Some discoveries in life are intentional and some are just happy accidents that work out in ways we never anticipated. I rely on the Transform tool in Lightroom to correct lines and perspectives, but I learned that it can completely change the look of an image to add interest and trick the eye of the viewer.

Irix has created a name for themselves by manufacturing manual focus prime lenses that are rugged, affordable, and quite sharp, making them a compelling option for any genre where autofocus is not a requirement. This excellent video review takes a look at one of the company's newer lenses, the 30mm f/1.4 Dragonfly, and the sort of performance and image quality you can expect from it in practice.

It is not difficult to get an okay shot as an advanced photographer. The problem is not seeing the things that would bring your photography even up to a world-class level. What if I would tell you that there exists a tiny subgenre in photography that makes not only most of the things you have to improve visible for you but also makes you a better photographer in all genres of photography?

Changing the background of an image convincingly is about a lot more than simply creating a precise mask for your subject and dropping in a new backdrop. It takes the ability to accurately evaluate and match things like lighting, color, perspective, depth of field, and more. If you are wondering how to do all those things, check out this fantastic video tutorial that will show you everything you need to know to convincingly change the background of an image using Photoshop.

As all facets of technology take large, confident strides forward, there are many unintended synergies and applications between them. One example of this, which is still relatively new to being viable, is using a projector as a background for photography and videography.

Neither of these looks like a regular photographer’s bag. They are rugged but attractive, and no matter where you go, you'll look stylish while knowing your gear is safe and well protected.

For many of us, 2021 has been no better a year than 2020. Take a break, and rise above the fog with this incredible video from Michael Shainblum, as he captures long exposures, time-lapses, and film images from high above the clouds in San Francisco.

Whether hobbyists or professionals, we all became photographers because we enjoy the process of creating images and sharing them with the world. But often, somewhere along the way, things go awry, and we end up unsatisfied and/or unhappy with the pursuit, sometimes turning our back on it altogether. If you find yourself in that place, this awesome video essay discusses how to make yourself a happier photographer.

After all the excitement we got last year from the comet NEOWISE, it's hard to believe that right now, there's another potential naked-eye-visible comet screaming through the solar system at 158,000 miles per hour.

Welcome to the next—and 6th—episode of our 8-part video tutorial series about long exposure photography and how different filters can produce dramatic results. As a reminder, each time we drop a new video, you have the chance to win some awesome prizes. Follow the instructions included in this post to enter this week's contest.

2021 brought a huge array of excellent gear. Here’s a roundup of the best and worst releases of the year, including a decision for the best stills camera that will take a lot of people by surprise.

The Sandmarc Motion Pro Variable filter can be used for both filming and photography. For me, it excels at one more than the other, not because of quality, but because of ease of use.

One of the challenges of landscape photography is that unlike many other genres, you do not have control of the elements in the scene, only where you position yourself and how you choose your composition. This can often lead to overly busy compositions, but this helpful video tutorial will give you some good advice on how to counteract that and produce stronger, more compelling images.

A 24-70mm f/2.8 is the workhorse lens of choice for a lot of photographers and filmmakers, offering a versatile focal length range and wide maximum aperture. One such lens for Fujifilm shooters is the XF 16-55mm f/2.8 R LM WR, and this excellent video review takes a look at the lens and the sort of image quality and performance you can expect from it in practice.

There’s a lot more to the placement of subjects in a frame than many photographers know. Considering left and right can impact how impressive your photos appear to others, and the flip horizontal is a more powerful creative tool than most people give credit to.

Tamron has had some excellent lenses over the years but nothing quite reached the caliber of their 28-75mm f/2.8 which was extremely well-received. Now, with that previous model discontinued, Tamron has released the new version, but can it keep up the earlier model's legacy?

Should you put your pricing on your photography website? It is a tricky question: on one hand, without it, you might annoy potential customers who want an idea of what they should expect to spend. On the other hand, with it, you might scare aware potential clients before you have had the chance to make your case for why you are worth the money. If you are wondering how to approach this, check out this great video tutorial that will give you some helpful advice on the topic.

A 50mm lens with a wide maximum aperture is one of the most versatile lenses a photographer can own, offering a relatively neutral focal length suitable for everything from portraits to landscapes and the ability to shoot in low light or leverage subject-isolating narrow depth of field. If you are a Nikon shooter looking for the right 50mm lens, check out this great video comparison that looks at three options at a range of price points.

In September this year, Fujifilm announced a wide range of new primes, seemingly part of an ongoing effort to update its range of glass with sharper lenses complete with better autofocus and wider apertures. Has Fujifilm produced a better lens than the 33mm f/1.4 R LM WR?

In this series of articles, I'll be comparing Capture One to Lightroom to see which one is the better choice. The articles will focus predominantly on color; however, other points such as contrast and dynamic range will also be covered too.

A wide-aperture 85mm lens is always a popular choice for portrait photography, but such lenses can often run well north of $2,000. However, the Viltrox AF 85mm f/1.8 lens promises a classic optic at a much more affordable price, and this excellent video review takes a look at if it can provide the sort of performance and image quality professionals still demand.

Along with the Nikon Z 9 and Sony a1, the Canon EOS R3 is one of the hottest cameras on the market, representing the current pinnacle of the company's technology. If you would like one of your own, best to get your preorder in as soon as possible, as it may take several months to get one.

I’ve tried several 70-200mm lenses for the Sony system, and even as I stood there holding it in my hands, I could hardly believe the new 70-200mm f/2.8 II from Sony.

It's rare to have a free educational event. It's even rarer to have such an event with big-name educators such as Chris Burkard, Scott Robert Lim, and Brooke Shaden. But the Sony Creative Space 2021 is doing just that plus so much more.

Roland Barthes was a theorist and philosopher whose literary contributions to photography are still discussed and hold relevance today. I believe he is mandatory reading for anyone who considers themselves a photographer in any capacity.

There is more information on how to edit your photos available than ever before, and while that is certainly a great thing for anyone who wants to improve as a photographer, it can lead to using someone else's editing habits and techniques rather than developing your own creative voice. If that is something you struggle with, this excellent video tutorial will help you find more creative freedom in your edits.

Modern cameras are ludicrously good at focusing automatically, able to lock on small targets and track them precisely and accurately through many challenging situations. These autofocus systems are not totally infallible, however, and there are times during which it is actually a better choice to switch to using manual focus. This great video tutorial discusses why you practice using manual focus and why it can be useful for your work.

Nikon allowed me to try out a preproduction model of the Nikon Z 9. This long-awaited camera turned out to be a marvel. During a fortnight, I came to appreciate this camera a lot. In this article, I'll tell you about my experience.

Back in 2017, my commercial work was struggling to make any impact. I got the odd big job, but mostly out of convenience rather than style — that was, until I purchased this lens.

When it comes to processing your images, Adobe is the standard choice for a lot of photographers, and many creatives go years without even trying other options. However, nowadays, there are a lot of alternatives to Lightroom and Photoshop, and whether you just do not like subscriptions or you are looking for a different way to work with your photos, this helpful video will give you a brief overview of three different options.

Alice Hirsch (they/them) is a portrait and music photographer based out of Toronto, Canada. They combine the best of vintage images with a new world mindset of collaboration and exhibition.

Video editing, as with the editing of photographs, has a lot of nuance to it. In fact, in many ways, it has more than photography as you have to control basic elements like time. In this video, one videographer discusses the element of video editing he believes is the most important.

For most people, the criteria for choosing a lens include sharpness, speed of autofocus, microcontrast, custom buttons, and weather sealing. For this photographer, the most important factor is its character.

A good macro lens is super versatile: useful for a lot more than just tiny details, including portraits, ring shots, and way more. For Sony shooters, the FE 90mm f/2.8 Macro G OSS looks to fill that role, but can it keep up with the demands of the 61-megapixel Sony a7R IV? This great video review takes a look.

Zoom lenses have made some remarkable advancements, but that does not mean primes have stagnated in the meantime. Canon's 28-70mm f/2L USM is one of the most impressive zooms in a long time, blurring the line between prime and zoom, while their RF 85mm f/1.2L USM sets the standard for 85mm portrait lenses. So, can the 28-70mm f/2L take the place of the 85mm f/1.2L, or does it still hold a special place all its own?

It was a one-on-one with a paying client. I got to know her a bit better over the phone. This was important so I could plan the session and give her what I thought she'd find value from. We met up in Paris in a neighborhood neither of us knew very well.

If you're open to more heavy-handed retouching of your images, you have almost limitless possibilities of what you can do with even the blandest of images. In this tutorial, learn how to create realistic light rays and dappled light to add some atmosphere to a photograph.

Full frame is generally considered the standard professional sensor size of choice, with some landscape photographers even now opting for medium format, particularly with the recent reinvention of the format. But of course, the bigger the sensor, the bigger the camera, the heavier the lenses, and the more expensive the kit. So, does a landscape photographer really need full frame?

Great photographers are not born, they are developed. The habits we form as beginners play a huge role in that development overall.

Perhaps no type of lens generates more admiration, envy, and fighting than a wide-aperture 85mm lens. As the classic portrait focal length, such lenses often carry their respective manufacturer's best technology, offering that shallow depth of field and buttery bokeh so many photographers crave. This fantastic video takes a look at seven of the sharpest such lenses out there and which comes out on top.

Gimbals are now as much of a consumer item as they are a high-end professional one, which means far more videographers are using them. Although stabilized footage is the goal, you can get extra creative with how you use it, and these three techniques can really help you stand out.

A 24-70mm f/2.8 is the bread and butter lens for a huge range of photographers and filmmakers, offering a wide maximum aperture in tandem with some of the most commonly used focal lengths. Nonetheless, such lenses are rarely cheap. Samyang's 24-70mm f/2.8 AF Zoom bucks that trend, however, making it quite the interesting option for a lot of creatives, and this great video review takes a look at the image quality and performance you can expect from it in practice.

Creating a successful landscape image takes a combination of many factors ranging from solid technique to creative vision and careful planning in advance. When you are trying to bring everything together in the field, it can be easy for something to go wrong. This excellent video tutorial will show you five common mistakes landscape photographers make on location and how to fix them or avoid them entirely.

Creating something new is the most important ingredient for making art. But we can’t create something new when we just capture a scene in reality. The trick is bringing an artistic concept to your photographs.

Infrared photography can be a wonderful new avenue to explore and can really get the creative juices flowing. It can also produce some otherworldly and beautiful images. Unfortunately, the cost and commitment of converting an existing camera to be capable of infrared is a barrier for many to trying it out. But, as this video demonstrates, you really don't need any specialized equipment to create great infrared images.

Smartphones have been around for over a decade now. In this time, although there have been great technological advances, such as longer battery life and larger screens, the most important one to photographers is better image quality.

After a long weekend with too much food and too little exercise, I found myself receiving a gift that contained both a product and a lesson.

The age-old question of whether great images are made by the photographer or the camera is a boring one. However, a more interesting topic is the gap between high-end cameras and entry-level cameras and whether most people can tell the difference.

On1 Photo Raw has changed from being an app that once played catch-up to advanced software with unique features well ahead of the competition. They have released three sneak peek videos of exciting features that are coming soon.

Have you ever considered using a phone for a professional project? I hadn’t but I was pleasantly surprised by what the vivo X70 Pro+ phone was capable of. Sure, it has all the technical specs with an imaging system co-engineered with ZEISS and their color correction technology built-in, but what was it like to shoot with?