London-based product photographer Sean Tucker is releasing a three-part video series on photographing large objects, such as chairs and sofas, in a studio setting. Here in part one, Tucker demonstrates how to set up your lighting and camera in order to achieve a great, clean image that will be easy to cut out in post-production for online product catalogs.
U.K. commercial photographer Karl Taylor takes us behind the scenes on a rather exciting and unique photo shoot where the goal is to create an animal portrait of a hawk during flight. There are so many variables to this concept that even with a trained bird of prey, Taylor still ran into a little bit of trouble at the beginning of the shoot.
Côte d’Ivoire-based photographer Joana Choumali documents the disappearing practice of scarification in a series of powerful portraits entitled “Hââbré, The Last Generation.” Illustrating “the complexity of African society today,” Choumali’s work is both compassionate and evocative.
For many, the 7’ parabolic umbrella seems like a one-trick pony. The textbook move of sandwiching the camera between the subject and the light for an edgy, high-key look is quickly growing old. In this video, commercial photographer Joel Grimes shows a different way of using the 7’ parabolic to create soft, high-key images best suited for beauty photography.
Have you ever wished that you could simply walk into your studio space and immediately have perfect lighting? Japanese architecture firm FT Architects has created a gorgeous photography studio which uses diffused skylights and windows to harness ambient light and do just that. This beautiful studio located in Kanagawa, Japan seems to be the first of its kind.
I guess I’ve always been different; I’ve never really yearned for a big studio space. As a freelance photographer, the majority of my clients require that I come to their location and shoot on-site. I have a strict organizational-mobile system to transport all my equipment which includes over 8 strobes, 2 scrims and a plethora of staging props and modifiers. I’m asked quite often about my studio and where I shoot all these incredible portraits and dramatic fashion editorials. The answer is easy; my living room.
Artificial lighting can be overwhelming, there are thousands of options to modify one single light source and there are dozens of companies that claim they have the best product and best bang for your buck. Regardless, photography equipment is expensive and I know I'd rather not waste money on a gimmick product when the same result could be achieved with just the right strobe placement or accessory.
Danielle Tunstall is a graphic designer and photographer that puts emphasis on horror. She sets out on each photo shoot not to get the person to look their best, but instead their most appalling. Her work ranges from murderous to straight up disturbing, and her fans love it!
Cosplay is a photography subgenre and lifestyle that I have yet to ever attempt, but something I truly enjoying viewing when it is done well. In the case of this mashup project by photographer Sacha Goldberger, fusing the Renaissance era with modern superheroes, "done well" is understatement. You need to seriously check these out.
Los Angeles-based Italian photographer Guido Argentini produced a series of work called, "ARGENTUM " (Latin for silver), that will be released as both a fine art book and as a film that looks into the making and thinking behind the photographs. Each model -- all of which are professional performers -- was completely painted in a metallic body paint. The effect results in an interesting study of the human form (and, specifically, of the female form) in a way that is not sexual, but perhaps quite objective.
When I first met Anna Rowley while filming Peter Hurley's Illuminating the Face tutorial, it was obviously clear that she had discovered the psychological power behind Peter's headshot directing skills. That day she shared with me her belief that there might be a direct correlation between how a person reacts in front of an intimating camera and how they perform in their workplace. Everything she told me was extremely interesting, so I was pleasantly surprised when Peter texted me this TEDx talk yesterday. I'm curious to hear what you guys think.
There's no doubt that assisting is, hands down, the best way to really learn how to shoot professionally. Set etiquette is one thing that will come with time, but equally important are the little things that all add up and that will make you the best second pair of hands to have on set, second to none -- if you pay attention to these things. While everyone has their preferences, it's always a good idea to research different ways to do the same thing, and to then intelligently choose the best way you can find. DSLRVideoShooter's Caleb Pike took the time to share a few more general tips that are not just good suggestions, but that are absolutely essential to being a good assistant if you want to keep coming back.
I have to say, it's been a blast seeing where Carli Davidson's passion for dogs has taken her, starting way back in 2012 when I first featured her on Fstoppers, and again last year with the release of her book Shake. Today marks the official release of her new book, Shake Puppies, and she somehow managed to create a book of cute that surpasses that of her original printed piece.
This week I wanted to share a few of the tools we commercial photographers use to create our tabletop images. Particularly the items used in photographing beverages. There's a lot of trial and error when it comes to this sort of photography, often times we find ourselves using things in ways far from their originally intended purpose. Having said that, there's a lot of things that have become kind-of standard practice in food/beverage photography, some of those items I'll share with you today.