How I Created This Stylized Composite Portrait in Photoshop
In this video walkthrough watch, as I show you how I created this stylized female boxer composite portrait image in Photoshop.
In this video walkthrough watch, as I show you how I created this stylized female boxer composite portrait image in Photoshop.
You may hate heavily post-processed images and videos, but do you hate them the right way? Here's how to properly do it.
So let me start with a bold statement. Adrian Sommeling is probably the most famous composite artist in the world.
In this video tutorial, watch as I show you how to add light leaks to your sky in Photoshop. Light leaks are part of the styling process of your photo manipulations and are added towards the end of your workflow.
This video reminds me of my college days– spending time working with a friend while having next to no budget, but coming up with a fun idea for a short video that would allow us to flex some creative muscle. Corridor Digital may have a (small) budget for these, but what I enjoy about them is that the fun and creativity feels authentic, which you often only get when no agency or corporate sponsor is pushing creative decisions. In this video, you'll see the final clip, with the behind-the-scenes video inside the full post.
Sell the fake or add to the surrealism. As a creative retoucher and composite photographer, these are two aspects that in my opinion are very important: you either learn techniques to help blend realism into the piece or to make it stand out and add surrealism.
Sometimes you just want to shoot midday with a speedlite, in the middle of the forest, on a balmy 80-plus degree day in Florida. OK, those last few statements are purely hypothetical, but as a traveling photographer, I work with what I’ve got.
Here is the why and how I recommend you photograph the sky.
You may or may not be able to shoot as much as you'd like right now, so why not polish your compositing skills in Photoshop. This tutorial shows you how to create a fantasy image from start to finish.
Montreal photographer, Ben Von Wong, an Fstoppers favorite is at it again with his latest shoot. The folks over at Nikon sent Von Wong a Nikkor 400mm f2.8 lens to shoot with. Typically with a large lens you would shoot nature or sports, but not Von Wong. He decided to test the lens using the Brenizer Method. He took several portraits of musician, Andrew Kesler, on top of a rooftop, but one problem presented itself. How to light Andrew in the middle of the night on such short notice? In typical Von Wong ingenuity, they chose, an iPhone.
"Underwater Beauty" was an image commissioned by a local company as a part of their campaign supporting various independent artists. The image was created as a composite for obvious reasons. In this article, I'd like to walk you through the process of creating it from the initial idea to the final result.
Beginning this Thursday May 30 - June 1, creativeLIVE will host photographer Aaron Nace as he teaches compositing 101. Aaron has taught photography and photo manipulation to millions of people for over five years. In this 3 day comprehensive workshop you'll wake away with a better understanding of how to conceptualize an idea, plan out your composite, photograph and light each piece of the puzzle, and artfully combine the many parts using Photoshop.
Nuit Blanche from Spy Films on Vimeo.
In this video tutorial, watch as Dean Samed shows you how to create undead zombie skin in Photoshop. If you like creepy images, check this out.
If you are into fantasy or photo-illustration style photographs, you are likely well aware of compositing, or shooting key elements separately and blending them in Photoshop. While compositing is made easier thanks to software solutions like Photoshop, have you ever considered how they are done without it?
If you follow any of my work, you know I am a sucker for anything Back To The Future. I even recreated my own BTTF image using a real DeLorean awhile back, so I HAD to share this video. The guys over at Shanks FX have created another inventive tutorial on how you can create your own time travel scene on a budget using a DSLR, simple time lapse software, a toy DeLorean, and some LED lights. Think you may want to try something like this at home?
Commercial photographer Dean Bradshaw provides us with a unique perspective of his recent photo shoot for "Startrac". The shoot involved a handful of athletes being shot while mock competing in their individual sports. The athletes were shot in a controlled environment and then composited into different backgrounds in post.
Li Wei has earned his way to recognition in China through his trademark gravity defying images. This video, recently featured by the Creators Project, gives a little behind the scenes glimpse of how Li Wei was inspired to pursue his aerial stunts and how his creative ideas have reflected the quickly changing culture and country around him.
Skip the hour-long tutorials and get results by having a half decent grasp of Blender already.
How many times have you seen that popular meme that inaccurately says today is the "Back to the Future" day? Well today, October 21, 2015, is in fact the true date Marty McFly set as his future destination in his time traveling DeLorean from "Back to the Future II." To help celebrate this iconic date as well as the 30th anniversary of the original film, the production company Full Frame did this awesome photoshoot where they explore the capabilities of time travel. Check out the full behind the scenes video in the post below.
Back again, Benjamin Von Wong takes on family portraits this time in another one of his behind the scenes videos. See how he put together 4 different scenes to make typically mundane photography style come to life. Using a D800E and Photoshop, check out how Ben works his magic.
The Amazing Spider-Man has been out for about 2 weeks and has made 137 million dollars. I saw it last week and was really impressed by the special effects but I've never had a full understanding of what really goes into it. In this video Jerome Chen from Sony Imageworks takes us through the basics of creating an all CG fight scene. Check out the full post for 3 additional videos.
Last week we had the Fstoppers community submit their best composite images for the latest episode of "Critique the Community." There were some awesome composite submissions, including a wide range of genres. We chose a total of 20 pictures for Lee and Patrick to give feedback on. Add your comments and ratings to the pictures below. If we selected your picture, we'd love to hear about how you did it.
No doubt, healthcare workers are the frontline heroes who deserve recognition for their sacrifices. To honor their dedication, Hasselblad created an extensive piece depicting the struggles experienced.
The Cooperative of Photography, a photography apparel manufacturer and community-focused online mag, produced a cool new photography series where they asked creative photographers questions and the answer come only in the form of images instead of words.
Our good friend Blair Bunting is at it again. This time Blair was hired to shoot the ad campaign for The Discovery Channels hit show River Monsters. The concept was relatively simple; to have the show’s host Jeremy Wade wrestling a giant fish in the shallow waters near South Beach, Florida. To do this Blair's team used a fake fish that was then replaced in post. To freeze the water with a quick flash duration and stay portable Blair used the new Photoflex Tritons.
In this Photoshop layer breakdown, watch as I talk you through all the various Photoshop layers that it took to create this huge composite.
Photographer and digital artist Renee Robyn is known for creating magical composites complete with gorgeous costumes and dreamy scenery. But what happens when there is no designer to provide styling, no makeup artist, and a budget of only $50 to spend?
Composites are one of the best ways to give your image a whole new look and feel. It can take something from the ordinary to the extraordinary. Understanding how to create these images to stack in a realistic way is all about understanding how to blend your subject seamlessly.