It's a big year for Apple. This is the year Apple finally introduces some major technological upgrades from augmented-reality and improved cameras to OLED screens in its iPhone lineup. And in doing so, they've released three new models alongside each other, the iPhone 8, 8 Plus, and X. Most importantly for us, however, is that the new iPhones not only feature the best cameras yet, but also more broadly represent the biggest leap in image technology in a single year thanks both to new hardware and software.

It seems that almost all the major brands of the photography industry have something new to share at Photokina 2016, and Arca-Swiss is no exception. The France-based company announced several new and improved camera support products this week that you’ll want to check out.

Last summer, photographer and director Dixie Dixon was called upon by Nikon to shoot a campaign for their new touch screen DSLR, the D5500. This incredible opportunity had one interesting challenge in store for Dixon, however; All of the material would be photographed and filmed — kit lens, auto settings, and Photoshop-free — using the consumer-level D5500 itself.

A new year and a clean state; last year’s resolution was to take wedding photography "back to basics" and capture images that truly matter to couples and their families. At the end of this year, I had the opportunity to look back on the moments of 2014; a new emotional set of images that are imperfect perfection.

For the past several years, I have done this one thing at the end of the year, and it has been responsible for my improvement more than anything else.

The next generation of cameras are going to be competing in a market that’s tougher than ever. While the launch of mirrorless camera hardware from Nikon and Canon may have prompted some to upgrade, the next round of camera purchases also needs to offer something new in software. Want to know what needs to be there?

When I got into wedding photography twelve years ago, I didn't know a single photographer who was shooting macro shots of their clients' rings. Today, these shots have become expected, and hopefully, if you're a wedding photographer, you've got a macro lens in your bag so that you can capture professional-looking shots of the rings.

Despite retaining the same series name, the Mark III version of the G1 X is more than just iterative. This much is immediately apparent when one notices the larger, semi-pro level APS-C 24MP sensor and Digic 7 processor inside this new, compact point-and-shoot. I haven't been as excited about a compact APS-C camera since ill-fated and short-lived Nikon Coolpix A. Moreover, the Mark III features an entirely redesigned body that puts even more distance between itself and the Mark II.

Today, Sony announced a new super-telephoto prime lens and super-telephoto zoom lens aimed at sports, action, and wildlife photographers.

You saw that wonderful long exposure image on the internet, with a smooth water surface and moving clouds in the sky, and you thought; I want to shoot images like that. So you invested in a dark neutral density filter that makes it possible to shoot with shutter times that are 1000x longer. Now you can start making those long exposure images.

Josh Newton is all too familiar with shooting under pressure as a professional wedding and musician photographer. Recently though, he had a wedding shoot that's gotten him national press for it's high stakes and unbelievably gorgeous results. Josh was able to take some time out of his busy schedule for a brief interview to talk about his now famous forest fire wedding shoot.

Just as Tamron has been asking us to reconsider the accepted focal range of an ultra-wide angle zoom, up steps Canon with the rumored 16-28mm f/2. You can be sure it will be huge and costly, but do we need it? And do photographers really want a holy trinity that is so heavy and expensive?