Are your photos beautiful? Consequently, do they attract lots of likes online? If you are serious about your photography, then there are arguments to shun beauty and embrace less appealing aesthetics. But those arguments are flawed. Here's why.
In many of the world's cultures, the coming of a new year is celebrated as a time of renewal and reflection. It is a time to share with family and friends, a time to celebrate, and for some, a time of contemplation. Although it can be a hectic time for many of us, with so many preparations and celebrations, it is also a great time to look back. I encourage each of you to use this month to reflect on your art from the year to date.
It's a bizarre question that can be applied to any of the arts. Typically, creatives are seen as passionate creatures, but is it essential to a career in the industry?
While photographers have been able to upload their RAW files to Google Drive for quite some time, apparently, we’re now one step closer to being able to process those in Photoshop directly through our browsers. An almost two year effort on the part of Adobe and Google has brought Chrome-based Photoshop to fruition. They’ve got a version called Photoshop Streaming that they’ve sent out to educational institutions to test out over the next six months.
Erik Almas is an inspiration to many of us not only with the work he does as a commercial photographer but also as a person who shares the struggles and successes he had in his career. No doubt that he works with many companies and brands we can only dream of, but in a recent interview he confessed that despite that there wasn't a moment in his life when he could say he "finally made it." It is exciting to hear what his measure for success really was.
When touting the many virtues of film, people frequently mention the power of negatives in the highlights. But what does that mean, exactly, and how does its strength compare to its digital brethren? To find out the differences, I shot a demanding subject with both digital and black and white film, severely over and underexposing. How did they stack up against each other? Read on to find out!
First things first, personal work is incredibly important. Client work often pays the bills but the most fundamental personal development you’re going to experience is when you take your vision and execute it. I would say that applies to just about anyone and certainly to photographers.
Tamron's 35-150mm f/2-2.8 Di III VXD has been praised for being remarkably versatile and for pushing the boundaries of lens design. Samyang might be joining the party soon, as rumors that the company is planning a similar lens have emerged.
Profoto and travel/adventure photographer Austin Mann have teamed up to launch a new tutorial series focussing on phone photography.
Last week at Photokina, Phottix announced their battery powered TTL strobe the Indra500 to much accolades and this week they released a video on scet with acclaimed Hong Kong Photographer CM Leung and Hong Kong Arnold Classic Winner Brenda Lo. Though there isn't any talking or additional information on how the strobe handled here, you can get a feel for what it looks like in a real world use situation.
In my journey as a portrait photographer, I've found foreshortening to be a creative look that you can use to produce some dynamic images. But what is foreshortening, and how can it add some dynamism to your portraits? Let's dive in.
I have never been a fan of digital effects that emulate analog results. I always thought making a digital image look like it was shot by film was a deception. Could DxO FilmPack 7 change my mind?
While the lunar and annular solar eclipses are fresh in our minds and travel is gradually returning to some semblance of normality, it’s a good idea to begin to think ahead to future eclipse photo opportunities (especially total solar eclipses) in the next few years. Why plan so far ahead? Unfortunately for most of us, the opportunities to photograph a solar eclipse within our lifetimes can be counted on a few fingers. Lunar eclipses are a little easier to plan for but still require some planning.
Well it looks like they are at it again. Who are they you ask? The parasites that produce knockoff gear and sell them as the real McCoy, of course. Our very own Lee Morris brought you the news about knockoff battery grips and now 1Kind Photography has brought counterfeit filters to our attention.
After yesterday's post, Lars Steenhoff sent us an updated, side-by-side comparison of video bitrates on the Nikon D800 at 3200 ISO with NikonHacker's new firmware. Steenhoff comments that the 64Mbps file has more noise as a result of less compression, but cleans up easily in a final file output that is cleaner with just a little noise reduction. For those interested, he has also made the original 64Mbps and 24Mpbs files downloadable on Dropbox, too.
With most website traffic overwhelmingly coming from smartphones, a client is going to ask for portrait content sooner or later. How can you avoid the major pitfalls?
Today, more and more cameras have wireless technologies built into the body. So far, the concentration on development for the use of these antennas has centered around image transfer and social media connectivity, posting directly to other services, etc. But that’s far from all that can be accomplished when cameras start being able to communicate with one another.
Ah, scanning. If you're not printing in the darkroom, it's a necessary evil when dealing with film. You could argue that outside of the moment of exposure, scanning carries the most weight in determining the quality of the final image. For those that choose to develop their film at home, scanning is the next step in our workflow. Most of us want to get in, get the best scan we can, and get out to the greener pastures of Photoshop to make our final edits. Your choice of software has a lot to do with how efficient and how tolerable it will be to get your negatives into the computer. It's through that lens that we take a look at VueScan.
Spider Holster camera holsters have become really popular among event and wedding photographers because they free up their hands and keeps straps from encumbering movement. Their latest offering unveiled at WPPI Las Vegas is the Spider Monkey, which will hold your accessories like a speedlight in the same handy fashion.
It's already been an exciting month for gear enthusiasts. Obviously, the major camera body announcements from Canon and Nikon have taken most of the spotlight. We have also seen new Pocket Wizards, as well as a shinny new version of Adobe Lightroom 4 come out. But what about the glass? Sure, Canon revised a few lenses, but I'm talking about a whole new lens. Carl Zeiss is apparently looking to step up and fill this void.
I’m here at Google’s launch event for the Pixel 3 and Pixel 3 XL in New York. Have they got a world-leading smartphone camera again?
Whether you are a landscape, street, or portrait photographer, there are ways we navigate differently abroad as opposed to within our own hometown. Here are some tips to ensure not only that you come home with photos you are happy with, but also that you get to take home a bit of the culture with you as well.
Sometimes when shooting a portrait the drama created by a silhouette can reveal a more powerful sense of character than a more traditional portrait. One major downside of a true silhouette, however, is that it fully blacks out the subject sacrificing any opportunity for expression or detail within said subject. In a recent shoot, I experimented with an alternative to a true silhouette that uses a light source near to the subject to wrap light around them in a way that creates a sense of a heroic silhouette of the style that could be found on film posters or the cover of a book.
It’s Black Friday, and while many times, that means camera companies just printing their regular prices in large, black type and calling it a sale, here’s one that’s a legit screamin’ deal: The Nikon D750 is now on sale for $997.
I know when I started down the path to becoming a professional photographer I had A LOT of questions. I wished there was just someone I could ask for advice who had climbed the mountain I was attempting to climb. Oh I guess Zack Arias heard my prayers, because on his tumblr that's exactly what he does.
There seems to be a mystery around a travel and destination wedding photographer. How do you break into that market and how do you afford it? While at WPPI this year, I attended a class with Laura Grier who shed some light on her business and lifestyle.
While all photographers are unique and differentiate through their style and specialty, there is one constant throughout: client experience. All photographers must provide an excellent client experience in order to stay in business. When clients choose us to document their lives, they may love our style and even like the final product, but if they have a poor experience, they will not recommend us to others or refer us new business. Particularly in the boudoir genre, because we provide such an intimate service, the client experience must be a priority for a photographer to be successful and have a lasting career.
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