Creating dynamic and interesting images in a time crunch situation sometimes means you’ll have to finish your images in post to develop the most iconic and exciting imagery for yourself or a client. This has usually meant a good amount of time spent in Photoshop to extract and then blend your foreground and subject with your sky. In this video you will get to see how Luminar 4 can save you time and help you create an epic back-lit environmental portrait.

In this video walkthrough watch, as I show you how I created this large composite in Photoshop with my son.

In this video tutorial, watch as Dean Samed shows you how he created a homage to Attack on Titan in Photoshop. This is a full walkthrough of the entire process and definitely worth the watch to see another photo manipulator's workflow.

Over the past 7 years since I first bought my camera, I have been lucky enough to meet a fair amount of the people that I looked up to in the industry. Some of them I have become very good friends with.

Many photographers have that one muse who inspires creative projects, knows exactly what the direction is, and is always the perfect collaboration. One artist found his own muse in himself when he set forth on a project to capture every stage of emotion of his own work. Creating composites from film, this artist brought a new light on the emotional range that photographers face everyday.

In this video tutorial, watch as I show you how to create heat haze in Photoshop.

NO SPOILERS HERE! Just in case you were worried. They say inspiration can come from anywhere, and I have to say that definitely couldn't be more true. For one photographer, it came in the form of one his favorite TV Shows. Commercial automotive photographer Pepper Yandell took his work with automotive photography and digital retouching, and combined it with imagery and concepts from the Netflix Series "Stranger Things" to make a truly unique photograph featuring one Lamborghini, and a monster from the show.

In this video tutorial, I'm going to show you how I photographed the bedrooms on a $12 million yacht. Although the rooms are large for a boat, they are very small compared to your average bedroom.

In this video walkthrough watch, as I show you how I created my "Neon God" cyberpunk image in Photoshop.

One area a lot of photographers can focus their quarantined free time is updating their portfolios. Unfortunately, taking new and fresh photos is probably not part of that process, but that doesn't mean you still can't find new images to add to your website or social media stream.

Do you need to put together a mood board or share some ideas with regards to the location you're looking for? Soon, it'll be possible to draw some lines and have it generated by AI. This video shows what's to come.

Anyone who's shot Comet NEOWISE has noticed one thing: it looks a bit small in the frame when shooting on wider lenses. That's why with the help of some image editing, creating a composite where we replace the sky may be the best way to produce a stunning comet composite.

As a commercial photographer and digital artist, I spend a lot of time in Adobe Photoshop. One thing that I love to do is find creative solutions to solve visual problems using Photoshop. I know we all get stuck in our ways from time to time, but If you do any retouching or compositing work for living, I can’t emphasize enough how important it is to experiment and find new ways of doing things. Photoshop is always evolving and it’s important that we use these new digital imaging technologies to our advantage. In this article, I go over a technique I discovered to add steam from scratch in Photoshop.

There always comes a time while you're surfing the web looking for inspiration that you stumble upon something so striking that it just blows you away. You sit back and wonder... 'How in the world did they manage that?' Jean Osipyan, a professional fashion photographer from Armenia and now based out of Russia takes the extra steps from ordinary to extraordinary in his retouching.

I live in a small city far from popular landscape photography locations and seemingly devoid of fellow photographers. I oftentimes find myself feeling a bit alone in the creative process. To remedy this, I went online to find peers and look for resources to get constructive feedback on my work. I ended up meeting someone who helped me improve my work and whose generosity took me completely by surprise.

When creating composites using various images from multiple photos, each part has its unique color balance. This is where most beginners tend to fail when creating a composite.

In this composite walkthrough, photographer and digital artist Clinton Lofhouse shares how he created this striking composite and gives several tips for how to make a fantasy image like this one believable.

In this tutorial, Photoshop guru Aaron Nace of Phlearn.com shows you an easy yet effective way to take branding your images to another level. By placing logos or other branding elements into a scene's already existing spaces (such as billboards, truck trailers, or even clothing) you can really drive home the message you are trying to deliver. Follow Nace's simple step-by-step instructions to recreate this effect in your images.

It's easy as a photographer to get caught up in having dozens of strobes and spending hours trying to get an image perfect in camera. It doesn't always have to be that hard, though, and in today's photography tutorial, I work through a mock advertisement campaign shot with just one strobe light.

Once upon a dark and stormy night, the chills ran up my spine as I clicked the mouse, seconds seemed more like minutes while I nervously awaited for the page to load. Ok well it wasn't that dramatic, however I'd be lying if I didn't say Horror Photographer Joshua Hoffine's work didn't give me the heebie-jeebies. A VFX friend of mine shared some of this photographer's work on Facebook and I immediately had to find out who this guy behind the scary photos was. I got a hold of Joshua after asking him if I could interview him and his process for Fstoppers. Then I almost peed my pants, being an old school horror film buff I was pretty excited to share some of his work! This guy puts some serious work into his scenes and it's not only something to be truly admired, however also pretty unique in the rat race of photographers now a days.

Regular photos can often be too true to reality. And when you take something out of proportion or play with what is naturally possible, it can be much more evocative. This video gives some ideas and ways of doing it.

I'm excited to announce a new weekly segment, where you the Fstoppers community can submit your favorite image to be edited and retouched by me, Lance Nicoll. Post an image you recently shot, that hasn't been retouched yet, in the comments below. On Thursday I will retouch it an post the recording of the entire process! If you guys love it, I will continue to do this every week! – And maybe in the future even do it as a Live Retouch with Q&A. The rules are as listed below. Really excited to see everyone's submissions. Submit your image by Wednesday at Midnight to be selected.

One thing to remember when creating composites is that a couple of extra little details can make a huge difference.