There's been a lot of buzz these past few months about Rokinon's new 24mm tilt shift offering. Many enthusiasts are interested in tilt and shift capabilities, but are not interested in shelling out the $2,000+ for the Nikon or Canon equivalents. Rokinon's entry into the field has been widely anticipated and it was finally my chance to get my hands on this little lens for a review.
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Yesterday marked the 65th anniversary of the dropping of an atomic bomb on Hiroshima. After the bomb was dropped, censorship of the event was a priority in both Japan and abroad, and journalists were barred from entering, reporting, or photographing the area. Yoshito Matsushige was living just outside of the blast radius, and snapped some of the only known photos of the aftermath. They are a grim reminder of the event, a testament to the power of a photograph, and a testament to the gruesome reality of World War II.
As an architectural and interiors photographer, I own more lights than I even want to think about. Pelican cases full - hot lights, speedlights, monolights, color balanced bulbs, and modifiers to go along with all of them. Lowel recently released the very polarizing GL-1 Hotlight to much controversy: people mocked it or loved it. And truth be told,
Being a member of a lot of online photography communities, I see stuff like this all the time. A photographer just took a shot that I can tell they are really excited about, and want some feedback on it. They'll post it to a forum or a Facebook page with the typical "C&C please." line. And it drives me up a wall.
When it comes to interior and architectural photography, there is often much more involved than what meets the eye at first glance. In order to create a photograph that is realistic and enticing, careful planning, staging, lighting and a healthy dose of patience is imperative. In this Fstoppers Original, we dive into a luxury interior shot and see what it takes to construct a mouth-watering interior photo from the ground up.
Rokinon recently released a new offering in the 35mm lens range, and I was super excited to get my hands on it for a number of reasons. The great price, wide aperture, and popular focal length of 35mm makes for a great combo, but never having used a Rokinon product before I wasn't quite sure what to expect. After an extensive review covering nearly two months (thank you Rokinon, for lending it to me for that long!)
As I promised when I wrote my Anatomy of An Interior Shoot post a few weeks ago, if the interest was there, I'd continue the series. I'm happy to report that I've got much more in stock for you. If you're interested in kicking your architectural and interiors photography into high gear and adding some special sauce to your photos, this post is for you.
Joey L, who is widely known for his both compelling photos of quickly-vanishing lifestyles and visually engaging advertising work, recently put together a very informative BTS post on his blog which goes into detail about his lighting setups and approach to working with female models. Joey admits that while he does not regularly work with female models,
I know that many of our readers are real estate photographers or have at least tried their hand at real estate photography. The most common method used to create 'good enough' real estate photos is HDR: whether it is tonemapping or exposure fusion, HDR is definitely the most-used method for real estate and beginner interior photographers. In this post, I'll do a comparison between tonemapping, exposure fusion, single on-camera flash, and multiple off-camera flash, and show you the benefits (or disadvantages, rather) of each.
Last year at my workshop in the Bahamas, my students challenged me to photograph a hotel room in under five minutes. They then wanted to see how fast I could retouch it, and I've decided to do it again, this time capturing it on camera, to show everyone what is possible with only a few minutes on location, a bit of Photoshop knowledge, and of course a lot of practice in the art of previsualization!
In what surely must be one of the highest budget-to-film-length ratios in history, Airbus put five of its brand-new 300 million dollar A350 XWB planes together for a photoshoot. While most of the clips last only a few seconds, the amount of planning and preparation to pull something like this off is just staggering. With two chase planes, five hero planes, and the stakes as high as ever, watch how Airbus plans and pulls off this truly epic feat of filming and aviation.
I’m a bit of a dreamer. I’m also a huge aviation geek, and I often catch myself browsing the web at 2am looking up articles on aviation and aviation history. So when I found Anthony Toth and learned more about his life’s work, I knew that I had my next personal photography project in mind. As I'm mostly an architectural photographer, I got bored of waiting around for an airline to hire me to photograph their next ad campaign, so I decided to hire myself into my dream gig.
Last week I posted a gorgeous video from Wolfe Air - their promo reel for aviation cinematography, and explained a bit of the process behind it. This week, I've found and put together a few videos which detail how they equip their planes and helicopters with some of the most advanced camera technologies available, and it's pretty mindblowing. In these videos, Wolfe Air loads up a Learjet with
About a year ago I posted a short and sweet little film about the phenomenon known as a murmuration, which is when an enormous flock of starlings gather together in one location and create a breathtaking visual feast. Filmmaker Neels Castillon was out preparing to shoot recently in Marseille, France, when a murmuration took place right above his head and he was able to capture the entire thing in beautiful high definition.