Photojournalists usually pack a pretty standard kit in the field. A full frame camera is usually a must, along with the requisite 24-70mm and 70-200mm lenses that can cover 90 percent of situations a photographer might encounter. For some of that other 10 percent, a really good idea might be to pack a 360 camera in the bag as well.

Canon’s EF 50mm f/1.8 has near-legendary status as the definitive nifty fifty — i.e., a small, lightweight, affordable, fast 50mm prime lens. The news that its RF counterpart is going to be almost as cheap will be great news for owners of Canon mirrorless full frame cameras.

There are many misconceptions or myths in landscape photography; here are seven worth forgetting about.

"Loupedecks" were originally made to work with Adobe Lightroom, but the Loupdeck CT and all-new Loupdeck Live can be used with any program on your computer.

A 70-200mm f/2.8 lens is one of the most versatile and popular lenses among professionals and amateurs alike, and while they are certainly not cheap, they are powerful tools that can handle a wide range of situations from sports, to portraits, to weddings. This excellent video review takes a look at Canon's mirrorless version of the lens, the RF 70-200mm f/2.8L IS USM.

I knew very little about choosing a filter when I first started out. This short video contains some great advice and offers some examples of when to use filters and why to use them.

Canon has announced two new lenses to add to its line up of glass for its mirrorless full frame cameras: a 50mm f/1.8 STM and the 70-200mm f/4 L IS USM. These are two fascinating additions to the range of RF lenses as both have interesting details which make them special.

So, you want to change the color of something specific in a photo and you don't have Photoshop? Here's how to do it in ACDSee's Photo Studio.

You still have the chance to explore the beauty of autumn scenes and colors. But, what should you look for?

It’s fascinating to get an insight into how major sporting events are documented by photographers and perhaps even more so when the stadiums are empty due to COVID. Photographer Paul Rutherford talks you through game day, from gear to workflow and where he positions himself.

Every time I think about how much 2020 has fundamentally changed my life and my profession, I am reminded that, while dramatic, this is hardly the only period of change I’ve experienced in the business. So today, I thought I’d have a look back at just some of the changes that have impacted my own career since I first started making money as a professional photographer.

For the last three years, I've filmed everything on the Pansonic GH5. It was almost the perfect camera except for three things: autofocus, low-light performance, and shallow depth of field. In comes the Sony a7S III.

Serious and pro photographers can't help but notice that AI is creeping into our craft. Maybe "creeping in" is not the correct metaphor. It's actually rushing toward just about every software application we use. Luminar was an early adopter, and their upcoming Luminar AI, well, it has AI in its name.

I was recently in L.A. filming a new project with Mike Kelley, and I decided to sneak one of my photos into a critique we did together.

Oregon has one of our nation's most beautiful coastlines. Seeing it from the sky from someone who really knows how to frame a shot is a real treat for the eyes.

A new photobook documenting the Sistine Chapel has just been released. Taking advantage of gigapixel photography the book shows the chapel in detail never seen before in print.

Photographer Taylor Jackson shifted his work slightly in the last nine months, and this video gives you a really useful insight into how he has created regular jobs through short photoshoots for local businesses.

As photographers, we work very hard to make our photos as good as possible, ranging from investing in expensive, top-shelf gear, to learning a variety of techniques, to investing huge amounts of time and effort into the creation of and post-processing of our images. But that can be taken too far, and this great video discusses why perfect photos are not always better photos.

Released in June 2015, the Leica Q (Type 116) is a full frame, fixed-lens camera ideal for street photography. Thanks to the arrival of the Q2 in March last year, there’s now a fair few original Qs available to pick up secondhand approaching half of its launch price. Could it be the perfect camera for street photography?

Photographers frequently buy and sell gear, whether that is because they like to try different bodies and lenses or because they would like to upgrade their equipment. So, what is the proper way to sell your old gear? I think I have found the best place on the internet.

Nikon’s recent announcement of the Z 7 II and Z6 II, as well as their lens roadmap, paint an interesting picture for the future of the Z system. At a time when every other manufacturer offers increasingly expensive and exotic lenses and cameras, they’re going against the grain. Is that enough in today’s market?

One of the simplest questions that could be asked of photography, but surprisingly difficult to answer. What is the type of photograph you most enjoy taking?

Making your footage more cinematic doesn’t mean that you’re constantly trying to make your films look like a Hollywood movie, but it does mean that there are some tried and tested techniques for making your shots more interesting and aesthetically pleasing. Here are 10 great tips from experienced filmmaker Mark Bone.

In the past five years or so, we have seen a proliferation of very large lenses. With seemingly ever-expanding footprints and weights, it seems portability has often taken a backseat to image quality. But are these burgeoning sizes always better? This great video takes a look at that question.

One of the trickiest parts of landscape photography is composition, particularly since you cannot control the position of any of the elements in your scene like you can with almost any other genre. A lot of the game is about finding balance between the individual elements, and this fantastic video tutorial discusses some great tips on how you can better achieve that.

The Hasselblad 907X 50C is quite the unique camera, leveraging a powerful medium format sensor, but eschewing a viewfinder entirely in favor of a waist-level shooting experience. This excellent video review takes a look at the experience of working with the camera and the kind of work you can produce with it.

The Sony a7S III is finally here after a very long wait, but it seems the wait was worth it. This fantastic video review takes a look at the camera, its numerous improvements, and how it keeps up in real-world usage.

Sony shooters are blessed with a number of options when it comes to 35mm primes, and Sigma's 35mm f/1.2 DG DN Art is something of a bokeh beast. Photographer Julia Trotti puts it through its paces shooting some natural light portraits.

There will always be a first time. Choosing the right camera for your purpose will help you with your first steps in photography. Here are some suggestions.

Photoshop's latest release included such things as sky replacement tools and the ability to change the expression of faces. This is in line with what other software platforms offer. Are these features helping or hindering creativity and the future of photography?

Adobe just released the latest version of Lightroom that removes the split toning module and replaces it with an updated version, "Color Grading." In this article and video, I quickly go over how to use the new tool, and I even edit a few photos along the way!

The Nikon D850 was a groundbreaking camera when it was released in July 2017, though its price had dropped by a quarter by the following summer. Now, it’s cheaper than ever thanks to a $500 reduction, but does this price drop come ahead of the release of its successor?

Mobile phone cameras have made huge strides in the last few years, and with multiple cameras and the power of computational photography, they have become legitimate photography and videography tools in our pockets. The iPhone 12 Pro brings with it the latest and greatest tech, and this great video review shows the impressive results you can get from it.

In this video tutorial, watch as Dean Samed shows you how to create an image of a surreal tentacle queen in Photoshop.

We all make excuses as photographers; I will be the first to admit that I have been frequently guilty of this. But falling into the habit of making excuses can impede our work, growth, and even our bottom lines, which is why it is so important to break the cycle. This excellent video discusses five common excuses we all make and how we can do better.

Street photography has been a staple genre of our craft since the camera's inception, and some of the most iconic images — and photographers — in history, were made on the street. Here's how you can emulate one of the greats.

Every photographer — every photographer — ought to print their work at least once. But if you want to do it more regularly, what's the best option? Should you buy a proper photo printer, or keep paying printing companies to do it?

Tom Archer has been able to turn his passion for travel and the outdoors into a full-time career. In this video, he discusses his professional journey and the things that shaped his photographic style — sharing some quality tips along the way.

The last time I wrote anything about the iPhone 12 series when it comes to photography, commenter Blake B wrote, “… computational imaging is way more important than you make it out to be.” I’m starting to think he might be right.

I'm always trying to learn from other people's mistakes or experiences. It's served me well over the years, saving me much heartache, healing, and money.

Now that sky replacement has become more effective and ubiquitous in photo-editing software, more and more photographers may feel tempted to give it a try, but is it a valid photographic tool or just a lazy way to save a subpar image?

The Way I See It is marketed as a look behind the curtain of two of the most iconic U.S. Presidencies in the last century, courtesy of White House Photographer Pete Souza. It's quite a bit more than that. To be upfront, if you don't believe in photojournalism or the importance of a historical record, if you're a Trump supporter with thin skin, or if you have an inability to think critically, this movie likely isn't for you. To be honest, neither is this article.

The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2020, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.

Photo Rumors recently covered the latest BCN report on the state of the mirrorless market in Japan, which showed a resurgent Canon growing at the expense of Sony, with Nikon trailing a distant third. However, the report only outlines what is happening in the Japanese camera market and only for current sales. How important is the Japanese market?

The Sony a7S III is finally here, and it offers impressive video performance and a refined feature set for professionals. Can it be used as a hybrid camera for both stills and video work? This excellent video review takes a look at the camera from both perspectives and if it is a good all-around choice.

With zoom lenses, you usually have to pick fast and expensive, or slow and cheap. But with modern IBIS and lens stabilization, could slow and cheap by more viable?

No doubt, snow can be a fantastic addition to a wide range of images, but not all of us live in a place that gets snow, or we might be shooting in the wrong season. No problem, though, as we have Photoshop, and this excellent video tutorial will show you how to use it to add snow to any photo.

If you want to practice portraits at home, but don't want to spend a fortune on peripherals for a home studio, this is for you.

Technology marches forward and the market has certain demands. AI seems to be on everybody’s lips and some claim it will change landscape photography forever. I think not.

Each Halloween brings another battle to see who can carve the most intricate image into the side of a pumpkin. Engineer and hardcore geek Shane Wighton of Stuff Made Here designed and built his own robot to see how close he could get to the perfect pumpkin photo of his wife. It's about as crazy as it sounds.