Studio

3 DIY Ways To Hang Your Photography Backdrops

3 DIY Ways To Hang Your Photography Backdrops

At some point every photographer uses a backdrop of some sort. The problem is that they are usually large, heavy, and cumbersome. Hanging them can be a bit of a pain and mounting hardware can get pricey especially if you are dealing with multiple backdrops. Jay P. Morgan of the Slanted Lens offers up 3 simple DIY solutions for mounting backdrops that will save you time, money, and headaches.

This Beautiful Photoshoot Celebrates the 30th Anniversary of Back to the Future's 2015 Time Travel

This Beautiful Photoshoot Celebrates the 30th Anniversary of Back to the Future's 2015 Time Travel

How many times have you seen that popular meme that inaccurately says today is the "Back to the Future" day? Well today, October 21, 2015, is in fact the true date Marty McFly set as his future destination in his time traveling DeLorean from "Back to the Future II." To help celebrate this iconic date as well as the 30th anniversary of the original film, the production company Full Frame did this awesome photoshoot where they explore the capabilities of time travel. Check out the full behind the scenes video in the post below.

How to Take a Portrait With Shallow Depth of Field and Studio Strobes

How to Take a Portrait With Shallow Depth of Field and Studio Strobes

Many photographers rely on their 50mm 1.4 and 85mm 1.4 lenses to give that dreamy, narrow depth of field look to their portraits. These two lenses have become a staple for portrait, headshot, wedding, and boudoir photographers who enjoy the soft look that comes with a narrow depth of field and natural lighting. But what happens when you want to create a similar effect in the studio, where your strobes are often too powerful for shooting wide open? Today, I'm going to share with you a fairly unconventional lighting technique that will allow you to shoot your lenses wide open in the studio.

Is Having a Studio Really Worth It?

Is Having a Studio Really Worth It?

When I started out photography professionally, I only wanted to do weddings. It was what I loved (and still love). I thought studio work was so boring. With time, I was convinced to get my own studio and started doing portraits, beauty, products, and other genres. It was great. However, after two years, I am about to terminate my studio lease and will not take a new one. While I love shooting in a studio, I think the cons outweigh the advantages. Perhaps they will not for you. Nonetheless, let me show you what I learned from my two-year experience of having a studio.

We Tested the Sony A7RII AGAIN for All the Sony Fanboys

We Tested the Sony A7RII AGAIN for All the Sony Fanboys

UPDATE: Results from our reader's poll can be found here! Last week we released our head to head competition review between the Sony A7RII, the Nikon D810, and the Canon 5DsR ultra high megapixel cameras. Our test put all three cameras up against each other and compared their performance in terms of ergonomics, HD video, auto focus, ISO performance, Dynamic range, and overall image quality when used in the studio. Unfortunately a bunch of Sony users complained that our final studio test wasn't up to snuff, so we did what any respectable review site would do and brought back baby turtle. The new results might shock you.

Top Tips for Taking Portraits

Top Tips for Taking Portraits

As a self-taught photographer, I’m an advocate of learning through doing. I didn’t study it, but I can imagine that reading all the Photography 101 books that are available still wouldn't prepare you for actually being on a set, with a model standing in front of you, and a team awaiting your creative direction. In my journey, experience has meant everything. Here are some of the things I’ve learned over the years that may help when shooting your own portraits.

How Makeup Can Improve Your Photography in Ways You Never Thought Of

How Makeup Can Improve Your Photography in Ways You Never Thought Of

When I started out in portrait and beauty photography, I tried to have a makeup artist for most of my photo shoots. Why? Because I had always been told it would help my retouching. This is true in most cases. As long as you work with talented makeup artists, you will shorten the time spent in front of your computer. However, this is not the only advantage. Since I learned to do the makeup myself, I have discovered how having makeup done can help your photography reach another level. Noticing these benefits, I do everything to upsell my clients to get makeup done at the studio rather than having them doing it themselves. Here is why.

How to Shoot Full Length Editorials in Studio: Full Gear List and Lighting Setup

How to Shoot Full Length Editorials in Studio: Full Gear List and Lighting Setup

In this tutorial I will show you how to setup your studio strobes for full length portraits as we shoot an editorial style lighting setup. First we will look at the entire gear list we used and you can use for a similar setup, from the backdrop to the studio heads. I will breakdown our lighting. with lighting diagrams and explanation of WHY we are placing our lights where we are. Also, in this video tutorial we share some Behind The Scenes from our shoot day.

Photographer Lara Zankoul Creates a Water-Tight Room For Authentic In-Camera Images

Photographer Lara Zankoul Creates a Water-Tight Room For Authentic In-Camera Images

Early in the month we brought you a video that showed how Gonzaga Manso had created an in-studio pond to get the exact shot he wanted. This week we came across "The Unseen" series where photographer Lara Zankoul creates a water-tight room to capture beautiful and surreal images in-camera. A lot of work goes into a shoot like this but this behind-the-scenes teaser video makes it look fun and well worth the effort.

3 Basic Principles That Will Teach You How to Use Light

3 Basic Principles That Will Teach You How to Use Light

As part of CreativeLive's Portrait Bootcamp the mad talent and knowledge of New York City-based portrait/fashion photographer Lindsay Adler are put to use as she breaks down the practical definitions of light. Lindsay points out that once you can describe light by these 3 basic aspects (intensity, direction and quality) then you can start to understanding how much light to use, where it needs to be placed and what kind of modifiers are needed to achieve certain looks.

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