Studio

Build Rapport on Your Photography Shoot With the Language of Music

Build Rapport on Your Photography Shoot With the Language of Music

At the onset of a portrait shoot it is important to come packing the usual garden variety of a few safe jokes to lighten the mood, some fail-proof poses to keep things moving, and direction for the model to play off of. It is easy to forget, with all the headspace that pours into reflecting the images from inside of our heads, towards reality, that when the time comes to start working with our subject, we are not just setting a tone visually, but also emotionally. One simple way personally for me to connect and as well bring additional personality out of a model is via the universal power of music, which has long played a predominant role in my life.

Creating a Thin Beam of Light With Off-Camera Flash

Creating a Thin Beam of Light With Off-Camera Flash

Light is a key factor in photography. It helps shape and create your photo. As the sun changes throughout the day, depending on where you are you may see some thin beams of light fall across the environment. Creating these thin light beams and adding them to your portraits can add some interesting looks. Controlling the light into small beams is one way to create drama and mood in your work. How would you create a thin beam of light on set?

Plug In Your Robotic Arm

Plug In Your Robotic Arm

We love gear. But this is next level stuff. If you’ve seen the smoothness of the shots used to introduce the Microsoft Studio Surface, you’ll know what I’m talking about. The guys at Motorized Precision who introduced KIRA robotic arm at NAB 2017 are taking pre-orders for the MIA, their latest robotic arm. It’s smaller, about as portable as a fridge is on wheels, and can plug into any traditional single phase wall socket. It holds up to a 22lb camera package, the arm itself weighs 120lbs and it comes with a standard six-meter track. If you want to see what it's capable of go watch Thor: Ragnarok, which used the KIRA for many of their shots. The video shows what the KIRA 1.0 could do.

Creating Composites With Multiple Exposures

Creating Composites With Multiple Exposures

Sometimes our creations behind the camera simply cannot be taken with just one frame, or perhaps you cannot travel to the destinations that would work perfectly with your concept. This is why some photographers choose to composite their images. Antti Karppinen shows off his most used composite image technique from his latest project "Kuopio Inspiration is a Force of Nature."

Easily Create a Product Shot Using Composites

Easily Create a Product Shot Using Composites

I absolutely love shooting commercial work in the studio. Who doesn't? Shooting in a studio environment allows the photographer full control over the lighting and the subject. It also allows for full creative freedom over what you can composite into the shot if needed by easily matching up the lighting. Earlier this week I had a few hours of downtime and decided to shoot a bottle of Bacardi Dark Rum in my studio. Using a softbox I built myself a few weeks ago, I decided to take it on a test run using the bottle of Rum as my subject.

Costs to Consider When Opening a Studio Space

Costs to Consider When Opening a Studio Space

A little over a year ago, I came to a point of wanting to take the next step in growing my photography business. To me, opening a studio space made the most sense. The ability to have a dedicated place to work, meet clients, and sell prints out of, as well as wanting a way to make my business appear more legitimate, all factored in to why I believed a studio space was the next step. I recently finished up my first year of having a studio, and although it has been successful and definitely worth it, I wish I would have had a better idea of the costs you can forget about when budgeting for a space.