Their professional lineup comes with all sorts of new specs.
Articles written by Stephen Kampff
Your smartphone might have the perfect auto-mode for the job, why not save some time?
From bags, to tripods, and gadgets: were there any standout products that people picked up?
Have Sigma and Tamron been beating Canon and Nikon? It's been an interesting year.
Intellytech’s RGBW LED panel is something I’ve dreamed of for years. It’s finally here, but do we even need RGB lights?
Blackmagic has promised to deliver a cinema camera like no other. Have they got it right?
It’s one thing to read it in the news, but to take a somber drive through the devastation is surreal.
Apple has been less and less repair friendly, but is the new Mac Mini going to save us from that?
LensRentals needs to trust that their customers don’t mess up a lens. How can they know for sure?
Apple don’t have a flagship product at the low end, so which one should you pick?
Atomos debuted its five inch monitor and recorder a few months back, but the problem was that a regular SSD is be slightly too big for it. So how much will a full set up actually cost you?
It's one of the world's most popular battery formats. Here's what you need to know about V-Mount batteries.
ShareGrid has made a name for itself as a peer-to-peer camera rental system. Now, they want users to buy and sell their gear as well.
We all know that Sony’s a7S line has been the choice for shooting at night, but is it comparable to analog night vision goggles?
I’m here at Google’s launch event for the Pixel 3 and Pixel 3 XL in New York. Have they got a world-leading smartphone camera again?
We’re in the depths of a format war, and I’m a little uneasy picking the winner so early.
Adobe is taking all the hard work out of 3D compositing, by marrying stock models with their 3D scene creation and rendering app.
I caught up with Matt Lever, one of the top photographer’s you’d expect to see backstage at Fashion Week. He explained how he’s shooting for Elle Magazine, and the hoops you’ll need to jump through to break onto the scene.