For some of us photographing the 24 Hours of Le Mans is a dream that would be a peak in our careers in the world of Motorsports Photography. The images created at this iconic race have been some of the most powerful images in the genre. For one collector however, his enthusiasm for the sport and an endless collection of scale replicas of the famous Le Mans cars led to him recreating some incredibly authentic looking images inspired by the Les Mans Race.

Aaron Nace recently made a video showing you a quick and easy way to make lens flare (in a blank layer) right in Photoshop. While it might not be quite as exciting as, say, removing a model's bra this is a really handy tip to add a little bit of interest to your images. This method lives the user more latitude when it comes to adjustment of color, intensity, rotation, blur, and scaling after the fact.

I do not think I have heard this many great tips for visual control and storytelling in such a short video before.

Catchlights are those beautiful, almost imperceptible, reflections in the eyes of your model that bring their expression to life. When photographing portraiture every effort should be made to capture this light in their eyes, but sometimes they come out so faint the impact is simply not enough. Fortunately, there is an easy fix.

Max Riché, a commercial photographer based out of Paris recently shot a huge project for the Red Bull Media House using the same concept as his "Becoming and Athlete in One Photo" series. Shooting trail-biker Petr Kraus against a black backdrop and using light painting techniques, some strobes and then later bringing all of the images into Photoshop he created these awesome fluid-movement series of photos.

Shooting time-lapses can be a good skill to have as a photographer and as a video producer. I like shooting nighttime traffic. It gives me an urban energy, with the lights dragging over the shot to give an indication of motion, power, and electricity.

I've had some pretty amazing experiences in my life. Fstoppers.com has given me incredible opportunities like meeting Bon Jovi, or riding in the first Lamborghini Aventador in America. Our international workshop last week took a year of planning and insane amounts of stress. On top of it all, I had the flu during the entire week. Even still, last week was the most rewarding week of my life.

Making composites look seamless and realistic is the ultimate goal of a digital artist. In this tutorial, you will learn a simple and very effective technique for matching the degree of saturation of your background and subject.

Big movies mean big budgets, which usually mean big visual effects. The Moving Picture Company (better known as MPC) recently released another one of those mesmerizing VFX breakdown videos for their most recent feature film, “The Martian.” The breakdown reveals some aspects of the film and of Matt Damon's performance that were both challenging and impressive, like the fact that the helmets worn in the film didn't feature physical windscreens. Those were added later with matching reflections to the scenery.

If you've not seen Felix Hernandez' images before, you're missing out. The Cancun-based photographer's work is as brilliantly resourceful as it is creative. In this interview, we go behind the scenes of his shoot using 1/45 scale models for Audi Middle East and Hernandez guides us through his process and offers advice for up and coming photographers.

GoPro has become one of those companies like Redbull where everything they put out there is pretty cool. It has been fun seeing such a small startup become the industry leaders in tiny HD video cameras. With their new Wifi BacPac, GoPro gives users the ability to control their cameras through tablets like the iPad and smart phones. Unlike previous versions of the Hero, you can now control the shutter, camera modes, and other options with a simple remote. It's pretty amazing to see what this camera has become in just a few years. Rock on GoPro!

In today's Fstoppers video, I set out to create some conceptual fashion images with Puerto Rican model Krystal Xamairy. Using the brand new Tamron 35mm f/1.4 lens, a few strobe lights, and a couple colored LED panels, I will walk you step by step through the entire process.

Check out this high-resolution zoomable panoramic photo taken right after the 1906 earthquake in San Francisco. Shot from a kite 2000 feet over San Francisco Bay, the detail is jaw-dropping and the scene after the disaster is otherworldly.

I recently teamed up with the crew at Fstoppers to create a video tutorial that focuses on the foundations of creating a standalone product hero shot for advertising. What’s a standalone product hero shot you ask? It’s a standalone image of a product that’s generally well lit, super crisp, super clean, and essentially aids in selling a company's product.

It’s been quite trendy in the past few months to see handwritten text composited onto images on Instagram. Perhaps you’ve been wondering how it’s done or maybe you’ve just been looking for a way to make your writing even more personalized. No matter the reason why you’re reading this article, if you want to give a more personal dimension to your images with handwritten text, be sure to watch this tutorial.

One of the more common areas to apply a bit of photo composite work is of course in the sky. Often, Mother Nature will opt to ignore our photographic needs. The good news is you can overcome this with a little help from Photoshop.

MPC or The Moving Picture Company is famous for creating truly stunning visual effects for blockbuster films like, 'Wrath of the Titans', 'John Carter' and 'Harry Potter and the Deathly Hallows'. They also did the effects for the mind blowing 'Prometheus'. In the first video VFX Supervisor, Richard Stammers, explains how they created the plant surface (or moon's), of LV-223. He explains how they used Google Earth as a reference for locations used for the film's backdrop. In the second video MPC shows snippets of various scenes broken down.

Love it or hate it, CGI and digital compositing are here to stay. I think you'd actually be surprised at how much of it is used without you even realizing and for this reason it's something which you should be open to embracing to enhance your video and photography work.

We've featured architectural photographer Mike Butler before, when he shot the Intercontinental Hotel in Miami, FL. This time, Mike heads to Bogota, Colombia, to shoot the Virgilio Barco Library using a slew of hot lights and assistants. If you've ever wondered why it takes 8 hours to create a single architectural image, this BTS will show you exactly why.

Jeremy Cowart is the newest photographer to be featured as a part of Profoto's Master Series. In this video he explains his work flow of his well known Imogen Heap portrait. Jeremy thinks way outside the box with much of his work and he is a true artist at heart. Hopefully hearing him talk us through this shot will move you to find new ways to shoot whatever it is you do. Enjoy!

Hungarian photographer Flóra Borsi is not your average self-portrait artist. Many of us are satisfied with the regular glamorous makeup and looks, but Borsi shapes her own perception of the perfect selfie through her exceptional creativity. A while ago, Flóra took a picture along with her dog in which the eyes of the dog overlapped with her own, creating a feeling as though this was an eye of hers. This was the initial trigger to create the "Animeyed" project, a series of self-portraits with different animals whose facial features overlap with her own, giving an illusion of one, common eye.

We've posted about commercial photographer Eric Doggett on here before. You may recall his popular post about how he put together his family's Back to the Future Christmas card. He goes out of his way to create some of the most creative holiday cards I've ever seen. Eric uses a creative arsenal including set-building, 3D modeling, Photoshop, photography, and graphic design to create unique one-off pieces for his clients. Read below to learn how he used ALL of these tools to create a fantastic Star Wars Christmas card.

Making drastic changes to an image used to take a lot of know-how and time to complete. Now, with the use of LUTs and this tutorial, you can turn a daytime image into a nighttime image quickly and simply, with great effect.

Compositing in Photoshop comes in many forms, from product and portrait enhancement to fantasy-style images. Every digital artist will have their own workflow, as there are many different ways to get the final results.

Few months back we featured the incredible and unique rock climbing photos of Seattle-based photographer Kiliii Fish. This week Kiliii finished his newest photo series he worked on for a long time - this time survival was the theme. The results? Nothing short of epic. In this interview he explains the whole process and reveals how he shot and edited it all.