If all of a sudden you found yourself in the market for a new camera, would you know what you'd be looking at first? This video poses an interesting hypothetical question that I until now, I had not given much thought.

Lightroom presets come with a mixed bag of acceptance. Some think they are an abomination to a learned skill and craft and should never be used, whereas others enjoy the look and feel they provide to their images. It's not just as black and white as that, and it's down to the individual whether to use them or not, but one thing to make no mistake about is the time it takes to create them.

Olympus was once the doyen of the photographic industry, with the OM range beloved for its svelte lines and high-quality manufacturing. Revitalized by mirrorless in the digital era through its collaboration with Panasonic, their OM-D range is iconic. So, why were they bought by the private equity fund Japan Industrial Partners — specialists in restructuring — and what are the portents for the future?

The shift to medium format photography can mark a significant milestone for a landscape photographer, but it's also very expensive to do so. Do you really need to do so

We all get lost in the Internet from time to time, and some of us way too much. We see a great photo online, or perhaps read an interview with a successful photographer, and then Google them and spend time pouring through their portfolio and blog. “How did they do it?" "I wonder what type of lighting that is?" "Where did they take that?" Half an hour and a cup of coffee later we close our laptop relatively depressed and completely diverted from our own path as unique and creative individuals. We start to scroll through our Lightroom catalogs in search of an amazing image we may have forgotten about that competes with what we just saw, or look at our measly social media following and wonder what we did (or are doing) wrong.

If you have a camera and access to a street, you can play with street photography. Like landscape photography, it’s one of the most accessible forms of the craft. If you’re anything like me, however, it scares the hell out of you. But it doesn't have to.

We may be pro at all things photographic, but is it enough for us to succeed as photographers in this day and age? What are the other components for the winning formula?

There are endless articles and videos discussing the pros and cons of shooting in raw versus shooting in JPEG. I’ve long been a proponent of raw for the editing capabilities, but what's more important than file sizes and editing? Longevity.

Photography is a complex topic full of myths and misconceptions, and those can lead you astray and be detrimental to your growth and success as a creative. This interesting video essay discusses three common photography myths that can undermine your work and the truth that is often hiding behind them.

Let’s be honest, there are a lot of advantages to using speed lights. They are light, portable and they run on batteries. Speed light modifiers that accompany them are also usually quite light and portable as well. But speed lights do have their draw backs and they can be a real pain to use when you encounter issues, such as a painfully slow recycle time between flashes and a lot less power then you need on a bright sunny day. If you have a love hate relationship with speed lights then this article might just have a solution for you.

Photography, as with any creative pursuit, requires the creator to have their hand in the process for the results to shine. Countless Facebook ads, online workshops, and even our camera companies would have you believe that they if you just buy that next magic bullet, everything will change for you. If they are to be believed, swiping your credit card just one more time is the key to making great images. Rubbish. It’s time to break away from that thought.

I'm always moving around, which can make doing work on the road an absolutely nightmare. Between travel for photography, workshops and the general need for some decompression, I find myself packing for travel much more often than I expect. After years of just shutting off while on the road, I've finally developed to ways to make traveling as a photographer easier.

Do you want your images to look “good”? Aesthetics will help you understand the value of an image beyond its informative and representative character. Let's ask some great philosophers what they think about it.

There is no substitute for hard work when it come to being a photographer. In my opinion, the best way to improve your work is to shoot as much as possible. If you want to be a surf photographer, shoot surfers, if you want to be a portrait photographer, shoot portraits, and so on. However, for photographers just starting out, chances are it's going to take some time and experience to build your skills to the point where you are able to specialize in one thing. While this is not always the case, here are some tips to help you make the most of the simple things and improve your photography.

There are quite a lot of complaints like: "Canon won't release a 4K video camera." At the end of the day, most photographers and filmmakers publish visuals online, and most viewers watch them on sub-2K mobile devices. Here's how much resolution you truly need.

I don’t use Adobe Lightroom. I use Bridge and Photoshop to retouch my client’s and my own images. Here are some tips and advice on how to use certain tools in Photoshop to get the best out of your work.

Turning the work you do on a personal project into something that makes you money isn't a new idea (just ask stock shooters.) However, the forethought required to concept a personally fulfilling shoot or production that will also have the chance to generate some income can be tricky to figure out. This past weekend I had three shoots, and they were all because of one personal project I created a month ago. And I actually planned for this to happen.

So much of the discourse surrounding the latest cameras is usually about Eye AF: how fast it is, how consistent, is camera X’s better than camera Y’s. There’s a reason for that, and it’s not just because it’s the latest buzzword.

Architectural photography is an exacting discipline. Consequently, small mistakes can make a large impact on your body of work. In this article, I cover five common mistakes that I’ve observed in architectural photography.

There are plenty of ways to get better images, we’ve all seen articles on which new camera to purchase, which new laptop will improve your editing, which courses to purchase, or where in the world you can visit to get stunning images. But what about some truly effective ways to improve your ability to get the shot without spending a penny?

When shooting portraits, there are certain things or ways we shoot that help us achieve a better end result. We should all be trying to capture the best portrait possible, so if someone shares advice I usually give it a try to see if it works for me or fits the style of my work.

Finally, the greatest mobile lens company is now kicking things off in serious fashion with offering their lenses to more major phone brands. With iPhone being the flagship for the longest time of prime users they are also offering it to the Google Pixel as well as the latest and greatest from Samsung with the Galaxy S8.

In the days when film reigned, most people thought that once you took a photo, the image was completed. They thought that clicking the shutter was the end of the process (They obviously didn’t know much about darkroom manipulation). But, as photographers know, that “click” is only a small part of the photographic process. The rest lies in forethought before taking the image, and the way in which it’s processed after it’s taken.

For an instant, she stares blankly out into the distance as she would for any photograph. But almost immediately, she takes notice. You're there. She turns her head, looks over, and then slowly turns back, looking down at her outstretched legs. Her eyes move slowly, looking down, as her chin lifts her gaze from the top of her legs to her feet. She's admiring herself — for you. She even starts crawling toward you. You turn your head to look around ("Toward me?," you think, but no one else is there). You turn back to her. The clip is over. You can take off your Google Cardboard viewer and go back to flipping channels on your living room TV.

I'm not a strong supporter of business cards nowadays. It's not because they don't do any good, but because most people are throwing them in the trash bin without even visiting your website and seeing what you do. Despite of that it's good to have some in your pocket. Here is my solution to using a special type of business cards that your potential clients may not throw away.

Something that happened last week really hit home for me. Everyone probably already has heard, as it has been reported by almost every single news agency in the world; Australian photographer Brett Costello was robbed of $40,000 of camera gear in Rio de Janeiro, Brazil last week while in town to cover the Olympics. However, this article isn't about him specifically.

Film photographers revere only one thing as much as the camera they're shooting with, and that's film stocks. Every film photographer has some favorites, but here are one photographer's picks that won't cost you the earth.

I stepped into photography world over 10 years ago and was lucky enough to have a wide variety of clients from different parts of the world. This made it essential for me to be flexible while negotiating or taking jobs despite cultural differences, from Armenia to U.S., from Mauritius to South Africa, Singapore, various European countries, and more. Usually you will get hired based on your portfolio, but sometimes there are clients who don’t understand much about photography. This is where the danger is. Everyone wants to get top results for the money they spend by hiring you, but what is considered the best for such clients?

Everyone has a different feeling on collaboration. I feel that it's a very good thing for a new photographer, but I also feel it can be greatly misused or misrepresented. I used a model/photographer finding website to gain skills and experience via collaboration, and I feel it was a shortcut to what would otherwise have been years of work.