Michael Kelley (mpkelley.com) is a Los Angeles-based architectural and fine art photographer with a background in digital art and sculpture. Using his backgrounds in the arts, he creates images that are surreal and otherworldly, yet lifelike and believable. A frequent traveler, Michael's personal work focuses on the built environment of unique
Back in February of this year, I was invited on a trip that I had never expected to go on. Kinetis, a non-profit based in Israel, invited myself and five other incredible photographers to travel to Israel to document and share what we found. To be honest, Israel was never a travel destination for me. I have always been drawn to colder climates, I’m not a very religious person, and frankly I just don’t really know enough about the country for it to have ever held any power over me. It never really made great sense to me as a photographic destination either, nestled between sparring countries and set amidst a relatively barren desert.
But alas, who am I to turn down a free trip to a far-off destination?
Sam Kaplan, a New York-based product and still life photographer, was inspired to create a series of photographs of an object that is often enjoyed in the bedroom rather than on a gallery wall. Sam decided to change all of that, and his series 'Insert Here' takes the taboo and transforms it into an exploration of line, form, and color: Dildart, if you will. It goes without saying that you might want to be careful where you open this post.
There's been a lot of buzz these past few months about Rokinon's new 24mm tilt shift offering. Many enthusiasts are interested in tilt and shift capabilities, but are not interested in shelling out the $2,000+ for the Nikon or Canon equivalents. Rokinon's entry into the field has been widely anticipated and it was finally my chance to get my hands on this little lens for a review.
Love him or hate him, you can't deny that Peter Lik's got quite the penchant for getting the shot. In this video, Peter takes us deep into some abandoned subway tunnels and high over the skyscrapers of NYC as he shows us some of the locations and setups that he uses to create his photographs. We get a nice look at the finished results, which, to me at least,
Devin Graham, better known by his internet alias Devin Supertramp, recently created this video (and BTS piece) that utilized over 50 GoPro cameras to capture dogs jumping and playing as if they were Neo dodging bullets in the blockbuster film The Matrix. If this doesn't make you crack at least a tiny smile, I'm pretty sure you may be Scrooge himself. For a behind-the-scenes look at how this was made, check out the video after the jump.
PocketWizard has just announced the addition of a new trigger to its lineup: The PocketWizard Plus X. Priced at $99 (and already in stock at B&H), the Plus X offers much of the same functionality and reliability as PocketWizard's much-beloved Plus II and Plus III, but with a simpler, no-frills interface and a gentler price. Read on for the spec list, a mini-review, and my thoughts on the new unit.
Tara Minshull is a rather successful fine art photographer based in Los Angeles who specializes in conceptual and cinematic images, oftentimes utilizing mixed media to realize her vision. Tara was kind enough to give us some of her time for an interview, in which she discusses the merits of art school, her motivations and the constantly evolving themes of her work.
Most photographers and videographers have felt the need to slow down their shutter speeds on more than one occasion: whether you're a landscape photographer looking to get scintillating blurry water and clouds, a portrait photographer trying to slow down a shutter speed to use shallow depth of field with a wide aperture, or a videographer in search of that cinema-like look. While there are a number of solutions, one of the most well-known and most flexible is the Singh-Ray Variable Neutral Density Filter.
Trey Ratcliff, the world's foremost HDR guru, recently relocated to Queenstown, New Zealand, which is quite possibly the most beautiful little town in the world. He just released a timelapse video of his first thirty days and thirty nights spent in the town, and it is definitely worth a watch - especially in the native 4k format. Wow! Whether or not you like Trey's work (we all know how polarizing it is) this little video
Architectural photographer Mike Butler did not hold back at all when he was commissioned to create an image for the Intercontinental Hotel in Miami, FL. In this video, we get a behind-the-scenes look at everything that goes into a high-end commercial architecture shot. To make this one shot happen, multiple days of planning were
There are some styles of photography which have been beaten into the ground. Take, for example, the trip to an old asylum; it seems like we've all seen a thousand HDR images of the local loony bin. Graffiti-covered walls, derelict operating rooms and spooky wheelchairs ad-nauseum. But every once in awhile, something comes along which makes my jaw drop and revisits what is possible in an ages-old subject. Drew Geraci's Asylum is exactly what I'm talking about.
At a recent TED Talk, conceptual photographer Erik Johansson broke down his approach and method into a bite-size chat. While many photographers consider their work finished as soon as they hit the shutter button, apply contrast, and upload to Flickr, Erik decides to take it further (quite a bit further, in fact). His images make you stop and think and may take a few minutes to sink in. If you're one of those who asks "yeah, but is it photography?" don't say I didn't warn you. Check out the video in the full post.
A little bit over a week ago, I went to Los Angeles International Airport to make a photo. It was a clear day, and I didn't want to waste it sitting inside. Being an aviation fan myself, as well as an occasional pilot and aerial photographer, watching planes, to me, is hardly the worst way to pass the time. As it turns out, making this photo would lead to one of the craziest weeks of my entire life.
It's always fascinating to get a glimpse behind the scenes of high-budget productions, and Andrew Kramer of Video Copilot provides us with an absolutely wonderful look into the creation of the title design and introduction scenes for Star Trek Into Darkness. The best part? The plugin used to create many of the effects only costs $150.
Karst Country is a collaboration between artists Glen Ryan and Phil Ryan that has resulted in some absolutely surreal infrared imagery. This timelapse, shot with both RED Epic and Scarlet cameras at 4k resolution, is a joy to watch. I always find it so refreshing to see when new techniques are integrated into timelapse movies. For a few BTS images and some musings from the creators, be sure to check out their blog, which can be found here.