Creating composite image can be a fun blend of imagination and a range of practical post-processing techniques. Two of the most important skills for creating convincing results are matching light and color. This helpful video will show you a range of tools to check your work and to achieve the best results.

In this video tutorial, watch as Dean Samed shows you how to create an image of a surreal tentacle queen in Photoshop.

Getting a pinpoint selection of an object in Photoshop is one of the most basic skills but also can be one of the hardest tasks to do. Here are five tips for getting accurate selections on even the most difficult details.

In this video tutorial, watch as Redouane Naouri shows you how to create snow in Photoshop. There are many ways to do this, but this technique is one I have not seen before.

Resource Magazine has a big issue out this quarter: Bill Nye is telling the world why photography will save it. Want to know the answer? You're going to have to grab this fall's issue of Resource. But a behind-the-scenes video of the photo shoot for this feature's spread shows just how much compositing there is in modern-day photography. Composited or not, the video is a quick, interesting look into a neat shoot with science's most famed personality.

We are living in an exciting time, where software and machine learning are rapidly changing the way we approach work. For some industries, artificial intelligence will destroy job opportunities, but for other industries, it will revolutionize productivity. How will photography and the retouching world fare as editing software begins using this exciting technology?

Anya Anti is an internationally published photo artist from the Ukraine who now lives in the Big Apple. If you have never seen her work, you are missing out on a whole series of quirky, interesting, and fantastical images that stir up emotion and imagination.

Thomas Heaton created a new set of videos last week about one of my favorite topics and shooting styles: landscape panoramas. I love photographing night skies and landscapes this way and the technique overall is very simple yet can give fantastic results. The best time to start learning how to shoot panoramas is during the day and Heaton takes us through his photography of a great autumn scene and explains what, why, and how he is capturing the images before he goes into his post processing.

Combining multiple images is something that every photography will try at some point, but it is more difficult than merely cutting out one part of a photo and replacing it with another. This video teaches several important skills for matching the various images of a composite.

Have you been taking the same images with slight variations over the last few years? Have you seen new technologies shake up the photography world, yet largely kept your distance from them? Today, the esteemed Kristina Sherk from Shark Pixel shares with us one such tool that can revamp the work you've been putting out. Following her tutorial written for us below, I decided to try it out myself. I encourage you to break out of your comfort zone, give it a try, and share your photos with us in the comments.

From photos of Pluto and its moons to constantly expanding catalogs of images of our planet, NASA's releases seem to be never-ending lately. The latest epic space image, however, comes from German astronomers from Ruhr University Bochum. At a massive 46 billion pixels and a unwieldy 194 gigabytes, the image unseats the previous record holder for the largest photograph of space: NASA's 1.5 billion-pixel Hubble photograph of Andromeda.

In this brilliant tutorial from Phlearn, Aaron Nace shows you how to create an artistic, composite image to replicate the double exposure effect. Despite being a little complex, the instruction is easy to follow. Nace’s great tips include: finding an appropriate blending mode, using detailed masking and grouping as well as using the gradient tool to add that extra something to your image.

Software company Red Giant has been making the plugins that video editors have been using to sweeten their edits since the days of MiniDV. Fan favorite Magic Bullet Looks has long offered stylized, preset looks for its users. It has just been announced that Red Giant will be updating Magic Bullet to version 2.5, along with updates to PluralEyes and BulletProof.

For the yet unreleased October 'survival' issue of Backpacker magazine, adventure photographer, Bud Force, decided instead of having a model dangling perilously off of a cliff that he would do a creative composite. He shot the background at 'El Capitan' peak in Guadalupe Moutains National Park and the subject at Mineral Wells State Park.

In my early days with Photoshop, there were many timex when I tediously removed background from text by "magic-wanding" it out. If you've ever been inexperienced enough to do this, then you know that you then have to isolate the background that remained within the closed off section of each letter, like the inside of an "o." I've come a long way since then, but apparently, not long enough. Because when I saw LA-based digital artist, best-selling author, and founder of PhotoshopCAFE, Colin Smith, blend out the white background to isolate the black text and vice versa using only a few clicks, my $^@%*! jaw dropped and my face met palm.

I have a confession to make: I’m not a huge "Star Wars" fan. In fact, it’s best that no one ask me any questions about the series because I’d likely embarrass myself. Sebastien Del Grosso on the other hand may be able to provide more insight, or rather, some impressive images that pay tribute to the iconic series known across the globe by so many.

With 2014 nearly behind us and the list of this year's summer blockbusters almost forgotten, we have a treat from the incredibly talented team at Industrial Light & Magic that takes us back in the form of this behind-the-scenes video of the CG that went into "Captain America: The Winter Soldier." What never gets old about these badass behind-the-scenes videos are how they blow away the background of big-budget movies, essentially revealing the digitally constructed landscapes surrounding our beloved actors in films.

For over a year and a half now, David Reynolds has been filming his "budget" series of short films called The Underwater Realm. Each week he and his team release a behind the scenes video on how they overcome some technical aspect of filming (previous Fstoppers posts here). This week Eve explains how he tackled the challenge of making a small diving pool appear like an infinite ocean using something other than green screen. If this is what is required on a budget, I can't imagine what the full blown productions look like!

Visual imagery, when used properly, can become one of the most powerful tools of making an impact around any disturbing topic. The recent campaign for an animal shelter World for All in India is a bright example of it. Photos of puppies and kittens might work, but I am inspired by how the creative team took this campaign beyond what we see on a regular basis. Optical illusion, more precisely figure–ground reversal, is used intentionally to create new visual images with the play of foreground and background within an existing image.

In this video, Commercial Photographer Joshua Geiger walks you through how to easily composite and retouch a product shoot using mid to low-range watches, yet brings them to life in a high end way. His technique is fairly simply but the experience he shows in layering his shot and adding texture via smoke and atmosphere is brilliant.

The use and misuse of composite photography is a story we hear about quite often. Long before the days of Photoshop and digital manipulation, though, composite photography existed. Here's the story of one of the earliest controversies surrounding a composite.