Michael Kelley (mpkelley.com) is a Los Angeles-based architectural and fine art photographer with a background in digital art and sculpture. Using his backgrounds in the arts, he creates images that are surreal and otherworldly, yet lifelike and believable. A frequent traveler, Michael's personal work focuses on the built environment of unique
About six months ago, I wrote a piece comparing flash techniques to HDR and ambient-only techniques when shooting for architecture and interiors clients. There was some great discussion involved and many valid points raised, and I'd like to take a few minutes to bring up another scenario that really shows the benefits of using flash whenever possible when dealing with interior or architectural situations.
I’m a bit of a dreamer. I’m also a huge aviation geek, and I often catch myself browsing the web at 2am looking up articles on aviation and aviation history. So when I found Anthony Toth and learned more about his life’s work, I knew that I had my next personal photography project in mind. As I'm mostly an architectural photographer, I got bored of waiting around for an airline to hire me to photograph their next ad campaign, so I decided to hire myself into my dream gig.
Rokinon recently released a new offering in the 35mm lens range, and I was super excited to get my hands on it for a number of reasons. The great price, wide aperture, and popular focal length of 35mm makes for a great combo, but never having used a Rokinon product before I wasn't quite sure what to expect. After an extensive review covering nearly two months (thank you Rokinon, for lending it to me for that long!)
A few weeks ago Pat, Lee, Lauren and myself went to the Bahamas to get ready for the upcoming Fstoppers Workshop. While we were there, we wanted to film some kind of architectural photography tutorial video, and we're happy to share that it's finally ready. The Atlantis Resort is giving us an all-access pass to photograph anything at the resort for the workshop, and
I know that many of our readers are real estate photographers or have at least tried their hand at real estate photography. The most common method used to create 'good enough' real estate photos is HDR: whether it is tonemapping or exposure fusion, HDR is definitely the most-used method for real estate and beginner interior photographers. In this post, I'll do a comparison between tonemapping, exposure fusion, single on-camera flash, and multiple off-camera flash, and show you the benefits (or disadvantages, rather) of each.
There's been a lot of buzz these past few months about Rokinon's new 24mm tilt shift offering. Many enthusiasts are interested in tilt and shift capabilities, but are not interested in shelling out the $2,000+ for the Nikon or Canon equivalents. Rokinon's entry into the field has been widely anticipated and it was finally my chance to get my hands on this little lens for a review.
It's always fascinating to get a glimpse behind the scenes of high-budget productions, and Andrew Kramer of Video Copilot provides us with an absolutely wonderful look into the creation of the title design and introduction scenes for Star Trek Into Darkness. The best part? The plugin used to create many of the effects only costs $150.
Karst Country is a collaboration between artists Glen Ryan and Phil Ryan that has resulted in some absolutely surreal infrared imagery. This timelapse, shot with both RED Epic and Scarlet cameras at 4k resolution, is a joy to watch. I always find it so refreshing to see when new techniques are integrated into timelapse movies. For a few BTS images and some musings from the creators, be sure to check out their blog, which can be found here.
Looking for your daily inspiration? Look no further. As a result of the famous Blue Marble photograph, author Frank White coined the term 'The Overview Effect.' The Overview Effect is the reaction most astronauts have to seeing the Earth from space: common features of the experience are a feeling of awe for the planet,
As Fstoppers' resident aviation dork and lone Angeleno, I'd be making a huge mistake not to share this incredible timelapse of Endeavour's final journey. Filmed over a sleepless weekend by an all-star timelapse team, the video chronicles Endeavour's slow, delicate, and surreal journey (which made for the perfect timelapse subject) from Los Angeles International Airport to its final resting place at the California Science Center.
There are just some days where you feel like there is little hope for humanity. I live in Los Angeles, and I imagine that it is the same in most other large cities around the world: There's no real sense of community, and you're just another face in the crowd, and to many people, it is just incredibly simple to be a dishonest person in a setting where everyone is anonymous. However, I had a little bit of my faith in humanity restored when
In what may well be the most outrageous photo shoot that I have ever seen, Olaf Hauschulz was presented with what must be an incredibly rare opportunity to shoot a Lamborghini Gallardo for Lamborghini Magazine. The setting? High in the snow-covered mountain ranges of Romania, with the car drifting around corners, inches from guardrails
National Geographic recently released this video of the creation of one of their cover shots. While there is no exact date on it, I'd bet that it was shot sometime in the early 2000s or late 1990s guessing from technology being used. Some real ingenuity was at work here, as evidenced by the custom-built pneumatic jaw, the hand-cast Tyrannosaurus skull, and not to mention what appears to be at least ten cameras all triggered at the same time via laser in an effort to capture the decisive moment.
After many years of speculation and countless false rumors, Canon has released a replacement for the venerable 24-70mm 2.8 L, along with a few new wide-angle primes: the 24mm f2.8 IS and the 24mm f2.8 IS. Get all the specs and my thoughts in the full post.
I love aviation and I love photography. So the other day, inspiration struck and I ran to LAX to capture a photo that compresses eight hours of airport traffic at one of the biggest airports in the world into a single frame. Here's how I did it.
![[BTSV] Blast from the Past: Creating a Nat Geo Cover in the Studio](https://cdn.fstoppers.com/styles/med-16-9/s3/wp-content/uploads/2012/04/trex.jpg)
![[Gear] Canon Releases 24-70mm f2.8 L II, New Wide Angle Primes](https://cdn.fstoppers.com/styles/med-16-9/s3/default_images/default-image.jpg)
