Don't get me wrong; I am not going to show you how to make up for bad lighting in post-production. However, Glen Dewis has created a very interesting video that shows us how to achieve a gobo-like effect using Photoshop, something that be very handy if you are looking for an easy way to add drama to your picture without spending too much time in front of your computer.
Retouching is a great tool, one that can save pictures in some situations. However, there are a couple of things that can be really time-consuming and annoying to correct in post, two of them being flyaway strands and chapped lips. I am sure those two have happened to any of you who shoot portraits, beauty, or fashion. However, no need to fear these anymore! Jordan Liberty gives us his tricks to avoid them.
Phase One released its new camera body last year, the XF. However, it was not clear if it would ever be compatible with the Leaf Credo backs. It was first said that it would be, and then, months later, the support told everyone who'd ask about it that they could not give any answer. Well, today we finally have one: Leaf Credo backs are compatible with the XF body.
In the retouching world, graphics tablets are pretty much a standard. I don’t know of many retouchers that only use their mouse to get the job done. Graphics tablets allow for a more precise, and thus refined, work. They also used to cost a fair amount of money, but that was until Huion came along.
Current cameras' sensors are getting better year after year. Unfortunately, they cannot create noise-free images at high ISO just yet. I am sure the day will come soon, but in the meantime, there is a very simple technique using Adobe Photoshop or Affinity Photo to create the illusion of a clean file.
Every creative has at least once in his or her career hit a wall and felt down. Breaking through a creative slump isn't always easy. But sometimes, what feels like a creative burnout is actually an accumulation of unproductive bad habits. Creative Live has a way for you to get out of it.
Keeping a fair amount of texture seems to be an issue for a lot of photographers and retouchers. No matter what technique they use to clean the skin of a model, I often hear people trying to find a solution to get a more natural and visible texture. Here is one for you!
Flash meters are often seen as archaic and of no use anymore. However, good flash meters such as the L-478DR can make photographers and assistants lives much easier. Even more so with the two new products Sekonic releases today.
When learning about retouching, selections and masks should be on top of the list along with curves and brushes. But each of these tools have so many options, and it is hard to know the in and out of each of them. In this article, I will guide you through different ways to create precise and refined luminosity masks to help you improve your retouching skills.
Young photographers often don't have a great budget to buy a lot of equipment when starting out, let alone high-end lighting gear such as Broncolor's flashes and light shapers. Unless the equipment in question is given away, which is exactly what Broncolor offers to talented photographers under 30.
Color correction and grading are probably amongst the most difficult parts of a retouching workflow. What seems to make it difficult in Photoshop is usually the understanding of the different tools available, such as curves and levels. However, there are a couple of tricks that can make it much easier, color palettes and fill layers being some of them.
Lighting action and sports photography can often be complex. The flash cannot always be placed where it should and with the x-sync limitation of our cameras, it can be difficult to have the required settings. But some photographers, like Tristan Shu, master their craft and can push the boundaries of flash photography.
Beginners ask all the time on Facebook groups or in forums how to diminish their retouching time. The truth is, there aren't any magical technique to cut time, only tricks to help accelerate your workflow. There is one, in particular, to make your dodging and burning process more flawless and thus a bit faster by utilizing a Wacom tablet.
When looking for new creative ideas, it seems like everything has already been done by someone. But there are still people, like Jay Philbrick, that manage to create pictures never seen or even never thought of before.
When looking at urbex photographer's work, one can only wonder how they get in some places. Often these photographers will go to crazy locations just to get a single picture. Sometimes risking their life – or so it seems like – to get that adrenaline spike and a picture no one has ever captured before.
Phase One released Capture One Pro 9 just a little over two weeks ago and announced today its first update. This new version includes a couple of bug fixes and adds support for the DxO One camera.
A little over two weeks ago, Adobe released CC 2015.1 for most of its apps. The updates looked great on paper, but for photographers, there were a couple of glitches in the new Photoshop that turned out to quite be annoying. Yesterday, Adobe released a new update, CC 2015.1.1, meant to correct most of the issues.
Adobe released today the version 2.1 of Lightroom for mobile devices. It comes with a bunch of interesting new features making full use of the possibilities offered by iOS 9 and the iPad Pro. Some of the new features also could make one think that Adobe is becoming serious about making great apps for mobile devices.
There used to be a time when getting into digital medium format meant you had to put a mortgage on your house and your family. This time seems far gone now that a full kit can be found for under $20,000. With the promotion Hasselblad is running, it looks like Christmas is early this year.
Before Capture One 9, no raw editor software on the market could create a mask based on color. With their recent update, Phase One created something unique with the improved color editor panel. It is now possible to select precisely one color – or a range of – and then create a mask to adjust only the parts needed.
