With more than 70,000 followers on Instagram, Johnny Wu has carved something of a niche: photographing action figures in his home studio to the extent that they look like screengrabs from a movie. In this video, we get a behind-the-scenes look into how he creates his images.
Fashion photographer Christopher Cavanaugh was brought on for this photo project that took place in Los Angeles by creative director Terrel Mullen as a collaboration project to expand both their portfolios. It expanded their portfolios and expanded our appreciation of what can be accomplished from behind the camera.
In today's video we take you behind the scenes in our new Fstoppers studio and show you exactly how we built and designed our latest video set. We will show you all the microphones, cameras, and lighting gear as well as our thought process in tackling this empty canvas of a room.
As many of you know, Lee and I recently moved to Puerto Rico, and with that move, we are having to completely redesign our new studio space. In today's video, we tackle our in-home network and wireless Internet connection. Surely the limitations in Puerto Rico will prove to give us trouble... or will it?
When Per Florian Appelgren first got the brief from L'Officiel Indonesia, he was excited as shooting styled beauty is his strong suit and he absolutely loved doing it. Being able to work with a top-tier model such as Sara from GirlsClub Management Berlin was also a huge plus point.
Every time I go to a theater I can't help but admire the images I see in movie posters, especially those in action and superhero movies. I've wanted to try and take an image in the style of some of my favorite Marvel movie posters but wanted to make sure I could find a model with the right suit to pull off the look. Fortunately, I found just that and more.
Nearly 10 years into taking photos, it’s safe to say I’ve been bored of my own pictures lately, and have been increasingly open-minded in looking for new ways to keep my work innovative. Delving deeper into creative concepts, the best way I feel I’ve improved as a photographer is by exploring set design and focusing my efforts on the pre-production.