As I promised when I wrote my Anatomy of An Interior Shoot post a few weeks ago, if the interest was there, I'd continue the series. I'm happy to report that I've got much more in stock for you. If you're interested in kicking your architectural and interiors photography into high gear and adding some special sauce to your photos, this post is for you.
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When it comes to interior and architectural photography, there is often much more involved than what meets the eye at first glance. In order to create a photograph that is realistic and enticing, careful planning, staging, lighting and a healthy dose of patience is imperative. In this Fstoppers Original, we dive into a luxury interior shot and see what it takes to construct a mouth-watering interior photo from the ground up.
There's been a lot of buzz these past few months about Rokinon's new 24mm tilt shift offering. Many enthusiasts are interested in tilt and shift capabilities, but are not interested in shelling out the $2,000+ for the Nikon or Canon equivalents. Rokinon's entry into the field has been widely anticipated and it was finally my chance to get my hands on this little lens for a review.
A little bit over a week ago, I went to Los Angeles International Airport to make a photo. It was a clear day, and I didn't want to waste it sitting inside. Being an aviation fan myself, as well as an occasional pilot and aerial photographer, watching planes, to me, is hardly the worst way to pass the time. As it turns out, making this photo would lead to one of the craziest weeks of my entire life.
I know that many of our readers are real estate photographers or have at least tried their hand at real estate photography. The most common method used to create 'good enough' real estate photos is HDR: whether it is tonemapping or exposure fusion, HDR is definitely the most-used method for real estate and beginner interior photographers. In this post, I'll do a comparison between tonemapping, exposure fusion, single on-camera flash, and multiple off-camera flash, and show you the benefits (or disadvantages, rather) of each.
When it comes to architectural photography, there is one that stands above all: Julius Shulman. Not only was he responsible for creating the world's most iconic images of architecture, but he was on the forefront of pushing the boundaries of the art form into what it is today.
For the longest time, I've been using a 17" Macbook Pro for tethering. The big screen is great. Everything else, however, was a nightmare. I recently saw some colleagues of mine raving about a new product called the CamRanger, which allows you to tether to your Android device (April 2013), iPad or iPhone to your camera and had to try it out, as any solution that would resolve my near-daily tethering headaches would be fantastic.
We recently came across this collection of behind-the-scenes photographs from the filming of the original Star Wars trilogy (A New Hope, The Empire Strikes Back, and The Return of the Jedi). To see Sir Alec Guinness working on his tan in a pair of oversize sunglasses, Chewbacca unmasked, and Carrie Fischer about to get intimate with C-3PO, check this out!
As an architectural and interiors photographer, I own more lights than I even want to think about. Pelican cases full - hot lights, speedlights, monolights, color balanced bulbs, and modifiers to go along with all of them. Lowel recently released the very polarizing GL-1 Hotlight to much controversy: people mocked it or loved it. And truth be told,
As I continue my articles on interior, architectural, and real estate photography, I thought it would be interesting to see different approaches to shooting these types of subjects. So, for this month's article, I've invited a number of professional interior, architectural, and real estate photographers to share their images and techniques with everyone who reads Fstoppers.
Sam Kaplan, a New York-based product and still life photographer, was inspired to create a series of photographs of an object that is often enjoyed in the bedroom rather than on a gallery wall. Sam decided to change all of that, and his series 'Insert Here' takes the taboo and transforms it into an exploration of line, form, and color: Dildart, if you will. It goes without saying that you might want to be careful where you open this post.
We were all stunned by Mayeul Akpovi's 'Paris In Motion' timelapse a few months ago. A spectacle of incredible timelapse techniques, the video was awesome and had many of us trying to figure out how he did it. Well, Mayeul has come clean, and let us in on the little secret. Check out the surprisingly simple technique in this short video, which was just recently released.
Unless you’ve been living under a rock for the last couple of years, you’re probably familiar with LensRentals.com, which is one of the most popular camera gear rental shops in the world, if not the most popular. We recently had the chance to sit down with the LensRentals team and learn everything about what just might be photography’s most fascinating company.
About six months ago, I wrote a piece comparing flash techniques to HDR and ambient-only techniques when shooting for architecture and interiors clients. There was some great discussion involved and many valid points raised, and I'd like to take a few minutes to bring up another scenario that really shows the benefits of using flash whenever possible when dealing with interior or architectural situations.
There are some styles of photography which have been beaten into the ground. Take, for example, the trip to an old asylum; it seems like we've all seen a thousand HDR images of the local loony bin. Graffiti-covered walls, derelict operating rooms and spooky wheelchairs ad-nauseum. But every once in awhile, something comes along which makes my jaw drop and revisits what is possible in an ages-old subject. Drew Geraci's Asylum is exactly what I'm talking about.