Ansel Adams once said “you don’t take a photograph, you make it.” I have always thought that what he meant by this quote was the process involved in reaching the final image. It has never been about clicking a picture simply, but it involves the creativity the photographer pours into his image. And creativity and sensibility also are what transpire in the beautiful conceptual project of Finnish photograper Christoffer Relander, titled “Jarred & Displaced.”
Time Magazine will be counting down their selection of the 100 most influential images of all time this month. According to the magazine, the very first photograph was taken back in 1826, so they are presenting this project to coincide with celebrating the "175th anniversary of photography and the birth of photojournalism."
When you hear "Sony Alpha" and "battery life" in the same sentence, it tends to be followed with a groan or sigh, because if one article has covered it, a dozen have covered it and made a big deal about how quickly the small batteries in the Alpha cameras run out. For me, 90 percent of my time with my Sony a7S II is spent doing video work, frequently during fast-paced events or sequences or racing the clock with lighting conditions. There's nothing more frustrating than being mid-shot and seeing that dreaded "Battery Exhausted" display pop up on your screen after draining your last battery after a long day of production. So, what options do you have to help extend the life of your battery?
Post-processing at the computer for hours on end often leaves me feeling nostalgic. Maybe there’s something tangible to film photography that I’m overlooking. After seeing a fellow landscape photographer working his 4x5 near a tree in the local dunes, his approach to our hobby had me contemplating my choice of hardware. There are so many analog-inspired pictures circling the web, that it’s obvious that I’m not the only one. Today, I want to share my thoughts on film photography with you.
Anyone installing the latest Instagram update will be able to make full use of two brand new features. The first is live streaming, which allows you to broadcast simply by hitting the Start Live Video button when on the camera menu. The other allows for "disappearing" images to be exchanged over Instagram Direct, reminiscent of the format that Snapchat made successful.
For those of you familiar with the band OK Go, in addition to their catchy songs, they've also made a name for themselves with their intricately planned out and executed music videos. With their newest video "The One Moment," they sought to literally film the entire video in just one moment.
It’s impossible to deny the rise of video in recent years. Even on the high street, many shops are replacing print campaigns in favor of TV screens with moving advertisements that showcase a larger range of their products. With video, even though you lose the subtlety of capturing a single moment in time, you can share so much more. So what’s the compromise? A new micro-video app by the name of Polaroid Swing combines movement with moment in a one-second clip to create what it calls “interactive photographs.”
Hanging a photograph from your wall will always have its appeal. Make that photograph the work of a famous and respected artist, and the appeal starts to rise. This is why well-established artists can demand such a high price tag for their work. But this entire process relies heavily on the person purchasing the piece to actually enjoy the art. If the photograph does not resonate with you, then it loses a lot of its value. With that in mind, would you buy a photograph without actually seeing it first?
I have had the blessing and curse of having too many photos to edit in the past few months. I've had plenty of opportunities to improve my work with the high frequency of shoots, but it's caused me to feel buried. During a typical shoot, I'll take between 250-400 photos. With each light setup, I'll take a few shots to ensure it's just how I want it, then I'll start directing my model. I strive for 3-4 solid shots per setup, one of which will end up being the final image. Both myself and my hard drives are feeling the pressure. In order to make sure that everyone gets their photos in a reasonable timeframe, I've adopted a new workflow for my editing.
Only two months after it was released, the Elinchrom Skyport HS for Olympus is getting an update and now supports Panasonic cameras. It still does not support Fujifilm, but it seems like the Swiss flash manufacturer is heading in the right direction by adding more devices to its supported cameras list.
I am a photographer who started shooting with daylight only, and I moved to discover new possibilities of lighting only after mastering daylight and craving more tools to create the desired images in my head. I don't believe the idea that you have to have all the possible equipment to be a good photographer or that the equipment makes you the photographer. My credo was always to master what you have available and only afterwards move to a new tool. This way, you can have all the understanding of your tools and avoid a bulk of unnecessary equipment.
I don't care what you say; film is cool. It's a great way to become a more technically apt photographer, it makes you carefully think through your creative impulses, it gives a unique look, and it's just fun to shoot. That's why I own film cameras that I regularly shoot with alongside my digital setup. And it's also why I'm so excited for Film Objektiv, a rental house for anyone looking to get into shooting film or for pros looking to augment their current setup.
Need a few suggestions to help you take full advantage of that inevitable Turkey-coma that's sure to set in at some point this Thanksgiving? Fstoppers compiled a few photography-related shows and documentaries for you to comb over – just in case you need some “Netflix-and-chill” time while all of that tryptophan hits your system.
When guests aboard the International Space Station look for a place to escape for a little rest and relaxation, options can obviously be limited. The “Cupola” was built in 2010 to provide astronauts with the best view possible while operating the ISS’s Mobile Services System’s robotic arm (the Canadarm2). The Cupola's seven bay windows allow for an incredible view that's become a favorite for photographers aboard the ISS. Russian Cosmonaut Andrey Borisenko brings us inside the Space Station’s observational dome with the first 360-degree 4K video of Earth from within the International Space Station.