During my time as a professional fine-art landscape photographer, I've come to appreciate the moody and somber aspects of photography more than those bursting sunsets. You can find me in the forest or on the beach in the harshest of conditions or in low-light. However, I'm a real sucker for mountains; mainly because we don't have those here in the Netherlands, but there's something in the interplay between the land and the sky that goes on in mountainscapes that I find truly attractive.
Articles written by Daniel Laan
As shutter speed is the limiting factor in taking pictures of the night sky, we often seek out more expensive lenses that open up that bit more or check Fstoppers if there’s a new low-light, high-ISO king of cameras on the horizon. But what if I told you that there’s a device you can use today, with the camera and lens you already have, that has the potential to capture places that are light years away from Earth?
"What if I told you..." that every bot asking for followers is actually the social media platform service itself asking for money in order to get as much reach as you did organically several months ago. Jokes aside... I read more about bots on social media every day and it's time to give it the attention it deserves. The future of social sharing is about to change.
We've previewed this very special filter before, and now come back with results from testing it in the field. The STC's Astro-Multispectra Filter blocks out artificial light of our modern world in the form of light pollution and increases contrast to reveal faint deep-sky objects. While available for Canon too, Taiwanese STC brings an exclusive filter to Nikon full-frame to capture wide-angle shots of the night sky.
By its (fabricated) definition, “Great Light” is soft, of an orange tinge, preferably at an oblique vertical angle and coming from a direction that shapes the subject enough without causing harsh shadows. So we’re essentially talking about sunsets and sunrises. But must we only whip out the camera at golden hour? Or are there more photographic opportunities to be had?
We've planned for the aurora and captured a ton of images in the previous episode. We've left the arctic and are back at home under the soft glow of our calibrated screen. It's time to process these babies. Be aware that there's advanced editing stuff ahead. If this goes straight above your head, I recommend that you stick with processing in Lightroom until you've got that under control. We have a lot to cover, so let's get started.
Ah, the crown of the (Ant)arctic. Known in the northern hemisphere as the Aurora Borealis (northern lights), and as the Aurora Australis in the southern hemisphere, these brightly colored bands of moving and waving light are a majestic display in the night sky. Who doesn't want to take a picture of this otherworldly phenomenon? Here's exactly how to do it.
Managing color in photography is one of the hardest things to master. A red berry in a green bush just jumps out at you, while brown skies don't often make for great looking images. Aside from color having a profound impact on any given scene, color has its own luminosity values as well, making it color theory something to pay close attention to before your next shoot. Professional landscape photographer and instructor Dave Morrow comes to the rescue.
We've established that the best method to reduce noise in your images is stacking. There's just no match to layering multiple exposures and taking either the average or the median of those. In the mean time, I've received tons of questions about how you actually do this with your own images and I came across this great tutorial video by no other than Ian Norman of The Lonely Speck.
We've briefly covered the release of this very special filter before. It blocks out the artificial light of our modern world, light pollution. STC's Astro-Multispectra Filter is designed to block out the orange and green hues from sodium and mercury street lamps. But what's really intriguing for any Nikon full-frame shooter is that this is the first and only option when you shoot wide-angle landscape shots.
When you’re in a romantic relationship and both of you are landscape photographers, it’s easy to make any travels central to photography. But should you? In the final episode of this series, four couples give their best advice on juggling photography and a romance like a pro. But first, here's how these couples handle their holidays.
As in any romantic relationship, photography couples too get to know each other better over time. You gradually learn to both adapt and thrive when you manage a photography business together. In this series, I explore the benefits to shooting and running a photography business together with your better half. Last week I introduced four astounding landscape photography couples. This week, I asked them how their past prepared them for the future of photography.
So how do you balance a romantic relationship with a life that revolves around photography? In this series, I explore the benefits to shooting and running a photography business together with your better half. Of course we'll tackle the common pitfalls and find out how you can shape the perfect photography holiday. Let's start by introducing the eight amazing creatives in landscape photography who will make you want to buy your romance a camera for Christmas.
So how do you make that mountain appear as large to the viewer as it does to you? How do you get rid of noise in your nightscape images? And how can you get everything in perfect focus, front to back? This might as well be titled “5 Things you can’t do in one shot,” since each technique in this essay relies heavily on layering multiple exposures of a given landscape scene. I’ll show you the techniques I often use to translate my vision to the image. Let’s go.
Tis the season. Around the time of December, photography websites worldwide recap last year with their selection of the cream of the crop. To many photographers, National Geographic is a well-respected media platform to get your work selected and exposed. And now they have made their selection curated from 91 photographers, 107 stories, and 2,290,225 photographs.
Post-processing at the computer for hours on end often leaves me feeling nostalgic. Maybe there’s something tangible to film photography that I’m overlooking. After seeing a fellow landscape photographer working his 4x5 near a tree in the local dunes, his approach to our hobby had me contemplating my choice of hardware. There are so many analog-inspired pictures circling the web, that it’s obvious that I’m not the only one. Today, I want to share my thoughts on film photography with you.
As a professional photographer, you might be the go-to person for questions about the “best camera” of the moment. The camera is a tool right? Photographers are in charge of the best photo, not of the best camera. On top of that, every few months there’s a new contender, and it takes a lot of time to figure out which one has the highest resolution, the best color, the least amount of noise in low-light, or even the look and feel of a photograph… But as soon as you shoot in raw, half of that doesn’t matter anymore. Things are about to get subjective in this video. In this comparison, the guys from TheCameraStoreTV intend to find out what the best camera is for the budding photographer wanting to shoot in JPEG.
The rain washes heavily onto the window, and I’m sitting in the candle-lit windowsill with a pint of inky black ale and a good book. That book is Alexandre Deschaumes’ forthcoming “Voyage Éthéré” (Ethereal Journey); a collection of his work over the past years. Following the release of his Blu-Ray documentary, “La Quête d'Inspiration” (The Quest for Inspiration) by Mathieu le Lay, Alexandre looks to be on the path to becoming increasingly known for his work. And with good reason.