporating more studio photography in my business. I don't plan on leaving weddings, but I love having a couple more thousand dollars a month doing quick and easy headshot photography. Here's how I built my studio with both simplicity and quality in mind.
Virtually all photographers' portfolios have some form of studio work in it. The clean white background has been used the world over, from high-fashion shoots to everyday e-commerce. Here's an effective way to give your model or product shoots a touch more class for little to no cost.
Confession: I love me some Felix Hernandez, and I'm pretty sure the rest of Fstoppers would agree with me. Felix first came onto my radar when we did an article on his piece "The Wardrobe" in June of last year. Then, later that same month, he won "Fstoppers Photographer of the Month" where a variety of his awesome miniature-based photography was featured. This past May we featured him again after Audi hired him to do an artistic campaign for the new Audi Q2. I hope you're getting the idea now; Felix Hernandez makes magic, and he's back with more.
I use a bike in Paris, and I use bungee cords to tie things down when I need to, but this video shows a way to use it in studio which I think is so simple, yet so brilliant. Studio space can seem large and vacant at first, but after a couple of weeks things start piling up and if you and your team don't clean up and maintain it, can become a place you dread going to. Light stands are one of the items we use mostly in a studio, and we have more than two at any given time.
Much like the way the Willie Geist of Sunday Today describes his senior portraits in this video, mine were definitely a somewhat lackluster experience. The "edgy" photos I had were me in front of a shiny corrugated metal wall holding my favorite guitar at the time, I thought I was cool, and thank goodness this was really prior to the days of digital workflows otherwise I would be obligated to have an embarrassing photo of me somewhere in this article. But times have changed, and with those changes the standards for what constitutes a senior portrait have risen exponentially, especially with the emergence of social media's "do it for the likes, bro."
In an industry saturated with educational materials, navigating the minefield to find which resources are valuable, and worthy of your hard earned money, can be rough. As a photographer, I have purchased countless tutorials, books, and magazines. I have poured through blogs, YouTube videos, attended numerous workshops and endured some questionable Facebook Live sessions. When I tell you I have discovered a gem, it isn't because this is my first time mining.
When I moved in to my studio a little over three years ago, I needed a place to hang, store, and use my rolls of seamless paper. I didn’t have many — just a few nine-foot rolls of white, gray, black, and green — but I wanted them out of my way. Storing them vertically wasn’t a good option in the space, and storing them laying down is never a good idea. So, I wanted to figure out a simple system that I could build that would do the trick. Here’s what I came up with.
I previously wrote about Benjamin Von Wong's latest project with Sarah Jane in the Blue Mountains of Australia. Benjamin’s portion was just half of the project set up by Karen Alsop. She invited Benjamin to join in on some friendly competition. While her approach and style was different, there was still some amazing images created out of this cooperative project.
We’ve all been there; the studio is set, the model is awkwardly waiting, but the light isn’t quite right and the stress begins to build. With every test shot, the light quality increases and the anxiety level decreases. Finally, like a blast of cool breeze on a hot day, everything clicks into place. The light is perfect.
The Broncolor Scoro was initially released in 2012 by the Swiss flash manufacturer. Five years later, they introduce a new release of the high-end power pack and it’s called the Scoros S WiFi/RFS2. Along with it, the bronControl app is made available for Mac and PC to make remote control of your units easier than ever.
Implementing gels into your photography is a really simple and effective way to make sure your images really stand out from the rest of the crowd. There are a ton of different ways to use gels to create some absolutely stunning imagery, but in this post I am just going to show you a few ways that you can use them to add color to your background to produce really dynamic portraits.
