Creating your own photography studio doesn't have to be as expensive as you might think. For around five dollars, you could make your own studio setup to take some amazing portraits in the comfort of your home.
Windows can be used to create interesting shots, especially when using the reflections to your advantage, but that’s not the only way to incorporate glass in your photoshoot. There are several different ways, but what if you are looking for a grungy-looking window for a specific concept you have in mind? Here's how to make one.
Camera robots are what you see in movies and think it's computer generated. These robots link up to the camera you're working on, focus your lens during the movement, and make for great videos. Marques Brownlee from MKBHD shows us the capabilities.
Photographing a model lying down can be very interesting, but it comes with a unique set of challenges too. Check out this great video on how to do it.
Consider for a moment, just what would your ten-year-old self do, if given the keys to an entire photo shoot.
There’s a slew of backdrop options out on the market today for you to choose from. Sometimes, those options don't always fit your vision, whether because of budget or creativity. So, what do you do then? Why not make your own canvas?
When I spoke with photographer Anthony Manieri, he was sitting at home in the middle of editing images from a routine event before preparing to fly to Los Angeles to do another shoot for a personal project that has been more successful than he ever anticipated. He didn’t expect a one-off shoot to turn into a personal project taking him around the world creating portraits of diverse, mostly gay men to promote positive body imagery.
Lighting can be a major pain in the ass and that is especially the case if you're not a technical person, like me. After picking up the camera 7 years ago I am still constantly learning about the many different aspects of lighting.
Most photographers have a tendency to light their subjects from the same side. I personally like to set up my key light on camera right and I also always have my subject look toward that light. Not today.
During the conceptual stages of a portrait shoot, when deciding which color palette to incorporate, could less possibly be more? This brief video from Adorama TV features small home studio savant Gavin Hoey showcasing for us how to create effective portraits in studio within a limited color range.
Are you thinking of designing and outfitting a portrait studio? I recently did just that, and through a little research and a lot of trial and error, I discovered some great, versatile finds that make life in a photography studio much easier.
Do you ever shoot with seamless paper as the backdrop? If so, how do you use it? Don’t use it just as a plain background when you can get creative with it. If you're not sure what else you can do with seamless paper, here are 10 creative uses to give you some ideas.
The lust for better photo gear is something every photographer struggles with. In our photography industry, many people swear by the quality of light of this brand verses that brand, but in the end isn't light just light? In this video I create a classic beauty lighting setup with $10,000 worth of lighting equipment and then replicate that same setup with only $425 worth of lighting equipment. Will they look the same? This is the Rich Photographer vs Poor Photographer lighting test.
Patrick and I decided to create a video series where we compete to see who can come up with the best image based on a set of randomly chosen rules. This week, one of us got to use an iPhone and the other had the entire studio at their disposal.
The Godox AD600 Pro Strobe was recently announced to the public. Having myself recently shifted from a fantastic (but also pricey) pair of Profoto B1s to jump into the Godox (Flashpoint in the U.S.) system, I took notice.
Moody, dark, and dramatic — the term "film noir" immediately invokes cinematic scenes of crime-solving detectives and notorious mobsters in our minds. Film noir is interesting as a genre in photography too. In this article, we take a look at how to shoot film noir style portraits inside a studio.
I've been a Lightroom user since the beginning of my career and honestly, I love it. It fits seamlessly into my workflow, and I couldn't imagine using any other raw processor. That is of course until I downloaded a trial of Capture One 11. I've heard people talk about Capture One, but I never thought much of it. After all, what's wrong with Lightroom?
Whether you shoot portraits, still life, fashion, beauty, or even video, there will be a time when you’ll need to shoot overhead for some reason. Don’t ask me why, I’m just sure that one day you will. So while I can’t help you with when and why, I can share the latest video from Peter McKinnon explaining how. Watch this tutorial to learn all about setting up a secure, compact, and efficient overhead setup.
At first, you could wonder how a hairstylist found inspiration in deep sea creatures and avatar to make a collection. But then, when you see the actual looks and how a talented photographer such as David Sheldrick can make the most out every element to create masterpieces out of it, you actually start to hate yourself for not thinking of it earlier! This is probably the most stunning project I’ve seen in months, and I’m blown away by how much talent there is in these frames.
Winter has officially started and everyone loves to shoot winter portraits. But what if you want to shoot snow and there isn't any in your location? Or what if it is too cold to head outside? Well, you can always bring the winter into your studio. Watch the video to find out how.
Flash duration is one of those terms you hear in the world of flash photography but may not know exactly what it is, or why it matters. It’s really quite simple, and pretty much exactly what it sounds like. The measurement of time from when the flash begins to fire until it’s completely off is what’s known as flash duration. Like a light bulb filament slowly burning off when it’s turned off, a flash tube does the same thing, but much quicker.
While our brains are conveniently set to auto white balance and our eyes view a properly adjusted color temperature, our cameras, try as they may, are not quite as advanced and sometimes rely on us to provide assistance to them. For our image color and tone to be as accurate as possible, we have to command control of this setting ourselves.
Finland-based commercial photographer Antti Karppinen shares what he thinks are the "7 Most Common Studio Portrait Light Mistakes" and how to fix them. Barring any creative differences, these are pretty good rules of thumb.
At the onset of a portrait shoot it is important to come packing the usual garden variety of a few safe jokes to lighten the mood, some fail-proof poses to keep things moving, and direction for the model to play off of. It is easy to forget, with all the headspace that pours into reflecting the images from inside of our heads, towards reality, that when the time comes to start working with our subject, we are not just setting a tone visually, but also emotionally. One simple way personally for me to connect and as well bring additional personality out of a model is via the universal power of music, which has long played a predominant role in my life.
Depending on your project or assignment, commercial photography can allow for some creativity to be added to the photo. Creating splashing in the background or even having the splashes hit the product or subject can be one way to add some interesting factors to the shot. How would you set up the shot?
Light is a key factor in photography. It helps shape and create your photo. As the sun changes throughout the day, depending on where you are you may see some thin beams of light fall across the environment. Creating these thin light beams and adding them to your portraits can add some interesting looks. Controlling the light into small beams is one way to create drama and mood in your work. How would you create a thin beam of light on set?
Photographer Platon has photographed a significant number of major players in both the world of politics and music. In this four-minute video from PBS NewsHour, he talks through the experience of working with Facebook CEO Mark Zuckerberg, as well as Presidents Trump, Clinton, and Putin, and how he made each of them relax for the photo.
Every year a slew of burgeoning entrepreneur types thirst to make a New Year’s resolution to go head first into full-time photography. The siren call to shift that beloved passion into an all-out career beckons.
Every photoshoot is different, but depending on your concept and style, you don’t always need a massive studio space with tons of lighting. If you happen to have a decently sized living room with some amazing windows to take advantage of some natural light, it could be your perfect in-home studio for some of your projects.
If you’re searching for inspiration in creating a spooky studio setup, look no further. This tutorial details how to create chilling portraits with silhouetted trees and a smoky backdrop, just in time for Halloween.
Different projects may require different things in the background to help sell the story we are trying to tell with our photos. Sometimes they can be as simple as using a window in the frame. What happens when you are shooting and there aren’t any windows that fit your vision, or any windows at all?
We love gear. But this is next level stuff. If you’ve seen the smoothness of the shots used to introduce the Microsoft Studio Surface, you’ll know what I’m talking about. The guys at Motorized Precision who introduced KIRA robotic arm at NAB 2017 are taking pre-orders for the MIA, their latest robotic arm. It’s smaller, about as portable as a fridge is on wheels, and can plug into any traditional single phase wall socket. It holds up to a 22lb camera package, the arm itself weighs 120lbs and it comes with a standard six-meter track. If you want to see what it's capable of go watch Thor: Ragnarok, which used the KIRA for many of their shots. The video shows what the KIRA 1.0 could do.
Who's a good boy?! For around 45 years, William Wegman has been working with canine companions and exploring all of the peculiar possibilities that come to his mind. With a studio, lots of props, and a playful disposition, Wegman has crafted a career the revolves around man's best friend.
Sometimes our creations behind the camera simply cannot be taken with just one frame, or perhaps you cannot travel to the destinations that would work perfectly with your concept. This is why some photographers choose to composite their images. Antti Karppinen shows off his most used composite image technique from his latest project "Kuopio Inspiration is a Force of Nature."
When it comes to off-camera lighting with strobes, there are three main ways to sync your camera so the lights fire when you click the shutter. In this week’s video with Jay P. Morgan from the Slanted Lens, he goes over the three ways to sync your strobes.
I absolutely love shooting commercial work in the studio. Who doesn't? Shooting in a studio environment allows the photographer full control over the lighting and the subject. It also allows for full creative freedom over what you can composite into the shot if needed by easily matching up the lighting. Earlier this week I had a few hours of downtime and decided to shoot a bottle of Bacardi Dark Rum in my studio. Using a softbox I built myself a few weeks ago, I decided to take it on a test run using the bottle of Rum as my subject.
A little over a year ago, I came to a point of wanting to take the next step in growing my photography business. To me, opening a studio space made the most sense. The ability to have a dedicated place to work, meet clients, and sell prints out of, as well as wanting a way to make my business appear more legitimate, all factored in to why I believed a studio space was the next step. I recently finished up my first year of having a studio, and although it has been successful and definitely worth it, I wish I would have had a better idea of the costs you can forget about when budgeting for a space.
Over the years of using my personal set of studio lights, I've found I've become increasingly frustrated with the growing cost of equipment such as softboxes and scrims. While these are necessary when shooting in a studio, I couldn't justify spending all that money for a massive softbox when it's actually quite easy to build one yourself. All it takes is a bit of time and effort, but once you're done, you're left with a solid sense of achievement and a light modifier that has a lot to offer.
Careful selection is the first and most important step in our creation process that is often left out of conversation. Nearly every client I photograph asks me "How do you choose?" It's actually a great question. After perfecting this process, I guarantee your solid and confident answer will blow their mind.
Since moving into my new house about a month ago, I've been thinking more and more about creating my own studio setup using as little resources as possible. As much as I'd love to own a huge Profoto Octa in my house, it's just not always possible. So why not build your own lighting rigs using equipment readily available at your nearest hardware store?
Cable management is one task that for me is bizarrely fun and rewarding. In my last article, I wrote about creating a DIY portable charging station built out of a Craftsman tool box that is serving me quite well in the studio and in the field. Clients have been impressed with the simplicity and intentional design in keeping a lot of gear charged. It communicates quite a bit about how you take care of your investments. Here are a few tips to help you manage the clutter in your office or studio.
Take a look at any boudoir image and a trained eye will see the lighting, posing, and of course the wardrobe. Attention to detail in how each look flatters your client will go a long way. This guide will list where to shop whether on a budget or having the ability to stock your studio with high-end lingerie.
Christopher Nolan continues to give us of the best movies ever produced. My first Nolan movie was “Memento,” and I surely realized that the theme of his movies, his way of telling a story, and overall character portrayal was something I've never seen before. His vision and talent has given us many after that. “Inception,” “Interstellar” and now “Dunkirk.” His way of doing what he does is worth paying attention to. And when I read up about him, I came across an interview where he mentions how he removes distractions from the set.
Looking to add some color to your shadows? There are a few different methods to achieve this, but what if you could do it all in-camera? Well, you can. Jay P. Morgan from The Slanted Lens covers four different ways to add some color into your shadows with gels.
Papermakers G . F Smith, with help from the design agency, Made Thought, conducted a survey seeking the "World's Favorite Color" receiving 30,000 submissions from around the globe via online poll since it was launched in January 2017. The winner was chosen by popular consensus was a shade of green submitted by fine arts graduate Annie Marrs and UNESCO working inspired by the blue, grey, and green tones she saw in the River Tay in Scotland.
Photography can be quite an expensive hobby or career. Needless to say us photographers love our gear and always want more of it - or at least I do! Over the past couple of years, I've been transitioning from being primarily a wedding photographer to incorporating more studio photography in my business. I don't plan on leaving weddings, but I love having a couple more thousand dollars a month doing quick and easy headshot photography. Here's how I built my studio with both simplicity and quality in mind.
Virtually all photographers' portfolios have some form of studio work in it. The clean white background has been used the world over, from high-fashion shoots to everyday e-commerce. Here's an effective way to give your model or product shoots a touch more class for little to no cost.
Confession: I love me some Felix Hernandez, and I'm pretty sure the rest of Fstoppers would agree with me. Felix first came onto my radar when we did an article on his piece "The Wardrobe" in June of last year. Then, later that same month, he won "Fstoppers Photographer of the Month" where a variety of his awesome miniature-based photography was featured. This past May we featured him again after Audi hired him to do an artistic campaign for the new Audi Q2. I hope you're getting the idea now; Felix Hernandez makes magic, and he's back with more.
I use a bike in Paris, and I use bungee cords to tie things down when I need to, but this video shows a way to use it in studio which I think is so simple, yet so brilliant. Studio space can seem large and vacant at first, but after a couple of weeks things start piling up and if you and your team don't clean up and maintain it, can become a place you dread going to. Light stands are one of the items we use mostly in a studio, and we have more than two at any given time.
Much like the way the Willie Geist of Sunday Today describes his senior portraits in this video, mine were definitely a somewhat lackluster experience. The "edgy" photos I had were me in front of a shiny corrugated metal wall holding my favorite guitar at the time, I thought I was cool, and thank goodness this was really prior to the days of digital workflows otherwise I would be obligated to have an embarrassing photo of me somewhere in this article. But times have changed, and with those changes the standards for what constitutes a senior portrait have risen exponentially, especially with the emergence of social media's "do it for the likes, bro."
