Most of us probably use Photoshop on a regular basis. We've almost taken it for granted and it has made life a bit easier for us when it comes to correcting images. It's hard to imagine a world without Photoshop where people still modified and manipulated photos. These images exemplify that and will be a part of a showcase put on by The Metropolitan Museum Of Art.

For the past few years, the popular Nik Collection has had an interesting journey starting back in 2012 when Google originally acquired the photo editing plugin. Over the course, the collection has gone through a price drop and ultimately landed as a free download which made several photographers happy. Who doesn't like free stuff, and for free it was a pretty solid collection of plugins.

I am always looking to improve my work and increase my efficiency and my open mindedness to try new methods isn't always rewarded. However, applying one psychological principle for habit building has proven effective.

After eight months of work I finally finished this project: an aerial tilt-shift hyperlapse of Miami. The idea was to produce something different. Time-lapse videos are very common these days and most drone operators can make a decent hyperlapse with their drones. In this video I wanted to replicate the out-of-focus look normally associated with macro photography to give a miniature effect of the city of Miami. Here is how I filmed this video and what I learned during the process.

Released this past weekend, Britain's Sunday Times Magazine pays tribute to some of the most iconic and powerful photos from the last century in a short video they've entitled "Photojournalism." The simple two minute video creatively adds motion to the images, in an attempt to bring back the feelings and emotion the photographers were facing during the time these powerful images were captured.

Today I’ll be talking about the Sigma 50mm 1.4 Art lens for Sony E mount. As with my prior review of the 35mm version, I will be going over the topics that are relevant to me which are sharpness, focusing, bokeh, and usability.

I can’t be the only one who dreamt of knowing which image would perform best on Instagram before posting a set or simply what picture people like best amongst a selection. A great photographer should be able to pick his images on his own, but sometimes, when it comes to social networks, it’s more complicated than that. Being able to know what is going to work best to schedule the images accordingly is a huge advantage. Well, there might be a solution out there, and it’s called Cinnac.

There are seven common traps that many photographers fall into that rarely get spoken of. Does your work fall into any of these? Here’s how to spot them and escape their clutches.

A British student will be put on trial in Egypt for spying after he took an image with his phone from a plane he was flying on.

As we consume social media, YouTube videos, and online articles, it is easy to think everyone else out there knows what they are doing. I made many mistakes early on in my landscape photography journey. I still make mistakes today! I’m going to share some of those early mistakes I made and things I wish I'd started doing sooner.

Most of us over 30 have at least one box of old photo prints in a closet somewhere, and digitizing them is a worthwhile if tedious task. The Epson FastFoto FF-680W scanner seeks to make quick and easy work of that task while still producing high-quality results, and in this review, we take a look at what you can expect from it in practice.

Most of my original articles are positive in nature and giving advice I've learned over the years. So to change it up, I'm going to list the 10 worst things about being a professional photographer.