As someone that always seems to be on the hunt for that perfect camera bag for every occasion, I know there is no shortage of options. But in my everlasting search, one bag I have always been lacking is a good camping backpack that could also carry some camera gear. The backpack style bag I have had in the past have either been great camera bags, or great camping bags. When I saw the Tahquitz backpack though, I got excited.

If you’re like me and you shoot a lot film, you lean heavily if not exclusively on the used market. Even then, nearly all of my digital photography gear came to me used.

One of the biggest challenges all photographers and videographers face is knowing what gear to bring on any given shoot. To make it worse, we are constantly torn on when to purchase or use dedicated specialty gear versus all-around multipurpose gear. Each photographer has to learn this for their own style and genre of photography; however, learning tips that can help you get the most out of each piece of gear will always increase the usefulness of that gear.

The Leica Q3 smashes a ton of modern features into a tiny body and pairs it all with an impressive sensor, making it an attractive option for anyone who wants a portable device that does not sacrifice quality. This excellent video review takes a look at the Q3 and the sort of performance and image quality you can expect from it in usage.

Seagate released the 5TB version of the Backup Plus Portable series. Available for $100, this hard drive represents a great value for backup and cold storage application. However, the SMR technology comes with one disadvantage.

The Sony a1 and a9 III are two of the most impressive cameras ever made, and it can be tough to know which one is right for you. This fantastic video dives deep into both to help you choose the right camera for your work.

Panasonic Lumix S1 compared to the Sony A7 III, is Panasonic able to compete with one of Sony’s best selling cameras? Are they too late to enter the full frame market? And is bigger always better? Let’s find out.

Since digital cameras came into our lives like a storm a decade ago we photographers became more dependent on post processing programs and many times prefer to achieve the needed result by retouching instead of using on-camera products and in-camera settings. "I'll just fix it in post" is something we all say to ourselves during photoshoots, but it's not always the right or smart thing to do. This video gives a short overview of some of the less known lens filters many photographers don't even know exist and shows how it can elevate images in no time.

Professional photographers understand the quality of imagery that can come from a camera phone will never contend with the pictures and video you can capture with your DSLR. Phones will likely always have an innate handicap with sensor size, which leaves it's images lacking. That said, it would be quite unwise for photographers to neglect the most recent developments in camera phone technology. The ease of use, accessibility, and ability to quickly share your imagery can make your phone one the most important pieces of gear in your business. So, when phones like the new Asus ZenFone Zoom come out with a 3X optical zoom, it's best to pay attention.

A lot of professional photographers espouse the use of prime lenses, whether for their sharpness, wider apertures, portability, or for some other reason. And while there are certainly advantages to prime lenses, you should not just automatically shun zooms without a second thought; in fact, they might actually be better for your needs, and this great video essay discusses why.

Between great announcements, imagined concepts, and juicy rumors, there's never a dull time for gearheads. These last few weeks are no exception. In the full post, read of Zeiss' new 15mm lens, the only Leica you can bring to a white party, some w i d e Hasselblad rumors, and then some.

The Sony 300mm f/2.8 G Master lens is one of the best in the company's lineup. The standout feature is its remarkably light weight. However, there's a lot more to the lens than that, and this great video review takes a look at what you can expect.

With the continued introduction of new lenses, bodies, and roadmapped development, do Nikon’s F and Canon’s EF-mount lenses have a future?

The short answer is no, you don't need one; however, they do make some jobs not just easier but more enjoyable. Not all tablets are created equal, though, so this photographer gives his take on a brand you might not have heard of before.

In today’s age, it’s safe to assume that more people are taking pictures with phones than with actual cameras. I’m not here to say that the practice is wrong or that it’s right. I am just here to identify Amazon’s number-one selling mobile printer so you can bring some of those images stored on your phone to life.

A good macro lens can be one of the most versatile lenses in your bag, offering not only the ability to take extreme close-up images with high levels of detail, but also portraits at a flattering focal length and with high levels of sharpness. For Fuji shooters, there is the XF 80mm f/2.8 R LM OIS WR Macro lens, and this excellent video review shows what you can expect from it in practice.

Fujifilm's mirrorless cameras are highly respected for their design, capabilities, and innovative features, and they have become the system of choice for many wedding photographers. This great video essay features a wedding photographer taking you through the Fujifilm cameras, lenses, and accessories he uses for the big day.

Culling, processing and editing jobs is a time consuming endeavor to say the least. Hours go by with you hunched over the Wacom as you find yourself leaning ever closer to your screen. Sometime you just need to get out of the studio (or your apartment) and find a different environment to keep yourself sane. Sometimes you are away on assignment and you just need to find a place with wifi, a plug, a comfortable seat and a good cup of coffee. Well the Work Hard Anywhere app aims to help you with that, by creating a community of freelancers who share their favorite haunts to plug in, plop down and post up in.

I’m a huge fan of gimbal stabilizers, and absolutely love how easy it is to get dreamy, floating footage with these relatively inexpensive accessories. A lot of attention has been on products like the MoVi and Ronin, but other manufacturers have stepped up their game and are making products that are just as competitive in terms of features and price. One such item is the Moza Lite II, which I’ve been reviewing for the last few weeks.

Smartphone cameras have evolved in the past decade from merely being tools for documentation to being actual devices that can be used for art. With most smartphones getting bigger, what does this small phone actually have to offer?

How immersed do you get in your editing and retouching workflow? Perhaps a large color-accurate screen with pen functions might interest you.

As the latest addition to Booq’s growing camera bag offerings, the new Slimpack brings together many features perfected in their previous packs and includes the staples that many photographers now expect.

Camera phones are now being taken more seriously than ever before. The improvements in technology have made it so that the results you can produce with a smartphone, in many cases, can rival those of "proper" cameras. And this year, one major award has been given to Apple for its latest flagship phone.

Sigma makes some pretty standard lenses, but they also create some more unique and less heard-of designs that can be the sort of creative shot in the arm that excites a lot of photographers. The 65mm f/2 DG DN Contemporary, which sits in a strange middle ground between 50mm and 85mm, is one such lens, and this great video review takes a look at the sort of image quality and performance you can expect from it in practice.

Getting closer to your subject can be a real challenge. This is especially true when your subjects are birds. The simplest solution might seem to be adding a teleconverter, but it's not without its drawbacks.

I've always been a fan of odd lenses and crazy rendering from some vintage lenses. I have even gone further than most and used vintage lenses on my Sony exclusively on actual customer sessions, and I have been pleased with the results. Today, I want to talk about how much difference modern lens technology really makes in actual real-world usage.

Viltrox has swiftly transitioned from an under-the-radar brand to a well-regarded lens maker, celebrated for its budget-friendly yet impressive performing lenses. The AF 20mm f/2.8, priced under $200, continues this trend. The question is, does it live up to the high expectations set by contemporary lenses? This detailed video review explores the lens' performance and the quality of images it produces.