Our next episode of Critique the Community will offer a slightly different take on landscape photography as we will be focusing only on shots taken over 50mm. Submit your best telephoto landscape or cityscape shot below and receive a chance to win a free Fstoppers original tutorial.
Most photographers pull out their wide-angle lenses for a landscape or cityscape scene but some scenes demand you zoom in for a better composition. The featured image shot above taken by Elia Locardi for “Photographing the World 1” was taken at 120mm and is a perfect example. If you think you have a fantastic telephoto landscape or cityscape shot, submit it below for critique following our submission guidelines. We will be accepting images through Saturday, Feb 24th.
To submit your landscape images, you must:
- Have an active Fstoppers account.
- Upload your image to your Fstoppers profile page.
- Paste the URL of the image in the comments below.
The Internet can be a cruel and cutthroat place for photographers. For some reason, photographers are often extremely negative and cynical when looking at the work of their peers. Most photographers overwhelmingly say that they would like others to "C&C" their work, yet the conversation can often become less than inspiring and often downright depressing. Our hope with this segment, Critique the Community, is that the Fstoppers team can offer fair, yet encouraging commentary on some of the images found in the Fstoppers Community.
The Fstoppers Community Rating System
If you have an Fstoppers account, you are able to create your own profile and portfolio directly within the Fstoppers Community. Once you have a portfolio uploaded, you can browse images in the community and rate the photos of your peers. Even though art is usually a fairly subjective matter, we wanted to create a rating system that was as objective and unbiased as possible. This way, if one of your images has been rated 50 times and has received an average rating of two stars, you could feel confident that maybe that particular image is not up to par. Below is a simple chart explaining the Fstoppers Community Rating System.
One Star: The Snapshot
One-star ratings are limited to snapshots only. Snapshots are usually taken to document a time or location, but little to no thought has gone into the creation of the image. If an image has been "lit" with external light (besides a direct on-camera flash), it is at least a two-star picture. The majority of one-star images have had no post production work done to them, but do often have an "Instagram style" filter added to them. The average person these days snaps one-star images every single day with their smartphone. Most one-star images that pop up on sites like ours are images of flowers, pets, landscapes, sunsets, objects around a house, etc. If you read Fstoppers, you should not be sharing one-star images for any reason.
Two Stars: Needs Work
All images, besides maybe five-star images, always have room for improvement, but two-star images "need work" before they should be included in your portfolio. As photographers, we are snapping thousands of images per year, but only a few of those images should ever be shared or put into our portfolio. A photographer who has taken a two-star image has put some thought into the composition, exposure, and post production, but for some reason has missed the mark. Two-star images should not be in the portfolio of a full-time professional photographer and amateur photographers should strive for something better. Even complete amateurs who don't understand photography at all are capable of taking two-star images from time to time.
Three Stars: Solid
A three-star image is an all-around good image. The photographer has a solid understanding of the basics: composition, color, focus, subject matter, and post production. A three-star image is good, but it's not great. Most part-time professional photographers have mostly three-star images in their portfolios. Usually, a level three image would have been rated four stars if it had been shot in a better location, or with a better model showing a better expression, or there had been better post-production. A photographer capable of taking a three-star image is capable of taking four and five-star images if they would simply pay more attention to the details.
Four Stars: Excellent
Four-star images are fantastic. In most cases, four-star images have a certain style to them that links them directly to their creator. Four-star images usually require planning and attention to extreme detail. It's almost impossible to shoot a four-star image by getting lucky. Four-star images have almost flawless conception, composition, lighting, subject matter, and post-production. If you have any four-star images in your portfolio, you should be very proud of yourself.
Five Stars: World-Class
Five-star images are flawless and unforgettable. The amount of time, energy, and talent that goes into the average five-star image is staggering. In many cases, these pictures require a team to produce, including a professional retoucher. The concept, lighting, subject, location, and post-production on these images has to be perfect. In some cases, the jump from four to five stars may be as simple as changing the unknown model in the picture with a celebrity or bringing in a set designer or stylist to make the image slightly better. Although there are always exceptions, most five-star images take days, if not weeks or months to produce.
Strengthening Your Own Portfolio
Even with our objective rating system, people are going to disagree over what they like, because ultimately, art is still a matter of opinion. However, I believe once an image has been rated over 25 times, it will have a rating that is pretty fair and honest (we hope to deter trolls by giving negative Karma Points when a vote is more than one star away from the community average). If one of the images in your own portfolio is rated lower than what you personally feel it should be rated, I'd urge you to try to look at the image from an unbiased angle. Step back, erase your memory of the photoshoot itself, and try to imagine an art buyer, stock agency, potential client, or local gallery as they decided if they wanted to invest in your services. Would your image make the cut?
Lee and I are not the greatest photographers in the world. There are many many genres of photography that we have not been successful in or in many cases, have not even attempted in our careers. However, I believe we have a pretty good idea of what works and what doesn't in terms of commercial viability. Not every image is meant to sell or book you work and that is okay! Snapshots and sentimental images are great and most definitely have a purpose. Hopefully, our insight and critiques can help you decide what is and isn't worth putting in your public portfolio. I hope these video critiques can help you see beyond the technical and personal elements that make up an image and begin looking at your own work in a new light.
https://fstoppers.com/photo/224225
Abstract wheat fields in Palouse, WA
Rome at sunset
https://fstoppers.com/photo/222288
https://fstoppers.com/photo/224226
https://fstoppers.com/photo/224227
https://fstoppers.com/photo/198133
Fossá waterfall - Faroe Islands. 100-400mm lens.
Lofoten, Norway
https://fstoppers.com/photo/224242
https://fstoppers.com/photo/210099
Himeji Castle aka the White Heron. One of the most impressive building in Japan that has nearly been destroyed by disinterest in the 18th century. More infos in the description.
https://fstoppers.com/photo/224240
https://fstoppers.com/photo/224244
https://fstoppers.com/photo/85327 45mm originally, but after the crop it's closer to a 60mm equivalent
https://fstoppers.com/photo/224245
https://fstoppers.com/photo/205437
https://fstoppers.com/photo/206368
https://fstoppers.com/photo/191230
https://fstoppers.com/photo/224246
https://fstoppers.com/photo/219641
98mm (APS-C)
https://fstoppers.com/photo/224247
House on the rice hill
https://fstoppers.com/photo/224202
https://fstoppers.com/photo/224241
https://fstoppers.com/photo/216450
https://fstoppers.com/photo/224238
https://fstoppers.com/photo/224249
https://fstoppers.com/photo/224250
200mm
https://fstoppers.com/photo/224300
https://fstoppers.com/photo/224255
Pick me! :D
https://fstoppers.com/photo/224256
https://fstoppers.com/photo/224257
https://fstoppers.com/photo/224279
https://fstoppers.com/photo/224261
https://fstoppers.com/photo/224293
https://fstoppers.com/photo/224267
https://fstoppers.com/photo/216763
https://fstoppers.com/photo/193195
https://fstoppers.com/photo/224268
https://fstoppers.com/photo/224266
https://fstoppers.com/photo/224270
https://fstoppers.com/photo/224296
https://fstoppers.com/photo/224301
https://fstoppers.com/photo/224304
https://fstoppers.com/photo/224314
https://fstoppers.com/photo/224303
https://fstoppers.com/photo/224302
https://fstoppers.com/photo/143278
https://fstoppers.com/photo/224312
https://cdn.fstoppers.com/styles/xlarge/s3/photos/86863/09/25/5f71be2fb5...
https://fstoppers.com/photo/172014
Shot at 200 mm, the size of the sun was wider than the width of the towers, and so it took on this cross-like shape in between the buildings.
https://fstoppers.com/photo/224311
https://fstoppers.com/photo/224313
https://fstoppers.com/photo/224321
Taken at 200mm
https://fstoppers.com/photo/224323