San Francisco-based commercial photographer, Erik Almas, is known for his flawless composite work as well as shooting campaigns for many major companies such as American Airlines, Toyota, Microsoft, and Nike, just to name a few. In January he is offering a workshop where he will take you through his entire workflow, from shooting the background plate and model, to editing. What makes this workshop even better is the fact that 100 percent of your money will be used to help build a school through Pencils of Promise!
After the traumatic loss of her son in a terror attack in Barcelona last year, an Australian mother found solace in composite superhero artwork created by a total stranger.
Turns out you don't always need to be an amazing photographer to create photographic art. I came across graphic designer Bashar Hjooj's work on Instagram, where he combines two to three photographs shot by complete strangers to create art full of imagination with his own take.
Good special effects are the ones you don't really realize were "special." They are the moments that give you that sense of awe without dragging you away from being caught in the moment. Fuel VFX specializes in creating special effects for a wide range of movies, some of which you've most likely seen this year.
In this video tutorial watch as Abby Esparza shows you how to create a burning effect in Photoshop. This is a really cool effect, and the way Esparza goes about doing this is definitely one of the best ways I have seen.
Do you consider this an art form separate from photography, or do you consider this an extension of photography?
The impact of the final composited images depends more on the directing of the cute little model, than the image manipulation trickery. In this article I will share how I did both.
There are many ways to create a glow effect in Photoshop using layers and blending modes. What if you could do it in a fraction of the time and get even better results? Would you be interested?
The Get Well Tree is the latest touching project from the talented collaboration The heART Project. Many of the previous projects have been featured here. Each one brings amazing artists and sponsors together to help bring love and smiles to a family that has experienced some form of hardship. This time the project follows two childhood cancer survivors on a fantasy journey through a dream-like world. 12 photographers came together to create a 14-page photo storybook staring these two heroic little girls.
Photographing toys can be a lot of fun, but they don’t always look like the most realistic subjects. Here are a couple of quick and dirty ways to add an aged, eroded look to your composited playthings to up the realism of your toy photographs.
Through Premiumbeat.com's Vimeo channel and blog, motion graphic designer Kevin Gater did the world a huge favor by recently providing a tutorial on creating realistic, falling snow with RED Giant's After Effects plug-in. There are a ton of settings in After Effects, let alone in the RED Giant Trapcode Particular plug-in, that would take forever to navigate; but Gater does a great job going through which settings to ignore and which ones to pay attention to so you'll know exactly what to tweak for your needs. Thankfully, in 15 minutes, you can be ready to add great snow effects for the holiday season or that high-mountain horror short with just a few careful clicks.
Circulating daily on social media we see turtles caught in plastic, beaches bathed in piles of garbage, or decaying wildlife that make hearts heavy because we can easily relate to those species. However, there is another ocean issue that does not get enough coverage but it is dissolving many of the unseen organisms every day.
With many countries still experiencing different degrees of restrictions, arranging photoshoots can be difficult. If you want to keep learning, Photoshop techniques are a decent substitute.
During our 4 month project with Elia Locardi I didn't shave once. During this time my beard got a little out of control. Last week I had a little fun shaving it off slowly and creating portraits of myself as different characters. I'm now giving out the raw files to you, to abuse them as you see fit.
Our latest series of behind the scenes episodes with Elia Locardi are almost over. In today's episode we continue to explore the rooftops of Dubai in search of the perfect cityscape photograph of the city. We then head out to a remote desert to photograph the stars only to find out our guide had other plans. This is “Photographing the World III” behind the scenes episode 12!
While we are inundated with beautiful images of the northern lights online and on social media, I think it's safe to say you've never seen aurora art like this before.
CGI is usually associated with movies, but it has its place in photography too. In fact, you create elaborate and creative backgrounds for your shoots using CGI software.
I have been learning a ton of video know how in the past few months from watching the tutorials over at VideoMaker. I recently shot a green screen video for some background compositing and didn't take as much time as I should have setting up the lights for the green screen (the subjects on the other hand were flawlessly lit, haha). I thought I was out of luck until I came across this video which showed me how to fix my beginner's mistake and also has a few more handy tips for other green screen screw ups. Enjoy!
In this video tutorial, watch as Abbey Esparza shows you how to create a dynamic split water effect in Photoshop. This is a really cool effect that I have seen in many composite images. So, if you have always wondered how it is done, watch this tutorial.
