Selecting and masking hair on a solid background isn't too terribly difficult, but doing it over a non-uniform, complex background can be very hard. This great tutorial will show you how to select and mask a subject's hair and convincingly composite it into another image.
Thanks to Instagram's incessant commitment to regularly changing various features on the photo-sharing app, it's more than understandable that you may not know the current image specifications for the platform. After a quick Google search brought up a host of conflicting answers, I decided to do some tests of my own and create several free Photoshop templates to make all our lives much easier.
When it comes to things like quickly learning new Photoshop techniques, I am a straight to the point type of guy. I don't necessarily want to (though I certainly do on occasion, depending on the topic) watch an hour long videos explaining the minutiae of every click of the mouse. While I appreciate production values and the personality that can be on display in a video, sometimes all you need to know can be learned from text overlay and elevator music. That's what we have on deck today, enjoy.
Lipstick can be a great addition that can complement a subject's eyes or really help a colorful portrait pop all the more. If the subject wasn't wearing it already, this helpful video will show you how to convincingly add it after the fact using Photoshop.
Making composites look seamless and realistic is the ultimate goal of a digital artist. In this tutorial, you will learn a simple and very effective technique for matching the degree of saturation of your background and subject.
Whether or not you are a purist, there are times when you have to change the color in post production of something you've photographed. This video will tell you how you can easily alter hair color of a portrait to whatever hue you want.
Matching the tones is the most challenging part of creating composite images. You may find numerous tutorials on the Internet about matching tones and smooth blending of the composite elements, however this technique by Antti Karppinen is the best I’ve seen so far as it even helps with blending images that are shot under different lights.
Color grading is one of the important parts of the editing process, as it can give your video footage a very personal look that differentiates it from your peers. This awesome video will show you not only how to color grade your footage, but how to create and save your own looks to apply down the road.
Gradient maps are a powerful tool in Photoshop and when utilized correctly, make for a quick and easy way to effectively tone your images. Travel Photographer and Videographer Travis Transient has a quick tutorial on how to best utilize gradient maps to color grade your images.
Rim lights can be some of the most underappreciated yet important parts of a setup. They can add definition and drama to an image and are the main source of subject-background separation in many scenarios. This helpful tutorial will show you how to add a lovely rim light effect using Photoshop.
So much of post-processing revolves around editing to bring more attention to your subject, whether that be a person, a waterfall, or whatever you please. One versatile and effective way to do this is through the use of radial gradients. This helpful tutorial will show you just how to use them.
Color grading is amongst the most important step of retouching. Along with lighting, it sets the mood of your image and can also help tie together the different elements of your composition. Learning all the different ways of altering colors in a picture is probably as important if not more important than knowing how to retouch skin or remove objects. In this 20-minute long tutorial, Michael Woloszynowicz explains everything there is to know about the color balance layer adjustment and how to use it to color balance your images in the best way possible.
So much of a landscape image is in how you edit it; many different personalities and effects can shine through the same scene when processed by different photographers. If dramatic skies are something you favor, this helpful tutorial will show you a neat trick for bringing out more detail and creating moodier looks in Photoshop.
Tattoos can be a very unique way to add something that makes your subject stand out. This neat tutorial will show you how to take a design and convincingly place it on your subject in Photoshop.
My passion for photography stemmed from a series of trips I had taken overseas and a desire to capture the beauty of those places with more finesse. Landscapes were a natural draw for me and it didn’t take long to come across the concept of exposure blending.
Luminosity masks are a fantastic way to make precise selections based on luminance values (hence the name). As with all things Photoshop, there are multiple ways to achieve the same result. I find using channel selections to be the easiest way to manually create my masks. I realize I'm probably preaching to the choir, but for those yet to join in on the singing, I hope you find this information useful as you continue to build your editing tool set.
Cleaning hair in post-production is without a doubt retouchers’ and photographers’ worst nightmare. It takes up a lot of time, energy, and precision, but more importantly, there are so many techniques out there that often we forget about even the most basic ones. In this very comprehensive video, Aaron Nace from Phlearn shows how to retouch hair in the most simple way possible.
Adding color to an otherwise boring grey background in Adobe Photoshop isn't terribly complicated. In this short video tutorial, I'll show you how to accomplish that in just a few short steps.
We've planned for the aurora and captured a ton of images in the previous episode. We've left the arctic and are back at home under the soft glow of our calibrated screen. It's time to process these babies. Be aware that there's advanced editing stuff ahead. If this goes straight above your head, I recommend that you stick with processing in Lightroom until you've got that under control. We have a lot to cover, so let's get started.
While I’ll always try my best to get the shot right in camera, there're occasions, like when I photographed this beauty editorial, when that’s not always feasible. In this short tutorial, I'll show you how to change your background in a few short steps.
ANDREW BOYD has not created any lists.
