Studio

One of the first very important skills I acquired in my Australian Photography course was the ability to breakdown lighting and determine approximate camera settings in images taken by other photographers. If you understand how the direction of light and its degree of diffusion are controlled and how they affect images, it should be easy for you to train yourself to "read" lighting in the images you see in magazines, on billboards and in your favorite photographers’ portfolios.

When we talk about on-location mixed lighting we usually mean shooting with light sources of different nature, such as natural ambient light and artificial, or shooting with lights of different color temperatures (tungsten, fluorescent, flash, etc.).

There are dozens of cool effects that one can achieve when mixing ambient light with controlled lighting, but today I would like to talk about mixing lights in studio - impulse (i.e. strobe or flash) and continuous. I love this technique and hope my article inspires you to try it out too.

There are times when I find myself shooting the same stuff or using the same lighting setup over and over again. Repetition helps to improve and fine-tune my skills, but sometimes it just feels boring and degrading, let alone useless for my portfolio.

But as much as I dislike feeling stuck and repeating myself, I now realize how such times in fact help me to become a better artist and shooter. It's usually the desire to entertain myself and experiment that leads me to new personal artistic discoveries. It's when I'm bored and want to "spice it up", I start searching for new lighting ideas, tricks and techniques.

In this interview, I speak with Russ Turner, a photographer who is relatively new to shooting fantasy portraiture, but has already received awards and praise for the quality of his work. Russ talks about working with costumed models, how he incorporates Photoshop, and shares some of the places where an aspiring shooter can get started doing photography in this genre.

Have you ever wondered how different diffusing fabrics affect the quality of light that you shoot with? Jay P. Morgan from the Slanted Lens walks you through the different diffusion materials by Rosco. He explains how the different fabrics can lessen the stops of light and how it can affect your color temperatures and look of your shoot.

I find athletic themed shoots to be especially interesting considering the amount of effort and expertise that goes pulling off that one perfect shot. Follow James Quantz Jr in this behind the scenes video as he takes on the challenge of shooting the South Carolina Gamecocks.

Today, for the first time I watched this fantastic one-take music video for Brooklyn based band, Eytan and the Embassy. On the Vimeo page for 'Everything Changes' they tout the video as "18 Costume Changes -- 1 Music Video -- 0 Edits!" It has been online for 10 months, is a Vimeo Staff pick, but only has 20,000 views. Well I think it deserves more! Check out this video and click through for a BTS video as well. Enjoy!

You may not have known it, but I'm certain you've seen a Norman Seef photograph. What photo do you think of when you think of Ray Charles? He shot that. Carly Simon? Yup. Steve Jobs? Seef again. After reading our own Douglas Sonders' article on how short the window of time is when working with celebrities, seeing how much Seef could get out of his subjects is awe-inspiring.

As photographers, we usually use two different techniques to capture our images: The first is freezing the moment and capturing the split second we are witnessing. The other option is using a long exposure, to show movement, changes, or show things we don't normally see with our eyes. But what if you combined these two concepts - freezing a moment while adding movement? Check out these creative and unique portraits using this technique.

I woke up this morning to find an email from Chase Jarvis's camp showcasing his new photo campaign for the Samsung 9 Series Monitors. It feels like ages since Chase has released one of his epic behind the scenes videos, so I was excited to see he's still alive and kicking the creative cloud (pun intended). If your imaginative juices don't start flowing after watching this video then it might be time to put your camera into retirement. Check out the behind the scenes video and then

Wyn has been featured on Fstoppers quite a few times. Why? His work is outstanding. He comes up with some really cool concepts for shots. From using LED's on a basketball shoot to powder with Gymnasts. He does it all perfectly.

We received over 1000 submissions from our readers to our new POTD contest, and yes, we looked at every single one of them. There were some brilliant entries and it was incredibly tough to select the top 30 for the month of April, but they've all been chosen, and you can check out the gallery here

Beauty retouching can be an arduous task in any photographer's workflow. The amount of detail that can go into retouching a glamor portrait can easily run into several hours. Learning the secrets of the pros can be even more difficult. Julia Kuzmenko McKim has made learning easy with her new book entitled 'Digital Photo Retouching: Beauty, Fashion and Portrait Photography'

Well-known wet plate artist Ian Ruhter has just released the fourth installment in his 'Silver and Light' series, which chronicles his trip to Seattle to meet with Chase Jarvis, his journey to becoming an artist, Chase Jarvis' very frank thoughts on what being an artist

Recently I have been wanting to do an avant-garde hair shoot. I just needed to find the right stylist to work with. A few weeks ago I met Devan Aledia Ford who is a fantastic hair stylist. When I told her about my desire to do a stylized hair shoot, she took the idea and ran with it. She conceptualized a spring-themed, fairytale-inspired shoot. She even styled the wardrobe and did the makeup (never underestimate the power of a great stylist).

Photographer Kenneth Cappello is known for his celebrity portraiture, his advertising work for Nike and Puma as well as his flashy editorial work for Nylon, GQ, Fader and Vibe. Cappello shot musician/DJ DeadMau5 this past month for Vibe Magazine, and, lucky for us, also shot a little BTSV to give us a peek at his process.

The Einstein E640 strobe from Paul C. Buff is compact, light weight unit capable of shouldering studio work yet portable enough to take on location. The unit weighs in at four pounds and because it is self contained, it does not require a battery pack which cuts down on gear bulk.

I shot around with the Einstein 640 and the 86 inch PLM (parabolic light) umbrella in studio to test the products and see how they stacked up in my work flow.

Every week Benjamin Von Wong releases a new behind the scenes video for your viewing pleasure and this week is no different. I find that Ben is probably one of the most talented conceptual photographers that likes to use fire in his photographs, but this week he decided to switch it up a bit and the results are stunning, to say the least.

After Bar Refaeli took over the Superbowl with her controversial commercial, Bar found time to do something she never did before: pose nude for a magazine shoot. The magazine that paid her to do that is currently unknown, but somehow the photos leaked earlier today. Check out the BTS and the final results in the post.

Fabian Oefner’s latest series entitled Black Hole shows us a world of paint, drills, and motion, all within 1/40,000th of a second. While high speed photography is nothing new, the art of it is still underground, as its still incredibly expensive. Oefner’s newest work uses high speed photography to show us a world of color that our eyes normally could not process.

If you've seen any movies in the theater recently you've probably seen a preview for the movie Oblivion. A major part of the movie takes place on a science fiction "sky tower" above the clouds. Instead of using green screen the director had a 360 degree set built that allowed the team to project real skyscape video around the glass building. The results not only look incredible but they also gave the actors a more realistic set to work on.

The best part about learning rules is breaking them. For example, most of the time, blur in a photograph is a faux pas. But there are ways you can use blur to add energy and emotion to your images. In this lighting diagram, we will explore how to introduce blurring to your images with the use of an on-camera flash.

Before you start experimenting with this technique, make sure to go to you menu in your camera and set it to "rear curtain sync".

A couple weeks ago I posted a lighting diagram showing how you can emulate Martin Schoeller's lighting by using gaffers tape and foam core. One reader commented that the catch-light makes the subject's eyes look like a cat. This got me thinking about what would happen if I were to change the pattern of the tape into various shapes. Here's what I discovered.

Guest writer, Patrick Gensel is a photographer from Northeast PA with a passion for travel and adventure. He sent us this fun inspiration project on abstract macro photography. Hopefully this very thorough demonstration will spark your imagination for your own abstract macro project.

Last week I tried my hand at emulating Martin Schoeller's portrait lighting with a single bare-bulb speedlite. Though the experiment was technically a failure, it still produced a nice portrait. Since then, I have tried two more lighting scenarios before finally nailing it on the fourth (please excuse my OCD tendancies) and final attempt.

Patric Bergkvist is making a strong case as one of the better Swedish liquid photographers with his fantastic handle on the ideal lighting in very humble shooting spaces. We featured his exploding coffee and milk photo tutorial in early February and now he is back showing how to make a perfect shot of Whiskey. Photo that is.

I've always found that photos that capture and freeze rain to be exceedingly interesting. Rain gives the photo depth and a moodier feel, but usually you have to wait for a storm to blow through your area, or invest in a rain machine. No longer. Benjamin Von Wong has figured out a way to create those wonderfully drenched and moody shots without even stepping outdoors.

There's one pet peeve I have above all else in the studio, and any assistant can attest to it. Coiling cables around your elbow is wrong. Really really wrong. Of course I realize that it's how you were taught, I learned the same way. Until the day I was working with an audio engineer and nearly made him cry. You would've thought I set fire to his birthday cake and kicked him in the shins.

The other day Phlearn came up with a way to emulate Martin Schoeller's portrait lighting. I have been wanting to lock down Schoeller's technique for years now, so when I saw Phlearn's post, I was stoked. And they did a fantastic job. I even learned their cool Photoshop technique of adding natural looking highlights and shadows. The problem was that in order for me to try out their lighting technique, I needed two strip soft boxes for my strobes, which I didn't have.

Guest Writer, Paul Monaghan is a self taught photographer based just out side of Glasgow in Scotland who has has been shooting for the better part of six years. When he first started, he would shoot everything around him from landscapes, people and concerts. Eventually, he found his way to birds.

Skreened is an eCommerce company that specializes in on-demand screen printing. Shirts are their biggest sellers. Since each shirt design is unique, they needed a library of images with models in blank tees so they could overlay the latest designs in post. When they approached me to shoot for them, their main request was that these portraits be fun and energetic.

Whether you watched the Super Bowl or not, it's very possible you saw the now world famous PSY perform an adapted version of "Gangnam Style" for a pistachio commercial. I have to admit, when I first saw the commercial, I was taken off guard by the lack of connection. Still, I've thought about pistachios since, so I guess the marketing campaign worked.

In my opinion, nothing is sexier than a glossy black surface. And you don't even need a black backdrop sweep to achieve it.

During my time as the lifestyle photographer for JackThreads, I shot many different products in many different ways. Since I was shooting an average of 10 brands per day, I had to work quickly and in a tiny space. Through working in this condition, I developed some cheap and easy lighting scenarios.

So I have seen quite a bit of caricature portraits and fell in love with them. I decided to try my hand at doing a few and kind of fell into a new little series with them. Everyone who has seen them has asked if I could shoot them or their families in this style. This little tutorial will show you how I go about doing these shots.

There is one site that I consistently go to for inspiration . No matter how stuck I may feel or how many projects may demand my attention when I visit this dark and ominous page of collected brilliance I always leave refreshed. It may not always be safe for work, that part is pretty tough to predict as the work is always changing, but in my opinion the risk is worth it for the ideas and executions there. Not lighting diagrams, no explanations, just photography...lots and lots of amazing photography.

Photography is an enormous, multifaceted industry that ranges from portrait and product to macro and landscape. As photographers, we owe it to ourselves to learn as much as we can about each specific genre of our trade. Even if you only shoot weddings or cars, it’s important to learn and practice new techniques, which will allow you to hone your skills and can keep you out of creative ruts. Recently, I have had the opportunity to take on several types of shoots that I either have never done before or have had very limited experience with.

Perhaps one of the most mysterious and misunderstood lights available to a photographer is the ring light or ring flash. Most people associate the ring flash with fashion photography, but unfortunately many photographers might not know what the effect is actually doing. In this latest Snapfactory video, Mark Wallace not only shows how a barebulb Profoto Acute 2 Ringflash works, but he also gives you 3 additional lighting setups to take your own ring flash images to the next level.

One thing I love about the Fstoppers Facebook Group is seeing all the amazing work our readers publish. Taylor Tupy is a pretty awesome fashion and editorial photographer based out of Minneapolis. In this video he shared on Facebook, Taylor brought in gulf coast white sand into the studio to produce an awesome effect. Taking your production value to the next level is probably the most important thing a photographer

DIY photo/video gear projects can almost always save you a few bucks if you have the skills and time to make it. But there are a few DIY gems out there that can save you hundreds of dollars, if not more. One of these gems is stillmotion's tutorial on 3 point lighting for video interviews made from a whopping total of $26! They did a great job of pinching every penny while still yielding a great DIY product. If you end up trying this (or variations of it) we'd love to see your outcome in the comments below. Enjoy!

Jaroslav Wieczorkiewicz best known for his amazing milk dress series is back with another amazing lighting tutorial. In this video he explains how to create some pretty nifty looking light streaks to create a fiery effect in your photographs. Using both a modeling lamp and normal flash from some Paul C. Buff Einsteins he shows how you can drag your shutter to create the effect.

To shrink the hobbits in "Lord of the Rings" was not a simple feat for Peter Jackson, it took a lot of set crafting and perspective tricks. Instead of going through those extra hoops for the recently released "The Hobbit," Peter and his team took a different composite approach to the process of resizing the actors. Our friends at Popular Mechanics detailed how the results were achieved.

I started a new project recently creating portraits on 11x14 film. I have had an 11x14 back for my Deardorff for several years, but I have never shot much in that format. I decided to try a couple sheets in hopes of kick starting a new project.

First, let me start off by saying that I am a member of the Church of Jesus Christ of Latter-Day Saints. Yes, I am Mormon. When a fellow Fstopper writer posted this piece in our writer's group at first I was saddened to see the material within the link, but then I took a step back and really processed what this series of photographs meant. The photographs depict a pair of Mormon missionaries in various sexual positions. The photographs may be quite simple, but the message is not. Warning: Some of these photographs might be offensive to some readers.