The world of photography has undergone significant transformations over the past few years. More changes are happening now, and it’s fascinating to see it evolve and affect our photography. Companies need to adapt or face extinction.
In the past, to obtain high-quality camera accessories, one had to purchase from a select few well-established, traditional brands. Consequently, you paid premium prices for them through big retailers. If on a tight budget, you could find cheaper alternatives. However, the build quality was usually poor, and they would not last long, even with the lightest use.
The market has changed. There are now increasing numbers of superb devices with new names that are producing some great gear at lower costs.

Of course, much of this equipment comes from China. Historically, it seemed as though that country was mass-producing solely low-grade goods. However, in much the same way Japan took the lead in producing electronics following the Second World War, Chinese manufacturers, mainly based in the Guangdong Province city of Shenzhen, have progressed. They now produce first-class equipment equal to the older brands. Names like Benro, Leofoto, Treeroot, Falcam, 7Artisans, TTArtisan, Laowa (Venus Optics), Neewer, and Godox are shaking up the markets.

My Benro Tortoise tripod
Concentrating less on high-street retailers or shunning them completely, they take advantage of the distribution and logistics of online marketplaces. Moreover, many Asian manufacturers are undercutting the big names by just enough to win over customers. Those lower prices are good news for consumers, but a warning to old-style manufacturers: to survive, they need to start thinking about changing their strategies and learning from the approach adopted by these younger brands.
'They Are Copying Designs!,' Shouts Mr Angry
One complaint made about Chinese goods is that designs are stolen. Indeed, there have been some high-profile cases of Chinese manufacturers blatantly copying the designs of goods from the U.S. and Europe. But it is an unfair exaggeration to say every Chinese company does it. We are seeing innovations and unique designs coming from some of the Chinese companies.
Furthermore, it ignores the fact that companies in the U.S. are suspected of the same. For example, Masimo, a medical device company that produces blood oxygen monitoring equipment, accused Apple of stealing trade secrets and infringing patents. That led to a temporary ban on certain Apple Watch models in the U.S. in late 2023, and Apple subsequently disabled the oxygen monitoring feature using that technology. Similarly, Amazon has faced patent infringement lawsuits, as have other big companies.
Camera companies also copy ideas from others. For example, Olympus (now OM System)—among many other innovations—introduced five-axis image stabilization, Pro Capture (the camera buffers images when the shutter is half-pressed), and automatic sensor cleaning. These features soon caught on with other manufacturers and are featured in many different models. Then, Canon’s EOS R5 was the first to include AI-based subject detection, which is now common in other brands’ top models. Also, the Fujifilm X100S was the first to feature a hybrid autofocus, which has been widely adopted.
Copying technology is nothing new. In the 1960s, Soviet Russia produced cameras that were very similar to Leica models. Subsequently, there were cries of design theft.

Is Your Camera Brand Safe?
Although affecting the accessories market, so far, the new manufacturers are not damaging interchangeable lens camera sales. But it may be only a matter of time before that happens.
Cheap, low-quality digital cameras can be found online. If the same pattern follows as has happened with tripods, third-party lenses, and flashes, then we will start to see better cameras coming from Shenzhen too. If they undercut the prices of the current brands and offer good quality products, the well-known brands of the past will suffer unless they adapt.
Collaboration and Compatibility Are Key to Success
Although small, Leica is a growing company with 14% growth in 2023/2024 to approximately $577 million. Its collaborations and expansion into mobile imaging helped it reach a tech-savvy younger audience. It also has a strong lineup of high-quality cameras. Moreover, its premium pricing strategy, brand prestige, heritage, and new monoband stores all add to its success.

At the end of the last decade, the Russian-made Zenit M rangefinder camera was made in collaboration with Leica. That collaboration seems to have ended for obvious reasons, but Leica also works with Huawei and Xiaomi (both Chinese), Panasonic Lumix, and Sigma (both Japanese).
Similarly, Videndum, which owns Manfrotto, is showing continued growth, especially in the top-end creator and streaming markets. The company focused on expanding its product lines and digital presence, which influenced its profitability. Its brands include Gitzo, Wooden Camera, Sachtler, Teradek, Audix, Rycote, Colorama, Savage, Avenger, Lowepro, and JOBY. That diverse range will benefit from collaborating with others within the same company.

Peak Design ensures its ecosystem is internally compatible. It manufactures a high-end, environmentally friendly range of accessories that work together. For instance, the Travel Tripod fits in the side pocket of their rucksacks while those bags have provision for the Capture Camera Clip to attach to the strap. Their now widely copied modular Cube system works with most of their bags too.
Urth (formerly Gobe) has a similar approach, with a planet-friendly lineup of compatible first-class filters, bags, and accessories.
Other brands have succeeded by collaborating too; Zeiss worked with Vivo and Sony, while Hasselblad worked with OPPO and OnePlus.

How Is Canon Performing?
Meanwhile, some companies haven’t adopted that approach.
Canon is an insular company and, to date, has not collaborated as much as others. Historically, it has benefited from that approach. Moreover, they seem to have actively discouraged other companies’ gear from working with their equipment. For example, as widely reported, the excellent EOS R5 Mark II will not work fully, if at all, with third-party batteries. It also maintained control over the RF mounts and its autofocus protocols. Thankfully, Sigma and Tamron are now licensed to produce some RF lenses, but that lack of cooperation was off-putting for some potential buyers.

Does Canon suffer much as a result of its insularity? Although the quantity of its cameras shipped increased, its net income and operating profit reportedly dropped significantly in 2024. It blamed higher operating expenses, economic stagnation in key markets, plus increased R&D and production costs. However, other companies faced the same barriers and yet did not suffer.
Maybe it will change its approach and start seeking diversification through collaboration, like other companies are doing.
Successful Camera Collaborations
Mirrorless interchangeable lens cameras now outsell DSLRs. Globally, Sony sold the most mirrorless cameras in 2024 and now holds 26% of the market. Sony, of course, produces the sensors used in most other brands’ cameras and has its range of smartphones.
After a long-term decline in sales, Nikon is on its way up again with its successful Z-series cameras. It collaborates with a variety of companies and organizations across some advanced manufacturing and imaging industries.
Seeing success, too, is the OM System. In its fifth year since joining JIP, it had a successful brand revival strategy combined with strong sales. The recently released OM System OM-3 is currently the bestselling camera in Japan, a major success for a relatively small company. The brand is benefiting from being part of the JIP group. It has also acquired Toshiba, which makes phones. Will there be future collaborations there?
OM System and Panasonic Lumix are the ultimate collaborators, sharing the Micro Four Thirds ecosystem with eight camera lens companies and various cinema, security, medical, industrial, and drone manufacturers.

What Does the Future Hold?
A 2025 White House memorandum acknowledged a cost-of-living crisis, citing that many American families are overwhelmed by the high costs of daily necessities. This is a global phenomenon. If people are struggling to buy food, they won’t be buying camera gear. Furthermore, with international trade wars, increasing tariffs, military conflicts, and sanctions, barriers to businesses working together are growing.
We will need to wait until July 15 for the next Consumer Price Index (CPI) data from the U.S. Bureau of Labor Statistics to see how the recent sanctions and wars are impacting the inflation figures. A healthy rate of inflation will be 2%, the target set by the U.S. Federal Reserve.
We might not see much divergence from that yet; there will be a delay in inflation in technology as retailers stocked up in anticipation of the recently imposed tariffs, and many are still selling the stock they bought before the new tariffs were imposed. However, the invasion of Israel into Gaza and the subsequent hostilities with Iran will probably increase oil prices, which in turn will push up distribution and manufacturing prices even further.
What Do You Think?
What do you think of these changes within the photography industry? It will be good to hear your thoughts and comments below.
One thing I've learned is that Japanese companies never really die, they just stagnate. They literally call them "Zombie Companies".
It's pedantic really because what the consumer cares about is a supply of compelling upgrades and innovative tech, and if that's the metric we use to determine time of death, Pentax has been dead for most of a decade, and OM wad dead from the Olympus split.
And as a reviewer, I definitely share your concern, because the innovation from Chinese companies is far surpassing what we're seeing from Japan or anywhere else in the world.
Hi Tony, thanks for taking the time to comment.
I don't know if I am concerned about the changes from China, but the big manufacturers should be. I've reviewed lots of gear from there over the last few years. It's been good, and it doesn't bother me where it came from. When I haven't bothered doing reviews because the quality was so poor, it's been stuff from American manufacturers, except for one that was Chinese. (The last American manufacturer took my feedback on why I wouldn't review their product on board and redesigned the product.)
I don't want to predict the future because anything can happen in this uncertain world. However, I would disagree with your thoughts on Olympus. OM System is growing, and JIP has recently agreed to retain it because it is performing so well.
Its improved performance is due to many people moving to the system. That is because of the greater apparent reach and shallower depth of field afforded by the same focal lengths, compared to a 35mm-sensor camera, plus the superior IP53 weather sealing. Those factors make it an attractive proposition, especially for the aging global population, for whom the smaller, lighter gear is turning people away from 35mm sensor behemoths.
Didn't you predict the imminent death of Micro Four Thirds back in 2018? It hasn't happened yet!
I do agree with the comment about compelling upgrades, something that OM System keeps delivering. However, I wonder if we have reached a plateau in many areas. Putting aside those with major flaws (e.g. the R5 ii's overheating, color artifacts, and unresponsive autofocus), contemporary cameras are good enough for our needs.
Most photographers don't require more than 20MP, and a larger pixel count just means bigger file sizes. Meanwhile, 120 raw frames per second is better performance than most of us will ever use. A Godox V1 Pro's 76W GN 92 outperforms most, if not all, camera manufacturers' speedlights, and it delivers more than I need. I have four tripods, and that's probably two more than is necessary. I cannot see that I would ever need to upgrade them. Any innovation would need to be huge to make me want to buy replacements.
Says the OM System Ambassador, a materially-compensated associate of OM System’s marketing department.
When there’s a line item on OM’s accounting ledger that says “Ivor Rackman” and also a byline on an article that says the same, one might expect the owner of said name to pay more heed to their conflict of interest and complete inability to maintain objectivity.
If I’m not mistaken Neewer flows you free product as well, do they not?
I’m honestly not trying to be as adversarial as I’m probably appearing. You’re a good writer with good insights, it’s just that it seems like a sizeable portion of your articles are pseudo-advertisements centring products you’ve been given for free. It’s tiresome.
I’ll let someone else contend with the silliness of insisting “most” people don’t need >20MP. In the same breath as trying to put a positive spin on an assertion that most people don’t need 120FPS no less.
Well, Pentax may be dead, but hopefully it's not doomed. Fortunately I have 4 Pentax bodies that are still alive and clicking. I would love to have, but don't need the latest tech since I shoot events and portraits that don't require it. Hopefully people will decide to dump their used Pentax gear for ridiculously low prices because I would love to pick up a used K-3iii Monochrome at a fire sale discount.
You are right about the challenges faced by camera companies which don’t engage in collaboration with other business entities. However, your focus on tariffs is a bit perplexing when these very camera companies have been raising prices on their own for many years now. The reasons may have changed, but the practice of jacking up prices is as old as time, and all these companies have done it on their own for their own reasons in recent years. I am a bit surprised that the shift to smartphone use was not addressed, or its implication in the financial survivability of camera companies. Of all photos taken in 2024 (which is expected to be a number of 2.1 trillion photos in 2025), 94% of these photos were taken with smartphones. That is estimated to account for 5.3 billion photos daily. Behind these photos are smartphone consumers who are giving smartphone companies their money, even when the prices of those phones continue to go up (which they have been even without any tariffs). Those ever-increasing figures are a major threat to camera companies, but they are downplayed in this analysis. Lack of collaboration may indeed be a threat, but the biggest threat of them all lies with that 94% market share that so many traditional photographers would rather not talk about.
Hi Eric,
Thanks for that interesting addition to the conversation. I am going to challenge that common belief.
The percentage of photos taken by interchangeable lens cameras (ILCs) hasn't changed. Instead, it's the smartphone has hit point-and-shoot camera sales.
Back in 2007, the camera market comprised 94% compact cameras and 6% DSLRs. (76 million compacts, 4 million DSLRs) Now, if you add smartphones to the equation, Mirrorless and DSLRs still hold 6% but compacts only 1%.
Last year, there were more ILCs shipped than in 2007: 6.9 million. 5.8 million of those were mirrorless, and only 1.1 million DSLRs. That's 2.9 million more units than 2007.
The sales of all digital cameras peaked around 2010 with 12 million ILCs sold, but overall, the market proportions and the percentage of images shot by ILCs remained steady. Why was that? Back in the late noughties and early teens, Facebook became big, and people wanted to post pictures to that and then other social media. That boosted digital camera sales. There was also a huge marketing push for beginner's cameras that manufacturers upgraded annually. Each new model was supposed to make the photographer better than the previous model could. This, of course, was rubbish, and I think consumers caught onto that.
So, ILC sales are as healthy as they have ever been because smartphones cannot do what ILCs can.
That doesn't mean the camera companies haven't suffered. The loss of compact camera sales was enormous. I always wondered why they didn't develop cameras with SIM cards.
They've adapted already by raising prices and scrounging around for what's left of the dedicated camera market, and if not that, incorporated more videos aspects or leaned heavily into films resurgences with tiresome cliche products
Thank you for that comment. To put it in perspective:
General inflation in the USA looks like this:
2020 1.2%
2021 4.7%
2022 8.0%
2023 4.1%
2024 2.9%
In total, the cumulative retail price increase has been 22.58%
If you take the Canon EOS R5 as a typical example, between its release and the current price of the R5 Mark ii, the price has increased about 10.3% over the same period. With some small variations, other cameras performed similarly, but all well below the overall inflation rate.
The new products from china are getting better and better, just like products from Japan and South Korea in the past. When Japanese cars became good ,people feared the European carmakers would go bankrupt ( and some of them did) but now some Japanese companies are owned by European manufacturers. In the end it balances out. I don’t think a compagnie like Canon will go down, it makes so many other products with optics.
By the way the first camera with self cleaning sensor was the Canon 1D mk III , the first camera with IBIS ( only two axis ) was a minolta Maxxum 7D , I guess Olympus improved on that idea.
Hi Ruud, thanks for your comment.
The Olympus E-1 was the first Olympus camera with a sensor cleaning system. It was introduced in 2003. The 1D iii was released in 2007, I think. The now OM-System method is widely recognised as the best out there; I have never had sensor dust that I haven't removed by turning the camera on and off again. You are right about the Minolta, and as you say, I did specify the 5-axis IBIS on the OM System cameras, which gives up to 8.5 stops of stabilisation.
Sorry Ivor, I was clearly misinformed about the sensor cleaning. I have my Canon EOS R now for more than six years and I’ve also never had to clean my sensor, must be down to the fact that it closes its shutter when you change lenses.
No worries, Ruud. Interesting to hear that about the sutter. DSLRs used to do that too, but still suffered from sensor dust so maybe the sensor cleaning is good on that model. My OM-1 doesn't; the shutter is permanently open. The EOS R is a fine camera that holds its own, more so for stills than video. Thanks for coming back.
The EOS R fits my needs, I don’t feel the need to upgrade and I don’t do video at all.
For the things I do it’s better to invest in glass or a nice trip
E-M1X was the first with AI subject detection. While 20MP is enough for most, the low light performance of m43 isn’t as good as what many hobbyists want from their ILCs. I had the 150-400/4.5 and OM-1 and sold it because I felt that it was too noisy in all but the brightest of light given the investment.
Thanks for signing up to comment. I don't know what you were doing wrong to think that. I've began shooting parties and events in low light since the Olympus OM-D E-M-5 Mark ii. My son used the first version of that camera for his art masters often shooting at night. I guess youvwere using Lightroom which adds a lot of noise to its .ORF raw conversions.
Photography Is Changing and Your Favourite Brands Must Adapt or Die - Hasn't that been the case since the inception of photography!
I guess you are right, and it applies not just to photography but we've lost a few big brands over the years because of thir inability to adapt. In many other areas of life too.
I use the Leofoto G4 gear head that is banned from sales in Europe. It breaks French copyrights. It's a quality piece of work. Here in Taiwan, it's easy to acquire their stuff.
The Leofoto G4 geared head is available here in the Netherlands (so in the EU), maybe they changed a little thing about it and so evaded copyright laws.
Yes, they have 2 models. Mine copies the mechanism in the Arca-Swiss Cube too much. I believe the illegal 1 is the more expensive of the 2. However, when I bought mine, it was the only 1 available.
How do you like yours? I can't live without mine.
I just noticed, today, they offer a G6 Cube. Looks a lot like the Arca-Swiss Cube.
This the one that is available here. There’s indeed a little difference in the arca Swiss coupling
Heres an Arca-Swiss Cube next to the new Leofoto G6.
Yes, that model is available here in the UK too. Although politically we are not in Europe anymore, most of the same rules are still in place here as they were before Brexit.
I don't have a geared head on my tripod yet. It is something I'm looking into, or a leveling base combined with a tilt head, I use a l-plate on my cameras.
Gear head! But they're not all the same. I shopped around until i found my G4 for dedicated work.
I thought of purchasing the G2 for quick adaptations when you have your ball head on, but beed a gearhead. It'll mount between, ball head and camera, However, staybility comes to issue
Leofoto needs to pay me!
I’m thinking about this combo
You're still guessing on accuracy. Gear heads are precise. Snipers use gear
Ivor wrote:
"Canon is an insular company and, to date, has not collaborated as much as others. Historically, it has benefited from that approach. Moreover, they seem to have actively discouraged other companies’ gear from working with their equipment."
Very true. I hate this about Canon. I have been a Canon shooter for many years, and their cameras and lenses have served me well. However, I feel that their lens designs are quite limited. They aren't nearly as innovative as some other companies, such as Sigma and Laowa.
I would stick with Canon lenses if they made the niche lenses that I need, but they refuse to make anything really creative. I need a wide angle lens that also has true 1:1 macro capabilities, but Canon refuses to make one, so I had to buy the Laowa 15mm f4 macro shift lens.
I am also in the market for a macro probe lens, but Canon also refuses to make them. So I will have to buy either the Laowa 24mm f/14 Probe or the AstrHori 18mm f/8 Macro Probe.
I really love the Sigma 60-600mm 10x zoom lens ..... but Canon will not allow them to interface with their autofocus system, and Canon refuses to make a comparable lens.
So Canon refuses to make the lenses I need, but they also refuse to allow most 3rd party lenses to work fully with their proprietary autofocus system. So what exactly is a Canon shooter supposed to do if they need extreme niche lenses? The only answer I can come up with is "abandon Canon". So I will not be buying any more new Canon gear.
Moving forward, I will probably be going with Sony camera bodies because they seem to be the most widespread brand that facilitates compatibility with 3rd party lenses.
The way I shop for gear will be lens-centric ..... meaning that I will find the lens that I need first, and then look for whatever body will work with it best. In the past I bought into a system, and then bought lenses that worked best with that system. But that just won't work any more, because the lenses I want just don't fit into the Canon system because of Canon's exclusionary and proprietary modus operandi.
I see your issue. The lenses Canon makes are, on the whole, of good quality. However, if more specialist lenses are missing from their line-up, they will start to lose out to other brands that offer something they don't. Thanks once again for the informative comment, Tom. I hope you are keeping well.