Have you ever wished that you could simply walk into your studio space and immediately have perfect lighting? Japanese architecture firm FT Architects has created a gorgeous photography studio which uses diffused skylights and windows to harness ambient light and do just that. This beautiful studio located in Kanagawa, Japan seems to be the first of its kind.
I guess I’ve always been different; I’ve never really yearned for a big studio space. As a freelance photographer, the majority of my clients require that I come to their location and shoot on-site. I have a strict organizational-mobile system to transport all my equipment which includes over 8 strobes, 2 scrims and a plethora of staging props and modifiers. I’m asked quite often about my studio and where I shoot all these incredible portraits and dramatic fashion editorials. The answer is easy; my living room.
Artificial lighting can be overwhelming, there are thousands of options to modify one single light source and there are dozens of companies that claim they have the best product and best bang for your buck. Regardless, photography equipment is expensive and I know I'd rather not waste money on a gimmick product when the same result could be achieved with just the right strobe placement or accessory.
Danielle Tunstall is a graphic designer and photographer that puts emphasis on horror. She sets out on each photo shoot not to get the person to look their best, but instead their most appalling. Her work ranges from murderous to straight up disturbing, and her fans love it!
Cosplay is a photography subgenre and lifestyle that I have yet to ever attempt, but something I truly enjoying viewing when it is done well. In the case of this mashup project by photographer Sacha Goldberger, fusing the Renaissance era with modern superheroes, "done well" is understatement. You need to seriously check these out.
Los Angeles-based Italian photographer Guido Argentini produced a series of work called, "ARGENTUM " (Latin for silver), that will be released as both a fine art book and as a film that looks into the making and thinking behind the photographs. Each model -- all of which are professional performers -- was completely painted in a metallic body paint. The effect results in an interesting study of the human form (and, specifically, of the female form) in a way that is not sexual, but perhaps quite objective.
When I first met Anna Rowley while filming Peter Hurley's Illuminating the Face tutorial, it was obviously clear that she had discovered the psychological power behind Peter's headshot directing skills. That day she shared with me her belief that there might be a direct correlation between how a person reacts in front of an intimating camera and how they perform in their workplace. Everything she told me was extremely interesting, so I was pleasantly surprised when Peter texted me this TEDx talk yesterday. I'm curious to hear what you guys think.
There's no doubt that assisting is, hands down, the best way to really learn how to shoot professionally. Set etiquette is one thing that will come with time, but equally important are the little things that all add up and that will make you the best second pair of hands to have on set, second to none -- if you pay attention to these things. While everyone has their preferences, it's always a good idea to research different ways to do the same thing, and to then intelligently choose the best way you can find. DSLRVideoShooter's Caleb Pike took the time to share a few more general tips that are not just good suggestions, but that are absolutely essential to being a good assistant if you want to keep coming back.
I have to say, it's been a blast seeing where Carli Davidson's passion for dogs has taken her, starting way back in 2012 when I first featured her on Fstoppers, and again last year with the release of her book Shake. Today marks the official release of her new book, Shake Puppies, and she somehow managed to create a book of cute that surpasses that of her original printed piece.
This week I wanted to share a few of the tools we commercial photographers use to create our tabletop images. Particularly the items used in photographing beverages. There's a lot of trial and error when it comes to this sort of photography, often times we find ourselves using things in ways far from their originally intended purpose. Having said that, there's a lot of things that have become kind-of standard practice in food/beverage photography, some of those items I'll share with you today.
After 17 years in the video game industry, Bert McLendon decided to change things up and become a full time portrait photographer. For the past few years he shot many interesting people and families in the studio and had great local success in Austin Texas. Earlier this year Bert decided to try a fun experiment in his spare time, and the result went viral. Check out his great and unique Caricature portraits and learn how he's creating them.
Supermodel Coco Rocha and photographer Steven Sebring have teamed up to release an interactive book, The Study Of Pose, chronicling over 1000 poses captured from 100 different angles in an experimental 360 degree rig. It is an ambitious project that has resulted in a massive, and certainly quite heavy, book with over 2000 pages.
A sign at the flea market read "Creative Minds are Seldom Tidy." Do you ever feel this way? Do you ever wish you had a program that would help you organize your thoughts, your to-do's, your contacts, contracts, invoices even bank information? As a creative, often we get so caught up in our work that we forget to run our business like a business. Fortunately a new program recently launched that will help you get everything organized and automated in your business making more time for you to actually do the things you love.
Last week we released our portable light modifier The Fstoppers Flashdisc to the general public through Amazon. While the success of our first ever physical product has been huge, a lot of people have been asking for example images shot with this useful small softbox. Today I am going to break down a simple beauty shot you might see in a magazine that was shot entirely with 4 speedlights and 3 Flashdisc light modifiers.
We’ve all been there, stuck with bad light and fresh out of ideas. I may spend up to an hour pre-lighting before a model or subject steps onto set, I work out the kinks and make sure everything is how it should be. But, despite my best efforts to make it right, every now and then I run out of time and have to wing it. We all have our “go to” lighting scenarios, but when you’re standing in unknown territory, keep the following tips in mind and you just might make it through the storm.
