Michael Kelley (mpkelley.com) is a Los Angeles-based architectural and fine art photographer with a background in digital art and sculpture. Using his backgrounds in the arts, he creates images that are surreal and otherworldly, yet lifelike and believable. A frequent traveler, Michael's personal work focuses on the built environment of unique
I know that many of our readers are real estate photographers or have at least tried their hand at real estate photography. The most common method used to create 'good enough' real estate photos is HDR: whether it is tonemapping or exposure fusion, HDR is definitely the most-used method for real estate and beginner interior photographers. In this post, I'll do a comparison between tonemapping, exposure fusion, single on-camera flash, and multiple off-camera flash, and show you the benefits (or disadvantages, rather) of each.
Rokinon recently released a new offering in the 35mm lens range, and I was super excited to get my hands on it for a number of reasons. The great price, wide aperture, and popular focal length of 35mm makes for a great combo, but never having used a Rokinon product before I wasn't quite sure what to expect. After an extensive review covering nearly two months (thank you Rokinon, for lending it to me for that long!)
As I continue my articles on interior, architectural, and real estate photography, I thought it would be interesting to see different approaches to shooting these types of subjects. So, for this month's article, I've invited a number of professional interior, architectural, and real estate photographers to share their images and techniques with everyone who reads Fstoppers.
Many of you are familiar with Scott Hargis, who has made his living as both a successful architectural photographer and in recent years, teacher. Scott has cris-crossed the world to teach his methods, including a recent trip to Dubai to teach at Gulf Photo Plus. Scott recently released a multi-part video tutorial that teaches his methods for shooting high-quality photos for real estate photography using off-camera flashes, and Scott was kind enough to send us a copy to review.
About six months ago, I wrote a piece comparing flash techniques to HDR and ambient-only techniques when shooting for architecture and interiors clients. There was some great discussion involved and many valid points raised, and I'd like to take a few minutes to bring up another scenario that really shows the benefits of using flash whenever possible when dealing with interior or architectural situations.
Adrift is a breathtaking timelapse film created by Simon Christen, the same guy who brought us the incredible 'The Unseen Sea' from a couple of years ago. Adrift is what Simon calls his "love letter to the fog of the San Francisco Bay" and what a love letter it is. Over the course of two years, Simon waited for perfect atmospheric conditions to capture fog rolling down the Marin Headlands and into the SF Bay. Shot entirely at sunrise, this required Simon to be on
There's been a lot of buzz these past few months about Rokinon's new 24mm tilt shift offering. Many enthusiasts are interested in tilt and shift capabilities, but are not interested in shelling out the $2,000+ for the Nikon or Canon equivalents. Rokinon's entry into the field has been widely anticipated and it was finally my chance to get my hands on this little lens for a review.
I recently visited the Atlantis Resort in the Bahamas with Lee and Patrick to scout out locations for my upcoming architectural photography workshop and we were pretty much given unfettered access by the Atlantis marketing department to shoot whatever we wanted. First on the list? The $15,000 per night penthouse suite. I only brought a minimal amount of gear
Disclaimer: This post isn't riddled with eye candy, nor will it be the next viral hit of the month. What it does contain, however, may be far more valuable to any working or aspiring commercial photographer than any viral video or cutesy photo series. Norman Maslov is a well-known artist's and photographer's agent who recently performed a great interview with PhotoPolitic, a website specializing in promoting photographers
As most of you know, we have a POTD feature which uses a single image for a 24 hour span and then archives them for later viewing in a month/day/year format. While it's pretty neat, to be sure, I know that we could improve on it quite a bit to make it both more interesting for viewers and more beneficial for the photographers we feature.
Vinny Picardi is a successful fine art and advertising photographer based in Los Angeles, CA, who has exhibited work all over the country and around the world. I recently came across Vinny's work and I have to say that I'm a pretty big fan, so I thought it would be interesting to share not only just a photo series with our readers, but also to take some time to ask a few questions to get inside the head of a successful fine art photographer.
B&H just announced this incredible deal: $2199.00 after mail-in-rebate for a Canon 5d Mark II, 24-105mm f:4 L lens, and Pixma Pro9000 Mark II Printer Kit. On top of all this, they're also throwing in a LowePro AW 170 Shoulder Bag, a wireless IR shutter release, and a bundle of glossy photo paper. For those who have been waiting for prices to fall on the 5d Mark II, you simply can't beat this. Need I remind you that the original MSRP of the 5d Mark II kit was $3,499?
Check out this way-cool timelapse video by Mayeul Akpovi. Set in Paris, Mayeul used a number of interesting techniques to add an incredible range of motion to a timelapse video. Add in a variety of twilight and dusk scenes, and the city comes to life in a way that I haven't seen before. This video reminds me of one of our most popular posts of all time, "Can Anyone Figure Out How This Timelapse Was Filmed?" Let us know how you think Mayeul did it!
What have you done to get the shot today? Parked your car, walked into a studio? Plunked down a tripod on a sandy, tropical beach? Fiddled with some macro rails? South African aviation photographer Justin de Reuck unstrapped a good deal of his harness, slid open the canopy, and took photos at what I'm guessing is 100 knots, mere feet from the ground. I'm not sure how that plane actually took off with Justin's balls of steel on board, because man, they must be huge.
For the photographer who likes to travel light, it has always been a challenge to find flash modifiers that are both effective and easy to use on the go. ExpoImaging has long been making accessories, but their recently released Rogue diffusion panels for their popular FlashBenders will be a welcome addition to any strobist’s kit.