Getting close to birds is forever a problem, the closer you get the more likely it is that the birds will notice you and fly away. However, a floating hide can transform your ability to get up close and personal with birds on the water.

If you are on the fence about choosing a gimbal then the Moza Air 2 is worth a serious look. Not only is it more affordable than its rival, the DJI Ronin S, but it also has some different features that may interest you.

A while back, I found myself in need of continuous lighting for my video work. Initially, I chose for a budget-friendly LED panel. However, I was less than satisfied with the results, which led me to purchase the Zhiyun Molus X100 COB light. In this review, I'd like to share my experiences.

For Nikon shooters looking to lighten their load without sacrificing reach, Nikon has just announced the release of the Nikkor Z 28-400mm f/4-8 VR full frame superzoom.

The number of affordable lighting products available from Godox has exploded in the last few years. If you’re not sure which modifier will best suit your work, check out this in-depth video to help you make your choice.

Earlier this year at WPPI, ProMediaGear showed us something we thought was really awesome: a slider that easily flips between curved and straight. It's a really simple idea that no one had ever thought of: why can't the two types coexist? Now ProMediaGear wants to get their slider to market faster through crowd-funding on Kickstarter.

24-70mm f/2.8 lenses are the workhorses of choice for a wide variety of photographers and filmmakers, suitable for anything from weddings to landscape work and much more. Sony recently released the second iteration of their version, the FE 24-70mm f/2.8 GM II, and this great video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.

Photojojo.com is well known for having a ton of fun photography related products. Their latest happens to be a LED light panel that can be controlled from an iPhone.

The Kick is a five row LED light panel that can be customized to any color temperature through a downloadable app. The unit runs on a USB rechargeable battery which is a huge plus.

Tilt-shift lenses are considered standard equipment for architectural photography, allowing you to correct common geometric issues to ensure your images both realistic and of the highest possible quality. But with modern cameras and software, do you really need a tilt-shift lens, or can you get by using other techniques? This excellent video discusses the issue to help you decide.

In a new development for the company, Samyang/Rokinon has unveiled its latest lens for Sony full frame cameras: the AF 24-70mm f/2.8 FE. Just released on sale in Thailand, an announcement for U.S. and European markets is expected soon.

Most self-respecting landscape photographers will have dabbled in the delights of using filters on their lenses. I’ve tried multiple brands with differing results but have always been more pleased with the photos when using Urth filters than any others. This review will guide you through what different filters do and why I rate them so highly.

If you happened to see the recent press release and subsequent articles, you may be under the impression that Canon has become the number one brand of mirrorless cameras. And this data is probably correct. But after their release, Sony was asked about it and decided to share their end of the same data, which also says they are number one in mirrorless. So what's the deal?

Achieving accurate color in your photos can be a challenge, especially when lighting and other variables keep changing. Getting consistent results across different shoots requires using the right tools to match what you see in person with what shows up in your images. That’s where a Color Checker Passport comes in.

The headline says it all. There is now a magic Internet stop that will allow you to scroll through a controlled video test of scores of cinema lenses. It’s a magical glass rabbit hole where you can see a single scene meticulously curated over and over with the cinema lens of your choice.

A 70-300mm zoom lens can be a quite versatile optic for a wide variety of work ranging from sports to wildlife and more. If you are interested in adding such a lens to your own kit, check out this comprehensive video review of the highly affordable Tamron 70-300mm f/4.5-6.3 Di III RXD for Sony E mount cameras.

Black and white photography can challenge your perception of light, contrast, and composition. If you’ve ever wondered whether the lack of color could make your images more compelling, here's a look.

When it comes to action cameras, this time of year seems to be when all the main players release their latest and greatest iterations to the market, each promising to be better than before and better than the rest. Enter the ring, Insta360 and the Ace Pro 2, which promises to shake things up quite considerably.

In the last few years, Tamron has established themselves as a manufacturer of some of the most cost-effective and useful lenses available, offering practical capabilities and good image quality all at very affordable prices. One such option is the 70-300mm f/4.5-6.3 Di III RXD lens for Nikon Z mirrorless cameras, and this excellent video review takes a look at the sort of performance and image quality you can expect from it in practice.

Fujifilm has introduced a ton of new gear in the last couple of months, including a couple of incremental upgrades to the much-loved X-T30. How do you choose between this new X-T30 II and the X-S10?

As a long-term pro, it has been a while since I have looked into beginner studio lighting, and boy, has it changed since I purchased my first units! In this video, I look at a great first-time studio light.

In what has become something of a festive tradition, Chris Nichols and Jordan Drake of DPReview TV sit down to play drinking games and cast their verdict on the year’s best and worst camera gear.

Tamron has announced that it has completed its holy trinity of intelligently compromised f/2.8 zooms for Sony full-frame cameras: the Tamron 70-180mm f/2.8 Di III VXD.

There are a ton of obscure cameras out there, but typically, there’s at least some documentation buried in a weird corner of the internet. Unfortunately, obscurity does not guarantee performance, as this photographer finds out.

Comparing lenses can be a challenging task, especially when both options are excellent. This great video review makes a detailed comparison of the Fuji XF 56mm f/1.2 and the Viltrox Pro AF 75mm f/1.2. Both lenses are impressive, but they cater to slightly different needs and preferences.

Canon, Nikon, Sony, Fujifilm, Olympus, or Panasonic, it doesn’t matter what system you use with Elinchrom anymore. All of these are finally or extremely close to being compatible with TTL, HSS, and Hi-Sync.

Samyang (a.k.a Rokinon) has just announced the launch of it AF 35mm f/1.8 FE lens, part of its Tiny Series, and adding more f/1.8 options alongside its 45mm f/1.8 and 75mm f/1.8 lenses.