We’ve had our first snowfall of the year here in the Netherlands. It’s one of those instances when most people stay indoors, while just about every landscape photographer is aching to feel the snow on their face. One of them is acclaimed British Landscape Photographer Simon Baxter, who I've asked to help me analyze the introvert mind.
Articles written by Daniel Laan
When you’re in the market for buying a new monitor, you’re probably overwhelmed by a host of specifications. Size, resolution, color gamut, and panel technology can make all the difference when you look for a new screen to edit your photos on. As a photographer, not all specs are that important. Dynamic contrast for instance; a feature that adjusts brightness and contrast according to what's on the screen at a given moment. In this guide, we’re focusing on buying a monitor that is geared specifically towards post-processing.
Even with all the notes and advice, it’s typically a tough job to find a quality monitor in any price range. This is why I’ve decided to hand you my top recommendations as of November 2017. After sifting through literally hundreds of monitors, I’ve distilled five classes of monitors, among which are Fstoppers top recommendations in either class.
Students often ask me a rhetorical question: “What is it like to be a professional landscape photographer?” Well, it’s fantastic if you’re into the outdoors, natural landscapes, and of course photography. However, that’s not entirely the point of the question. The real question you want to ask though, is “How do you find a sustainable income to support such a career?” Typically, we all have a preconceived idea of what a landscape photographer does for a living. But that idea seems to stem from a time when there weren't that many people in the business.
There are two ways to photography: registration and creation. Let me be clear that, before we get into a short essay about self-acceptance in art, neither is better than the other. While I’d like to teach you today about conscious creation, registration is the inherent nature of photography. But the way we modify and modulate light before it hits the sensor, as well as the entire process after it, is all up to us and not the camera manufacturer.
Editing Milky Way, star trail, and deep-sky astrophotography images can be a daunting task. With dozens of layers and adjustments, we can feel overcome with getting the most out of our nightscape photography. With the new and improved version of OrionH, those days may well lie behind us because this plugin panel for Adobe Photoshop aims to lower the amount you sit at the computer. OrionH comes with three different panels that each have their nightly specialty and in this review, we will discuss version 2.0’s new and improved algorithms and features for each of those panels.
Today I’m testing out a direct to aluminum print from Zor.com, which is supposed to bring out vibrant colors and incredible image clarity. The 3mm Dibond is fashioned from two thin sheets of aluminum, with a low-density core of polyethylene. This makes the print sturdy and durable, but also very lightweight. But to be honest, I’m awfully skeptic of printing on anything other than fine-art papers. Call me a conservative printer. Let’s find out if Dibond can change my mind.
Photographers who are active on social media often get a lot of questions about the technicalities of photography. Especially about nightscape photography – the subgenre of landscape imaging where you basically have a dark landscape set to some celestial backdrop featuring twinkly stars. Either through commenting on a shared image, a direct message, or an email, people ask about the type of gear that was used to capture a specific shot or any of the numerous variables that make up a given photo. Variables that range from the time of day to how many degrees of rotation on the polarizing filter. But this time I got an email that announced the inevitable demise of the subgenre of nightscape photography. But there’s a strong, intrinsic motivation for nightscape photography that I want to share with you here.
How could you make photo editing more intuitive? Both working professional photographers and beginners would really benefit from a more intuitive, time-saving way of interacting with Adobe Lightroom. Dragging sliders and rating images can be, well, a drag sometimes. I’m actually surprised it took this long for a creative company to dream up a dedicated photo editing console for Adobe Lightroom. But the day has finally arrived. Loupedeck promises to change the way you work with Lightroom and shorten the amount of time you spend sitting at your computer. Loupedeck is here and we’re reviewing it.
Simon Baxter makes an unplanned visit to a verdant misty forest in North Yorkshire, UK. As Baxter talks us through the thought process behind one of his images, it becomes clear that the gushing waterfall in the background isn’t his area of interest. A couple of trees above the waterfall that are steeped in the rolling mist look very intriguing.
We're going to build our very own photographers PC, capable of working at blazing speeds with 50-megapixel images and dozens of layers in Adobe Photoshop. The high-end system we will be discussing here will have a budget of $1,500 in mind. For this, we're going to build our post-processing dream PC, but it doesn't include a monitor. Let's start comparing specs.
You have been up all night, taking images of the Milky Way. Tomorrow, hours of editing probably lie ahead. Light pollution, noise, and a lack of contrast can make most nightscape photos feel lackluster. If you’re familiar with doing landscape astrophotography, then you’ve no doubt experienced the amount of effort needed in post-processing to make your images shine. Even with today’s digital cameras, no picture comes out of the camera the way you’ve imagined them to. Enter OrionH; a panel for Adobe Photoshop dedicated to natural night photography and meant to decrease the amount of time you sit at the computer.
One week of photography in the wild backcountry of the Scottish highlands. In this "episode," I’d like to share with you the story about a recent trek into Glen Feshie in the Scottish Cairngorms National Park. It’s the behind-the-scenes tale of my successful image titled “Catch the Spirit.”
If there is one thing I like about budding photographers, it's their fresh way of looking at stuff to photograph. In this analytical process of recognizing perspectives and compositions, beginners often ask important questions that seasoned photographers might find intrinsic. Questions like "How can this photo get more interesting?" or "What makes me keep looking at this picture?"
With the goal in mind to write up a reference for planning a week of photography in the wild, it's almost unthinkable to not include an article about gear an rules about sleeping in the great outdoors. Not on a campsite, not in a hotel or any form of modern comfort, but out in the backcountry, sleeping under the stars. This quickly grew out to be an article to bookmark, because I don't expect you to remember everything about this after a first read.
You are at a crossroads again. Every now and then, you arrive at a point in your photography where you are left uninspired. It’s that moment when you feel like you’re drawing blanks even as the conditions are just right. Stages like these occur every once in a while, no matter your experience in photography. Feeling uninspired can be daunting and seemingly endless. But once you realize that these are the best moments for self-reflection, there’s another opportunity for personal growth. It’s times like these when you ask yourself: “What is your reason for pursuing photography in the first place?”
Road number one leads you around Iceland’s epic natural formations. These scenic locations, often the subject of landscape photographs, have seen a dramatic rise in tourism recently. So what is it about these subjects that attract people from all over the world? And when is the light at its best to shoot a memorable image yourself here? These are the Icelandic icons of landscape photography.
Can you imagine the insane amount of detail in aerial shots that can be captured using a 100-megapixel medium-format camera? This could previously be done only by taking to the skies yourself in an airplane or helicopter. DJI has relieved us of buying a plane ticket, but has yet to announce a price tag for this flying contraption.
DxO and PracticalPhotography present you with a free to obtain OpticsPro 9 Elite License if you drop your email before June 30th. Ok, so it isn't the latest version of this powerful raw editor, but this version does come equipped with the PRIME noise reduction algorithm, so you can demo a full version free of charge before deciding to spend $199 for the latest incarnation.