Wednesday upgraders and new customers will see PhotoLab 6 and ViewPoint 4 on offer. Photolab 6 has a lot of new features, most notably an update to DXO's popular DXO PureRAW technology, arguably the best software available to fix color, noise, and optical issues in RAW files.

Over the last decade, we've had lots of new wide aperture lenses hit the market. Lenses like the Nikon 58mm f/0.95 make producing images with super shallow depth of field relatively easy. Even significantly less expensive lenses like an 85mm f/1.8 can produce beautiful, shallow depth in an image, but what if you want more depth?

Our behind-the-scenes series on the filming of "Where Art Meets Architecture 3" continues today with episode 6. In this episode, Mike Kelley flies to the Fstoppers office in Charleston to start working on the post-processing portion of this tutorial.

Most photographers are familiar with the content aware fill tool. This features has been part of Photoshop for years and can be a life saver to remove unwanted or distracting elements from an image. Adobe recently implemented this tool in After Effects and this short tutorial shows how to use it.

Snapseed, Google's ridiculously powerful and popular image editing smartphone app, just got a major upgrade for its Android users. Following up on the introduction of raw file capabilities in Android 5 last year, the app now supports editing of those files right on your phone, greatly increasing the capabilities of photographers on the go.

I have been learning a ton of video know how in the past few months from watching the tutorials over at VideoMaker. I recently shot a green screen video for some background compositing and didn't take as much time as I should have setting up the lights for the green screen (the subjects on the other hand were flawlessly lit, haha). I thought I was out of luck until I came across this video which showed me how to fix my beginner's mistake and also has a few more handy tips for other green screen screw ups. Enjoy!

Us photographers may be going a little stir crazy without new shoots to edit, so I propose an alternative.

Have you ever recorded a video with a cheap mic or maybe just with bad settings and got a hiss or faint high end distortion? What about a low pitched hum like the sound of an A/C unit or heavy traffic outside the window. Well have no fear, in this video the guys at VideoMaker show you some handy tips for correcting hisses and hums using high and low pass filters, notch filters and automated tasks. Enjoy!

From contemporary to classic in one breath, in this installment of the A to Z of Photography I outline the current, and oh so trendy, hyper-lapse technique before showcasing the work of the classic, and brilliant, photography of Horst P. Horst, including his signature work the "Mainbocher Corset". Read on for more!

A large screen with a precise pen, 4K resolution, and color accuracy? What more could you want on your dream editing setup?

In this video tutorial, watch as Abbey Esparza shows you how to create a dynamic split water effect in Photoshop. This is a really cool effect that I have seen in many composite images. So, if you have always wondered how it is done, watch this tutorial.

Oniric is the new Photoshop plug-in from Composite Nation that creates seamless, customizable lighting effects with the click of a button.

You recently got into video and decided to use Adobe Premiere to edit your footage. That’s fantastic. But now, with your first timeline done, you find yourself in an awkward position: what settings do you use to export your sequence in the best way possible? With photography it’s quite easy, but videography is whole different thing. There are tons of options to choose from, and that’s once you’ve gone past the tens of export formats. In this short tutorial, Justin Odisho will show you how to get a great exported file without having to learn all about codecs, bitrates, and other barbarous settings available.

Seth Worley, the director of ultimate short films, such as 'Plot Device' and 'Order Up' is back with another short film that he directed for Red Giant... 'Form 17'. The short film centers around a bomb defuser and his daughter while on a 'take your daughter to work day'. (Why couldn't my dad be a bomb defuser...or a unicorn whisperer?) In the behind the scenes look at the short film Seth goes over the writing process, the hectic filming schedule (aka: one day) and the post-production process. He also explains how he used PluralEyes from Red Giant to easily sync all of the audio.

Editing is where your creative vision comes to life. It’s the step that polishes your work, giving each photo a unique signature. But getting carried away with edits can sometimes harm the final image.

While people around the world prepare for the holidays, photographers have something else on their mind. For all of us it's that time of year to buy your conference pass, make your hotel reservations, plan shoots with friends and highlight the classes you want to attend at the annual WPPI Photo Conference in Las Vegas from February 26th thru March 5th.

The folks over at creativeLIVE are broadcasting an entire week of photoshop classes. Classes kicked off Monday, February 24 and will continue to stream LIVE for free until Friday, February 28th. This week covers a broad spectrum of things available to photographers in Lightroom and Photoshop such as workflow, digital file management, local and global adjustments, photo restoration, selections, and my personal favorite, advanced beauty retouching.

Efficiently and effectively creating impactful black and white images of people can be tricky, but utilizing ACDSee Photo Studio Ultimate's Light EQ tool, I've whittled my workflow down and kept the results just as high.

As I continue to add content to my YouTube channel, I thought it would be fun to try something new and screen-record myself while doing an edit. During this process I remembered the importance of trying edits like this to familiarize myself with the programs I use on a day to day basis.

In today's fast-paced world of AI and digital photography, tools like Aiarty Image Matting are transforming workflows for photographers. Designed for creators and businesses, it uses advanced AI to deliver precise background removal, even for challenging images. As a professional photographer, I find background removal essential in most of my commercial work, and sometimes dealing with a complex subject can be frustrating.

Shooting panoramas can be a highly rewarding exercise. However, there is always the dread in the back of my mind as to whether I will be able to stitch it correctly when back in my editing suite. I, for one, have had this challenge with an image that I thought was going to be a banger, only for the horizon to slope off or for an important part of the foreground or sky to end up not stitching, resulting in a scrapped image.

Editing is no different than shooting – you will get stuck for inspiration at one point or another. But, how can we get through it without losing our mind?

If you use Final Cut Pro to edit video and share those videos to Vimeo, you might be interested in checking out this new app. Vimeo just released a native app client for MacOS, and it looks like it could be pretty handy.

Earlier today, Fstoppers writer Adam Ottke published an article introducing Adobe's latest plugin to help Apple iPhoto and Aperture users mirgrate to Adobe Lightroom. Unfortunately, many of the folks who've tried to use it have run into complications. Adobe seems to be watching closely, as they quickly updated the plugin page with detailed instructions guiding users through the migration process. For the full scoop, you can check out Adam's earlier article here, and see Adobe's full blog post here.

Are high-resolution images created from multiple images taken by the camera a gimmick? Is it possible that they can actually create higher-quality images? But isn't it too difficult to shoot and process these images? What about all the storage space that they need? All your questions are answered in this video!