Holy butts. Sometimes the fact that I'm an artist and I'm allowed to get weird slips my mind. I don't have a boss, I'm allowed to create what I want, I'm allowed to try new things for the sake of playing, and I'm even allowed to start a blog post by saying "Holy butts." That rocks.

Are you up to a creative challenge today? No matter how many lights you have in your kit, I challenge you to shoot your next portrait or film using just one light.

Less can definitely be more when you're trying to create mood in glamour photography. I think you'd be surprised what sort of results can be achieved with compact lights and a little know-how.

When you are working in a studio, you can have just about whatever lighting you want at your disposal, no matter how complex and cumbersome the setup. However, when you move to on-location shoots, simplicity and portability are the name of the game. This awesome video tutorial will show you an easy, compact, and effective lighting setup for on-location portraits.

Getting color consistency from your eye, to your camera, to your computer can be a real pain in the butt. Especially if you still haven't settled into a reliable, regular workflow. Color calibrating your monitor once a month and taking reference images with a gray card are invaluable when it comes to getting consistent color. If you are still struggling with getting your image colors to look right, then Freelance Photographer Gavin Hoey has the video for you. Watch as Gavin walks through a step-by-step process on how to achieve consistent color.

In this tutorial I will show you how to setup your studio strobes for full length portraits as we shoot an editorial style lighting setup. First we will look at the entire gear list we used and you can use for a similar setup, from the backdrop to the studio heads. I will breakdown our lighting. with lighting diagrams and explanation of WHY we are placing our lights where we are. Also, in this video tutorial we share some Behind The Scenes from our shoot day.

What happens when a hugely successful photographer grabs a $20 halogen light from Home Depot and uses it in a model photoshoot? You be the judge.

No matter where you are in your photographic journey, one thing is certain: you need to know how to manipulate light. The team over at Monte Zucker Education have put together an interesting speed light tour featuring pro Canon shooters Bob Davis and Stephen Eastwood. The Need Light? Speedlite! Tour starts March 9th and hits 32 cities throughout the US. If you have never used off camera lighting or are looking for unique ways to add excitement to your photographs, this workshop is definitely worth checking out.

Off-camera flash can be a bit intimidating for a lot of photographers, but it opens an entirely new world of creative possibilities and is well worth learning. This excellent video discusses the benefits of off-camera flash over just natural light and how it can improve your work.

What happens when you fly half way across the world to shoot portraits of a model on an exotic beach, but then realize the light is not as soft or usable as you thought? In this video, learn how you can sculpt the natural light the way you want to create the most flattering results.

Portrait lighting is about a lot more than simply creating a technically balanced image of your subject; it is your chance to exercise your creativity and show off your subject in a compelling and interesting fashion. If you would like to improve your own portrait photography, check out this fantastic video tutorial that will show you how one photographer lit and shot a set of portraits using several lights and modifiers.

The last time I talked with Alexis, he was just trying out a technique of shooting two different lighting setups with the press of a button (be sure to check that article out for details on how the SpeedCycler feature of the Pocket Wizard MultiMax works).This time around, he managed to pull off five different looks (three at one time) – nabbing himself six pages and the cover of the World Cup preview issue of Sports Illustrated. His behind the-scenes-video gives a ton of insight into how he pulled this off, but I asked him to go even further than the video or what he already explained at his blog and explain the "whys" of it all.

Joey L. is a photographer best known for his stunning personal work creating portraits of the peoples of Ethiopia, India, Indonesia, and other exotic places of the world. He uses studio lights on-location to achieve his unique and dramatic look for his portraits of these exotic people. Consequently, he is frequently asked about what lighting gear he takes with him for those kinds of shoots. Recently, Joey made a video and blog post outlining three major options for portable studio lighting for photographers with varying budgets who want Joey L.-esque studio lighting on the go.

One guy in our industry that continually impresses me with his execution of beautiful environmental portraits is Joey L. One concept he has been wanting to shoot for sometime is some portraits of "artic explorers" but rather than fight with the elements of the weather he pulled it all off in studio. Read on to learn how it was done and what equipment was used.

High-speed sync has been around for quite some time now, and has mostly been limited to speedlights. With Profoto’s recent adoption of the technology into its B1 and B2 Series lighting systems, they are signaling a change that has the potential to bring some much needed relief to the strobist community. This signal hopefully means the beginning of the end of flash sync limitations with DSLR cameras.

Learn how to create a sun ray effect in Adobe Photoshop in this brief but effective tutorial.

There are a ton of different modifiers available for working with artificial lighting, and it can be a bit overwhelming (and expensive) to pick one when you are just starting out. Umbrellas are some of the cheapest modifiers out there, and as such, they are a fantastic tool for learning how to work with artificial light, and they can do a lot more than they often get credit for. This excellent video tutorial will show you how to create compelling portraits using just one light and an umbrella.

Halloween is just around the corner, folks, so it's time to start getting those creepy, creative ideas out of that weird head of yours and into your camera. What better place to start than in the comfort of your own home?

One of the best ways to achieve a nice soft light on your subjects is to use a scrim. These scrims can range from large reflectors to giant sheets, but they all perform the same task, and that’s diffusing hard light. The problem with scrims is that while diffusing the light, they also lower the power of that light. This loss in power is dependent on the specific scrim you are using and can range from a quarter stop of light all the way to one and a quarter stop of light. The problem with this is that as you lower the light on your subject, while still getting a proper exposure on them, you are in turn raising the exposure of your background. In this video you can see how Joel Grimes uses a scrim net to help control this added brightness to his background.

I remember meeting Peter Hurley for the first time. I walked into his studio and saw him shooting a client's headshot with 4 Kino Flo hot lights (normally used for video). I asked him why and he said "The quality of light is just better than strobe. It fills the pores on a human face differently." At the time I was intrigued, but I no longer believe it.

It used to be that continuous lighting was either way too hot or simply not powerful enough for lighting portraits, but LEDs have come quite a long way in recent years, and they are now a viable alternative to strobes in certain situations. This great video examines the two options while showing off a unique light that can do both.

UPDATE: WE'RE SOLD OUT - 6 years ago I built a collapsible softbox that could easily fit in my pocket while I was shooting weddings. I built this product for myself and never dreamed that it would become a real product one day. 2 years ago Patrick and I set out to have the "Flash Disc" mass produced and patented. We just received our patent and first batch. Order now and get 3 before Christmas.

Starting off in any genre most photographers will go through the feeling of being on top of their game. This is until years later when they look back at their portfolio and cringe compared to the work being produced now.

With companies like Profoto and Elinchrom offering an increasingly broad range of self-contained strobes, Broncolor was no doubt feeling left out with its predominantly pack and head oriented lineup. That’s all changing now with the release of the new Siros strobe; a compact, wall powered, feature rich and wallet friendly flash unit.

No AA's? No problem! Late last year Neewer, a company previously bashed for making fake MB-D11 battery grips, released the TT850 speedlight (you may also find this same flash branded as the Godox Ving V850). While not offered by B&H, they can be found on eBay and Amazon, for around $100. Typically I wouldn't get too excited about a third party product but there is a particular feature that sets the TT850 apart from its competitors and put it at the top of my list.