Like thousands of others, I received an email last week from Kodakit asking me to sign up. “Get more photography shoots!” it promised, but what’s the truth behind this Uber-like company, and is it worth your time?

The ways we present our photographs to the world have significantly changed over the last decade, with social media platforms like Instagram becoming the primary destinations for a ton of photographers. They bring pitfalls with them, however, and they could be seriously damaging our creative work. This excellent video essay discusses the issues we should be aware of.

When was the last time you can remember having fun with your photography? Not the joy of landing a photography job or the excitement of nailing that one photo, but rather childlike fun while shooting.

A bit of brainstorming in an uncertain time for photographers.

We live in a time where quick and easy are the ultimate goals of the many. That kind of mentality is bad for business unless you make a living off clients who'd like to buy quick and easy products.

Instagram might have sparked your interest in photography, but it could be leading you in the wrong direction. While it’s easy to be drawn in by the idea of getting more followers and likes, this focus on social media can hurt your progress as a photographer.

Lightroom has evolved into a tremendously versatile and powerful program, capable of tackling many things that one used to have to switch to Photoshop for. Nonetheless, there is always room to grow. This great video essay features a seasoned Lightroom educator discussing five things he would still like to see Adobe add to the program.

Have you ever wondered what it took to make your vision come to life? In this personal project, in the last four weeks of my senior year, I captured 365 portraits of my high school class and brought together an entire community through the portraits.

Professional photography is a pretty exclusive club in someways. It is a dream job that many of us are protective of and online this can be seen by those defining what makes you a professional photographer.

I've recently heard this statement confidently asserted, mostly by non-photographers, when talking about lighting. I briefly mentioned that it's a little more complicated than that without delving into a whole lesson on light and how it works, but it did leave me pondering the statement longer.

There’s an age-old debate in photography and filmmaking regarding the role of gear in the creative process. Will better equipment make you a better photographer? No. But also yes.

When we are children, we have an innate desire to seek validation from our parents or our teachers. Probably because we think that they know best, that they are bastions of knowledge — and in that context, they essentially are. But what is the purpose of seeking validation from others when we are adults?

For many of us, the holidays are about spending time with family and friends, exchanging gifts, travel, and leisure. If you’re the photographer among your family and friends, chances are it’s expected that you’ll capture the love and joy and all of the genuine smiles with your professional camera, because after all, it’s what you love to do, isn’t it?

It can be really tough to be setting goals for your photographic work and then failing at the end of it. Mark Denney discusses his goals with us, and how the year 2018 turned out for him.

Early in my photographic career, I was really into hard light in my photos, but at a point, I started opting for really soft, diffused light, that is until recently. I’ve recently revisited using hard light, and here’s how it has shifted my photography.

When the idea for “Trans Atlantic” came up between me, Isma, and the crew from Pekat Photography, we quickly fell in love with the concept and decided to make it a joint effort. Since slavery is a sensitive topic, we decided to do our best to approach the topic from a more academic and historical reference point. We hoped our joint effort would offer a new, fresh narrative told in a three-part series that would be presented without bias, social commentary, or cultural or historical analysis.

Our next episode of "Critique the Community" will feature family portraits. We will choose anything from kids in a studio to whole family groups outdoors; so, feel free to include a wide range of pictures. Please get in your submissions by Friday at noon (EST) and you'll have the chance to have your image critiqued by the Fstoppers team. For this episode, we will be giving feedback to 20 pictures. To qualify, you must follow the submission rules below.

Some photographers love the meditative process of film photography: it's tactile, immersive, and for some, evocative. However, there are those among us who put this traditional practice on a pedestal, claiming that it is the only true form of photography. But as long you get the image that you want, does the process really matter?

The art of translating the nostalgic essence of film into digital photography has gained momentum, bridging the gap between analog textures and the precision of modern technology. Are presets and recipes a shortcut to this nostalgia, or do they stifle creativity?

In grade school, we’re often taught to keep things simple. Although valuable advice, simplicity often gets overlooked by photographers. This article is quite simply a reminder to keep it simple.

While the industry move to subscriptions has had pain points, I think it’s a net benefit for post-production.

I’ve written before about the genius of Buster Keaton. Agent Zero on the landscape of cinematic laughter, his influences stretch far and wide. Even nearly 100 years after the high point of his career, you can still see references to “The Great Stone Face” in everything from the films of Wes Anderson to the action comedy of Jackie Chan. In a world without dialogue, Keaton embodied the still-true mantra of motion pictures: show don’t tell. Without the ability, or in his case, desire to draw laughs through witty dialogue, he instead used action, composition, and creativity to tickle our funny bones. The lessons that can be gleaned from watching the master at work are essential learning for any visual storyteller, and this video from Every Frame A Painting helps detail Keaton's approach.

You may know how to photograph your subject in a certain light situation, you may know how to compose your photograph to create additional drama, but do you allow your true emotions and feelings shine in your work?

Artificial intelligence has come into our lives in various ways, and photography is no exception. In fact, did you know that it's already being used in smartphone cameras? But what is the future looking like for merging artificial intelligence and subjective, artistic craftsmanship?

I find myself in a grateful mood this week. Well, to be honest, I find myself in a grateful mood every week. Through both times of feast and famine, it is impossible to escape the unbelievable good fortune bestowed on me to allow me live on this earth, to create art, and exist in a world where I am allowed to dream. Whether you win or lose, getting to play the game is a gift and shouldn’t be taken for granted. So this week, between crafting bids, fine-tuning cold calls, and assembling moodboards, I am taking time to do a different sort of brainstorming: how can I give back to a world that has given me so much?

We have all been there! Out and about on a photo shoot, trying to photograph a beautiful landscape or during a portrait session, and then something happens, which annoys you to your core. Join me in this article as I discuss some of the frustrations I have experienced.

The "shoot and burn," a photoshoot in which the photographer immediately delivers the images with minimal edits, saw a peak in popularity in the first decade or so of digital, when the novelty and convenience of digital files made the prospect of instant delivery enticing for a lot of customers, especially in genres like family photography. Now, with the rise of AI-powered culling and editing software, there loom some interesting questions: will the shoot and burn see a resurgence, and will it be a good thing for photographers?

Automation is now an integral part of photography. There are innovative ways you can use it to make your workflow run like clockwork and allow you the time to concentrate on your creativity.