Ultra-wide zoom lenses are a staple for capturing expansive landscapes, tight interiors, and immersive vlogging footage. Canon’s RF 16-28mm f/2.8 IS STM offers an affordable, lightweight, and versatile option for creators who want high performance without breaking the bank.

Many photographers and videographers were not particularly pleased with the Canon EOS R when it was released, with seemingly middling specs and some seemingly arbitrary exclusions. Now that it has been on the market for a while, there has been time to form so more long-term opinions of the camera while taking into account things that can't be quantified by a specs sheet. This great video takes a long-term look at the EOS R for video shooters.

There are two fundamental types of lenses: zoom and prime. Each has their own advantages and disadvantages, and it is important to understand them before you make your next purchase. This helpful video will teach you the differences between prime and zoom lenses and help you decide which is right for your work.

Nikon has announced that the Coolpix B600 will be discontinued less than a year after it was released, but it's not the only casualty in the Nikon line-up.

Every video surveillance system I've ever used has been horrible. Surprisingly, the cameras, no matter how cheap they are, are actually pretty high quality these days, but the software used to actually record and retrieve the footage is almost unusable.

Spots on your images caused by dust on the sensor can be frustrating and hard to deal with, especially when you have lots of images waiting to be retouched. Although most recent cameras have built-in sensor-cleaning mechanisms, the dust inside your camera should be removed completely in order to prevent existing dust particles from clinging onto the sensor again and again. There are lots of products on the market, but which one you should choose?

The newly released Profoto Clic Softbox is a modifier that is designed to fill in the void that the A1 system had: no soft modifiers. Find out now how Profoto created the first Clic softbox that you can assemble in one second and whether this softbox is even any good.

Do you have Gear Acquisition Syndrome? Are you a bit of a camera gear savant? Test your knowledge and let us know how you get on?

There is one problem with shooting the night sky for a prolonged amount of time. If the temperature of the lens drops below the dew point, condensation occurs. The new Haida Anti-Fog Belt will prevent this problem.

Tamron has turned quite a few heads in the past few years by offering lenses that significantly undercut the prices of first-party options while still offering impressive performance and image quality. One such lens is the new 35-150mm f/2-2.8 Di III VXD, and this great video review takes a look at what you can expect from it in practice.

Nikon issued a service advisory today for the D750 flare issue documented by many users of Nikon's newest full-frame DSLR and reported by Nikonrumors before Thanksgiving. The issue happens when light reflects from a small reflective piece of metal that isn't covered inside the body, resulting in a horizontal linear flare in the upper portion of the image when a direct light source is at a certain angle relative to the lens.

Did you catch the news today? Nikon went on a spree, releasing flagship FX and DX cameras, as well as some exciting new accessories. Pre-orders are now available; use the links in this post to grab your gear as soon as possible, as these are likely to be some highly popular items!

Making generous use carbon fiber throughout the 4K cube that will be released as the Arri Alexa Mini, Arri's newest camera takes a direct stab at RED's Dragon, as both feature incredibly similar specifications — even their 2.3 kilogram weight. Of course, Arri isn't new to the game; they know enough to bring some game with the Mini.

Last year we released Photographing The World 3 with Elia Locardi. To film this tutorial we traveled around the world with Elia for 3 months, and in the process, we used a ton of new gear. In this video, we talk about everything we used to produce this tutorial.

Adorama TV has been mixing up their youtube channel lately, and this week features the TTL acrobatics of Joe McNally. Joe walks you through a typical street portrait as he accentuates the natural ambient light with a single speedlight gelled red. The more useful tip Joe gives is how to control the spill of your large softlight with an "egg crate" or softbox grid. I'm still shocked he pulled this shot off using only the Nikon D800 pop up flash acting as commander.

Sony's RX100 line of cameras has evolved into a powerhouse packed into a tiny body, making it a great option for photographers who would like a camera they can drop in their pocket on the go that will still deliver stellar image quality. This great review takes a look at the latest in the line, the RX100 VII.

Nikon’s newest Z-mount camera draws on Nikon’s heritage and the design of the Z fc is heavily influenced by the ultra-classic FE launched back in 1978. Does it feel as good as it looks?

You may remember back in June when Austin Rogers posted the press release about the upcoming Cambo Actus, a view camera designed to work with mirrorless cameras. Well, it's finally here and the gang over at Capture Integration have put it through it's paces.

The camera many videographers were waiting for has landed in the hands of many reviewers, but not all of them are veteran filmmakers who will look to use it in a production capacity. Here's what Philip Bloom has to say about it.

50mm lenses featuring wide maximum apertures are typically some of the most popular options out there, offering a versatile and relatively neutral focal length in tandem with a lot of light-gathering and subject-isolating power. For Fujifilm shooters, there is the XF 33mm f/1.4 R LM WR, and this excellent video review takes a look at the sort of performance and image quality you can expect from it in usage.

For the last few years photographers have been getting nervous about high res video cameras taking still photography jobs but we failed to see the biggest threat... robots! Apparently 12 of these robotic arms have been make to hold Nikon D4 cameras and shoot aerial photography at this year's Olympics Games. Luckily each of these cameras must still be controlled by a human photographer so we aren't going to lose our jobs yet.

A month ago I was asked to review the Uinta backpack from Gura Gear and was excited about using it in the city. Gura Gear makes backpacks for outdoor / travel photographers; however, I instantly noticed some features I have been looking for in a bag for my elopement and wedding coverage needs.

With the video capabilities of DSLRs constantly increasing, we have come to expect a lot from new releases. The Canon 6D doesn't disappoint. Much like the newest Nikon D800 you'll have more creative control over depth of field as well as full manual control over exposure and audio levels. Check this sample footage from the recently announced Canon 6D. Do you think it competes with the Canon 7D or the 5DMK III?

Ahead of the Japanese trade show CP+, Tamron has announced two more mega-zoom lenses, the 28-300mm F/3.5-6.3 Di VC PZD (Model A010) and the 16-300mm F/3.5-6.3 Di II VC PZD MACRO (Model B016). The lenses follow the 150-600mm f/5-6.3 announced in late 2013. The two new lenses feature Tamron's Vibration Compensation and a PZD (Piezo Drive) which will supposedly deliver faster, quieter autofocus.

Peak Design has been known for uniquely and cleverly designed multi-functional bags for both camera carry and general travel. It just makes sense for their travel lineup to be topped off by a carry-on-sized rolling bag, and here it is—four years in the making.

If you are into studio lighting at all you have probably heard about the D1 Monolight by Profoto. These lights are known for their size, flash consistency, and of course the wireless Air Remote system. In this video I'll take you through each of my favorite and least favorite features of this flash. If you are on the fence you may want to try renting these lights first.

Sony just released its fastest-ever lens in the shape of the 50mm f/1.2 GM, so there’s now a question to be asked: out of Canon, Nikon, and Sony, which manufacturer makes the best 50mm f/1.2 prime?

The Sony a9 III is arguably the most important camera release of the last several years, and on paper, it looks incredibly capable. How does it hold up in practice, though? This excellent video takes a look at what you can expect.